Showing posts with label Placebo. Show all posts
Showing posts with label Placebo. Show all posts

Monday, 4 February 2019

Twitter Twatter #61

August 2018 on Twitter:














































Monday, 31 October 2011

Let's All Meet Up In The Year 2000

A lyric from Pulp's 'Disco 2000' it continues "Won't it be strange when we're all fully grown?"

The last year of the twentieth century & George Bush is elected President of the USA, unless you count Florida. And they didn't.

I was supposed to be working hard on my A-Levels, but if I'm honest I spent more time on Oklahoma, Habeas Corpus and A Doll's House.

These are a few of my favourite things from 2000:

Film
Small Time Crooks
Woody Allen's crime caper is great fun with wonderful performances from Tracey Ullman, Elaine May and Brian Markinson. Here's the trailer.






Best In Show
Christopher Guest's wonderful mockumentary takes on dog shows. The cast are uniformly fantastic with Guest, Eugene Levy, Catherine O'Hara, John Michael Higgins, Michael McKean, Michael Hitchcock, Parker Posey, Jennifer Coolidge, Jane Lynch, Fred Willard and Ed Begley, Jr. all giving excellent performances. Here's the trailer.

O Brother, Where Are Thou?
Based on Homer’s Odyssey, the Coen brothers inspired depression road movie sends a fantastic trio in the form of George Clooney, John Turturro and Tim Blake Nelson on a riotous ride as it mixes comedy, adventure and some great music. Here's the trailer.



Dancer In The Dark
This film is often described as having an implausible plot. It is a musical folks, and since when have expected plausibility from our musicals? This particular musical wears its implausibility like a hard won badge of honour. Apparently loved and loathed in equal measure, which is an achievement in itself. I couldn't care less about the Dogme manifesto, but Björk gives an astonishing performance in the lead role and that alone is worth your attention. Here's the trailer.

High Fidelity
Breaking up is hard to do in this adaptation of Nick Hornby's novel. John Cusack, Jack Black, Todd Luiso and Joan Cusack are all wonderful. Rob’s Top 5's speak to the geek within, but they also set the tone: can you enjoy life whilst always reviewing it? A question close to my own heart and to which the answer eludes me. The variations on the "So shall we leave at that, then?" scene are fantastic and the music is great throughout. Here's the trailer.

TV
Buffy The Vampire Slayer: Doomed; A New Man; The I In Team & Goodbye Iowa; This Year's Girl & Who Are You?; Superstar; Where The Wild Things Are; New Moon Rising; The Yoko Factor & Primeval; Restless; Buffy Versus Dracula; Real Me; The Replacement; Out Of My Mind; No Place Like Home; Family; Fool For Love; Shadow; Listening To Fear; Into The Woods
The rules have changed in Sunnydale with the arrival of The Initiative, the chip in Spike's head and the discovery by Buffy and Riley of each other's secret identities. Despite averting another apocalypse, Doomed is not a big episode full of revelations, but instead one about clarification. The nitty gritty of these new elements is explored. Giles has been marginalised for much of this season and instead of just sulking A New Man gives us some comedy hi-jinx. A brace of two-parters changes everything, again. Buffy joins up with The Initiative in The I In Team which confirms Maggie Walsh as absolutely and definitely this season's Big Bad until the last scene. With Maggie gone, Riley's loyalties uncertain and Adam on the loose, Goodbye Iowa gives us a view of how the rest of the season is going to pan out. All of which is put on hold by the welcome return of Faith in This Year's Girl and her bodyswapping with Buffy in Who Are You? Both Sarah Michelle Gellar and Eliza Dushku are wonderful as each other's characters. Superstar is fantastic and really shows the versatility of the show. Where The Wild Things Are shows the strength of the ensemble, Buffy and Riley may be the stimulus but it is the rest of the Scooby Gang that carry and resolve the story. Oz returns in New Moon Rising to discover how much the show has change d in his absence and that he no longer fits. He will be missed. The big showdown occurs in The Yoko Factor & Primeval as Adam gets his comeuppance in spectacular style whilst capitalising on the themes of separation that have run through this season. Having dealt with the Big Bad an episode earlier than usual, season four ends with the more introspective Restless concerning the fall out from the spell that invoked the first of the Slayers and shows that no one does dreams better than Joss Whedon.
In principal, season five opener Buffy Versus Dracula sounds like a terrible idea and yet once again this show make s it work spectacularly. The episode also introduces Buffy's little sister Dawn as if she's always been around, and Real Me is another mission statement episode establishing her relationships with each of the rest of the Scooby Gang. Xander is duplicated in The Replacement and Nicholas Brendon proves that double the Xander is double the funny. After three largely standalone episodes Out Of My Mind is the soapiest yet and sets Joyce, Riley and Spike off on their paths for the rest of the season. No Place Like Home introduces Glory and reveal s Dawn's origins as The Key. Tara is thrust into centre stage in Family and Amber Benson is wonderful. Told largely in flashback, Fool For Love details Spike's earlier run-ins with previous Slayers features a great performance from James Marsters and is beautifully shot. Things get serious in Shadow with Joyce discovering that she has a brain tumour, Riley going in for some recreational Vampire activity and Glory sending a big snake after The Key whatever it may be. Listening To Fear sees Riley reaching out to the remnants of The Initiative, but Kristine Sutherland and Tiny Jewish Santa are the real highlights. Into The Woods sees the remnants of The Initiative reaching out to Riley, but it's Brendon's performance that stands out again.

Angel: Somnambulist; Expecting; She; I've Got You Under My Skin; The Prodigal; The Ring; Eternity; Five By Five & Sanctuary; War Zone; Blind Date; To Shanshu In LA; Judgment; Are You Now Or Have You Ever Been?; First Impressions; Untouched; Dear Boy; Guise Will Be Guise; Darla; The Shroud Of Rahmon; The Trial; Reunion
Angel Investigations return to help the hopeless with Somnambulist, the most 'cop show' episode of the series which is chock full of 'detecting' montage and ends Kate Lockley's ignorance of the supernatural. The overnight pregnancy episode is usually a bad idea, but when Cordy is Expecting the result is far more touching. Allegories of female genital mutilation are not common on television and She redresses the balance whilst also giving Alexis Denisof some spectacular pratfalling opportunities. I've Got You Under My Skin is a great example of episode that puts its own spin on a classic horror trope of demonic possession and makes it the lesser of two evils. The parallel narrative of The Prodigal draws comparisons between Angel and Kate's relationship with their respective fathers. Angel's 'birth' and John Mahon's conflicted performance are particularly well done. The Ring is a gladiatorial fight to the death episode, but as usual one that is far better than the competition. Briefly bringing back curseless Angel, Eternity has its cake and eats it. After wreaking havoc in Sunnydale, Faith arrives in Five By Five & Sanctuary on the run and moves quickly from hired assassin to torturer to victim in a two-parter that features wonderful performances from Denisof, David Boreanaz and Eliza Dushku, marks the first time Wolfram & Hart goes on the offensive and more importantly is when Angel really steps out of Buffy's shadow. J. August Richards makes an impressive debut as Gunn in War Zone. Christian Kane's Lindsay has a crisis of confidence in Blind Date and ultimately decides redemption isn't for him, which sets the tone for the Wolfram & Hart episodes to come. The first season finale, To Shanshu In LA, is epic and yet touching, with a surprising cliffhanger ending.
The second season opens with Judgment in which Angel accidentally kills one of the good guys and can't seem to do anything right, but more importantly the late Andy Hallett is wonderful in his first episode as the Host, a character whose juxtaposition of attributes encapsulates Angel as a TV show better than any other. Are You Now Or Have You Ever Been? is a fantastic fifties piece which taps into some good ol’ McCarthyist paranoia. First Impressions brings Gunn further into the fold and gives the new selfless Cordelia a mission. Untouched sees one of Wolfram & Hart’s plans go awry, but only after showing that they are the lesser of the two evils in Bethany's life. The law firm's plot concerning Angel and Darla becomes both clearer and more confusing in Dear Boy. Denisof and Art LaFleur are excellent in the equally excellently named Guise Will Be Guise. What Buffy's Fool For Love (above) was for Spike, so Darla is for…well for Darla. Her history is beautifully told with prodigious amounts of flashback often showing the same scenes as Spike's episode, but from her perspective. The Shroud Of Rahmon is a heist, but it's Denisof and Charisma Carpenter that provide the highlights. Angel undergoes The Trial to save Darla and it's tempting to wonder why he bothers. The last scene is great. Darla and Drusilla's Reunion leads to a massacre worth cheering and then the most-shocking episode ending in the entire series.

Star Trek: Voyager: Blink Of An Eye; Tsunkatse; Live Fast And Prosper; Muse; Fury; Life Line; Unimatrix Zero; Critical Care; Inside Man; Body And Soul; Flesh And Blood
The crew of the USS Voyager watch generations pass on a planet in the Blink Of An Eye in lovely slice of hard SF. Jeri Ryan, J.G. Hertzler and Jeffrey Combs all put in great performances that make Tsunkatse better than yet another-gladiatorial-fight-to-the-death episode has any right to be. Live Fast And Prosper is very enjoyable, punctures Star Trek's pomposity beautifully and the enjoyment of Gregg Daniels character at playing a Vulcan is very funny. B'Elanna find herself as a playwright's Muse and the Greek-chorus plays she inspires are a great device. Kes returns in Fury and Jennifer Lien is wonderful as her bitter older self. Robert Picardo pulls double duty in Life Line and the results are fantastic. In the sixth season finale, Seven visits Unimatrix Zero, the shared virtual world in the subconscious mind of the Borg is a fascinating notion.
The cliffhanger is a massive cheat and robs the Borg of most of their menace, but Part II is saved by wonderful performances from Tim Russ and Susanna Thompson. The Doctor is kidnapped and put to work in Critical Care is another allegorical episode which is a damning indictment of the US health system. Inside Man sees another great appearance by Dwight Schultz as Barclay and also as his ultraconfident holographic alter ego Reg. Ryan's performance as the Doctor inhabiting Seven's Body And Soul is uncanny and very, very funny. The return of the Hirogen and their holographic prey in the TV Movie Flesh And Blood makes comparisons with slavery. The ever reliable Picardo and Roxann Dawson help prevent this episode being too simplistic and reassuringly the self-appointed holographic messiah Iden is a more complex character than he first appears.

Futurama: Why Must I Be A Crustacean In Love?; The Lesser Of Two Evils; Put Your Head On My Shoulder; Raging Bender; A Bicyclops Built For Two; A Clone Of My Own; How Hermes Requisitioned His Groove Back; The Deep South; Bender Gets Made; Mother's Day; The Problem With Popplers; Anthology Of Interest I; War Is The H-Word; The Honking; The Cryonic Woman
The first episode to centre on Dr. Zoidberg is Why Must I Be A Crustacean In Love? as the Planet Express crew visit his homeworld for what is essentially a great remake of Star Trek's Amok Time with lobsters. Put Your Head On My Shoulder is a great Valentines episode. The Lesser Of Two Evils introduces Bender's 'twin' Flexo which breeds mistrust aboard the Planet Express ship and leads to excessive searching of Leela's underwear drawer, Bender's "little thing called style" and features the great line "No one in New York drove, there was too much traffic." Raging Bender sees Bender become a professional wrestler, but the scenes of Hermes with a brainslug and the foreigner with his "crazy passport" are the highlights. The scenes in A Bicyclops Built For Two set inside the internet and video game are fantastic. How Hermes Requisitioned His Groove Back is fantastic. The scenes of Hermes 'holiday' and the Bureaucrat song are wonderful. A Clone Of My Own is a wonderful Farnsworth episode which introduces Cubert and features young people using curse words to great effect. The Deep South is a nice diversion as a visit to lost city of Atlanta with a wonderful exposition-covering Chamber of Commerce video narrated by folk-rock troubadour Donovan. Bender Gets Made introduces the Robot Mafia and features the line: "Those are the finest cigars in the universe. I can stink up a whole maternity ward with one of those things". The hilarious The Problem With Popplers owes more than a little to Star Trek's The Trouble With Tribbles and features another brilliant song. Mother's Day concerns mankind's over reliance on technology, the re-invention of the wheel and features possibly the only geriatric supercentarian seduction in animation. The four 'what if' scenarios of Anthology Of Interest I are all great. The Honking is a wonderful mix of werewolf and horror car movie jokes with a great plot twist. On first glance War Is The H-Word is a hybrid of references to M*A*S*H and just about every other war movie, but it also contains a plethora of ball-based gags, a government sponsored suicide bomber and an interesting commentary on homosexuals serving in the armed forces. The Cryonic Woman is a measure of just how well Fry has fitted into 31st century life and how grateful we should be that the series isn't about his on-again-off-again girlfriend of the past thousand years, Michelle.

Marion And Geoff
Each of Rob Brydon's ten minute monologues as recently-separated minicab driver Keith Barrett is a tour de bloody force.

The League Of Gentlemen: Destination: Royston Vasey; Lust For Royston Vasey; A Plague On Royston Vasey; Death In Royston Vasey; Anarchy In Royston Vasey; Royston Vasey And The Monster From Hell; the Christmas Special
More special stuff from The League Of Gentlemen. The nosebleeds storyline of the second series is a far more integral element than the new road was of the first. Papa Lazarou and his circus arrive at Destination: Royston Vasey and find it even stranger than he is. Herr Lipp shares his Lust For Royston Vasey. Pauline lays siege to the Jobcentre and nosebleeds reach epidemic proportions in A Plague On Royston Vasey. Tubbs and Edward begin searching for a no-tail for their son David and find more than they bargained for in Death In Royston Vasey. The town is quarantined causing Anarchy In Royston Vasey, Pauline's siege peters out and the episode has an incredibly bleak ending even for The League Of Gentlemen. It all comes to a head in Royston Vasey And The Monster From Hell with a shotgun wedding and an angry mob, ironically despite their many crimes Tubbs and Edward are innocent of these particular accusations. The unnamed Christmas Special is a great portmanteau tale with a framing story featuring Bernice hearing confessions of sorts on Christmas Eve, with very funny stories for Charlie and Stella, Herr Lipp and Chinnery's grandfather, and setting the tone for the third series.

Farscape: Nerve; The Hidden Memory; The Way We Weren't; Look At The Princess; Won't Get Fooled Again; The Locket; The Ugly Truth, A Clockwork Nebari
This is where Farscape really takes off. Outer space vies for attention with inner. Gigi Edgley is a welcome addition to the cast and Wayne Pygram is fantastic as Scorpius (and Harvey). The Look At The Princess trilogy which begins to show the scope of what Farscape could achieve. Won't Get Fooled Again is a human reaction to A Human Reaction, an epic love story in The Locket, a courtroom drama with subjective testimony in The Ugly Truth and A Clockwork Nebari probably contains the single-most shocking image shown on television ever.

Louis Theroux's Weird Weekends: Hypnosis; South Africa; Gangsta Rap
Louis Theroux turns his focus on some more subcultures. He investigates the world of Hypnosis and with the likes of Marshall Sylver and Ross Jeffries employing it in such cynical ways the results are scary mix of comic and heartbreaking. Louis visits post-Apartheid South Africa and interviews Eugène Terra'Blanche and various other members of white Afrikaner separatist communities and finds a surprising variety between them. Louis investigates the porn, the pimping and the pessimistic promotion of Gangsta Rap, each of which seems worse than its predecessor. The individuals that he meets are fascinating: Mello-T spends more time on his extra-curricular activities, Wild Wayne is a great rap ambassador, Master P's definition of "keeping it real" does him credit, Reece and Bigalow are very endearing lyricists and Theroux's rapping is more impressive than you would expect.

Human Remains: An English Squeak; Slither In; All Over My Glasses; Straight As A Flute; Hairless; More Than Happy
Rob Brydon and Julia Davies are fantastic in each of these six bleakly comic episodes of a mockumentary sitcom that each focus on a different relationship. An English Squeak presents the audience with the aristocratic Flick and Peter living in the shadow of Flick's dead fiancé and a medical condition that prevents their intimacy, but only when her husband is in the room. Slither In provides the least dysfunctional couple in the series with swingers Gordon and Sheila, both keen to talk about their proclivities despite exes, naysayers and a sister in a coma. Steven and Michelle take the next step from their bullying relationship with a "Lady Diane" inspired wedding, the wedding dress shop scene, the ABC of bands game and Spiel, Spindalero and Sausages: All Over My Glasses might just be the funniest half hour of television comedy ever made. Christians and curly sausage casseroles abound in Straight As A Flute, but it's Beverly and Tony's assessment of their neighbours and aubergine hair dye that makes this episode. In Hairless, Fonte and Barne are musicians whose creative output is odd, Fonte has no problem describing the songs of Alanis Morrisette as her own work: "All I’m taking is the lyrics and the tune, that's all I'm taking from Alanis", while Barne reads too much into the psychology of his own compositions. Les and Ray run an increasingly eclectic Brighton boutique in More Than Happy and their tragic history is revealed slowly and the timing as they talk over and contradict one another is perfect, plus the episode features the best wig ever seen on TV.

Black Books: Cooking The Books; Manny's First Day; Grapes Of Wrath; The Blackout; The Big Lock-Out
The first series of the bookshop-based sitcom sets up its three main characters with skill and Dylan Moran, Bill Bailey and Tamsin Grieg are wonderful throughout. Cooking The Books isn't just a fantastic first episode, it's a fantastic episode full stop: the customer with the leather fetish, "and the plug went in some Tizer", Nick the fugitive accountant, Chunky soup, Martin Freeman's interrupted diagnosis, The Little Book Of Calm, the Christians who've never been indoors and Fran's gadget. It's Manny's First Day and he's already struggling to keep his job wrangling with the rules of the shop, the closed sign, Bernard's urinary multi-tasking and David Cann's customer. Grapes Of Wrath is a classic, with its descriptions of shop filth that are almost literary in and of themselves, Kevin Eldon's cleaner is excellent, the onscreen drinking tally and Frankenstein's vineyard are hilarious. The Blackout gives each of the characters their own storyline with great success and Bernard's dinner party faux pas are very, very funny. This divide-and-conquer strategy continues very successfully with The Big Lock-Out which features the funniest use of a Subutteo player in British television…

Jam
Chris Morris creates the bleakest sketch comedy show ever made. Jam is a bold post-modern masterpiece with its particularly innovative uses of editing, grading and sound. Amelia Bullimore, David Cann, Julia Davis, Kevin Eldon and Mark Heap are all fantastic in their many and varied roles. Highlights across the six episodes include: the 4ft Noddycar, the poppadom fight, thick people winning arguments, all Cann's Doctor sketches, Martina's present, the plumber mending the baby, Mr Lizard, abortion coffins, Billy's parents at the Police press conference, the little hoover, Maria, acupuncture, the Lulch's estate agents, "And you should lock up", Ted's laissez faire parents, musical chairs and "Babies don’t cry!?"

Gormenghast
The phrase All-Star Cast is usually not as rewarding as it sounds, but Celia Imrie, John Sessions, Warren Mitchell, Ian Richardson, Neve McIntosh, June Brown, Christopher Lee, Richard Griffiths, Eric Sykes, Windsor Davies, Stephen Fry, Steve Pemberton, Spike Milligan, Gregor Fisher, Cameron Powrie and Andrew N. Robertson are all fantastic in this luxuriant adaptation of the first two of Mervyn Peakes Gormenghast novels.

Now And Again
Twelve episodes of this brilliant series were broadcast in 2000, but I can't remember how this show ended and as it is shamefully unavailable on DVD I may never find out... It probably shouldn't be on this list, but I loved it so it is.

Music
Clinton: Disco And The Halfway To Discontent
The album by Cornershop's side project is a jaunty mix of the usual musical styles with an increased amount of dance flavour included.
Stand out tracks: 'People Power In The Disco Hour', 'Buttoned Down Disco', 'Electric Ice Cream (Miami Jammies)', 'Mr. President', 'Welcome To Tokyo, Otis Clay'

Eels: Daisies Of The Galaxy
The third album is a distinctly lighter affair than its immediate predecessor without bring overly sentimental. Full of simple, yet, beautiful symphonies and self-deprecatingly humorous lyrics.
Stand out tracks: 'Grace Kelly Blues', 'Packing Blankets', 'The Sound Of Fear', 'I Like Birds', 'Flyswatter', 'It's A Motherfucker', 'A Tiger In My Tank', 'A Daisy Through Concrete', 'Wooden Nickels', ' Mr E's Beautiful Blues'

Gomez: Abandoned Shopping Trolley Hotline
This collection of B-Sides, session tracks and live performances holds together better than most albums. The track selection shows Gomez in a more experimental light and shows the direction they would take with In Our Gun, while songs like 'Bring Your Lovin' Back Here' and 'Flavors' still have that distinctive Gomez sound. It may be controversial to admit it, but I prefer the cover of 'Getting Better' to the original...
Stand out tracks: 'Bring Your Lovin' Back Here', 'Hit On The Head', 'Flavors', '78 Stone Shuffle', 'Shitbag', 'Getting Better'

Lemonjelly: .KY
A compilation of three EPs released by the Electronica duo. Each track features eccentric samples beautifully surrounded by a musical landscape that ebbs and flows wonderfully. 'The Staunton Lick' is fantastic, one of the most accomplished composition ever to arrive in my shell-like.
Stand out tracks: 'In The Bath', 'A Tune For Jack', 'The Staunton Lick', 'Homage To Patagonia', 'Page One', 'Come'

Placebo: Black Market Music
Rockier and more consistent than either of the band's first two albums, Black Market Music is filled with lyrics that eschew the hedonism associated with Placebo and instead seek to question it.
Stand out tracks: 'Taste In Men', 'Days Before You Came', ' Special K', 'Spite & Malice', ' Black-Eyed', 'Blue American', 'Commercial For Levi', 'Narcoleptic', 'Peeping Tom'

Books
The Truth by Terry Pratchett
The advent of movable type leads to the publication of the Discworld's first newspaper and with it investigative journalism. This novel is crammed full of references to the Watergate scandal and becomes a treatise on print media and the presentation of the news. As with many of Pratchett's works this book is oddly prescient and has remained topical in light of the News International phone hacking scandal.

A Local Book For Local People by Jeremy Dyson, Mark Gatiss, Steve Pemberton & Reece Shearsmith
Taking the form of a scrapbook compiled by Tubbs, The League Of Gentlemen's book is horrific and beautiful all at the same time. The tone is set by the dustcover made of human skin and Tubb's naïve observations on the things she has found. Highlights include a tourist's guide to Royston Vasey, editions of the local newspaper, Attatchments dating profiles, a Stump Hole Caverns leaflet, a Look-In article about Crème Brulee, Henry & Ally's Video finder, Herr Lipp's tours, Legz Akimbo (especially Linda's bio), The Curse Of Karrit Poor (ahead of its appearance in the Christmas special, above), a page from "the book" from the charity shop sketches. Comedy tie-in books are rarely this good.

Never Trust A Rabbit by Jeremy Dyson
A thought-provoking collection of twisted and comic short stories.








Slow Down Arthur, Stick To Thirty by Harland Miller
With a title is inspired by a line of dialogue from The Man Who Fell To Earth, this coming of age story is very funny and deals with the horror of wasted potential wonderfully.




Star Trek: Deep Space Nine Companion by Terry Erdman with Paula M. Block
To say this book is an episode guide doesn't do it justice, this book is the most thorough reference work on this on any other television programme interviewing actors, writers, directors, producers and all manner of crew members, but to a level of depth that is probably unprecedented.

Comics
Doctor Who: The Glorious Dead
The ten-part story The Glorious Dead is epic is all right places, the representations of the Glory are intriguing, the reveal of the Doctor's bedfellow is impressive, the Doctorless chapter is fantastic, the trip through the Doctor's subconscious, the identity of Morningstar and the final twist all make for the best Master story ever.




Games
Escape From Monkey Island
Guybrush Threepwood and his wife Elaine return in the fourth game of the Monkey Island series and they are rendered in 3D graphics for the first time. Reunited with Herman Toothrot, the Voodoo Lady, Murray, Stan and LeChuck. This time around he searches islands old and new for the Ultimate Insult and his quest takes him into the murky world of politics and the bizarre arena of Monkey Kombat. Most importantly the sense of humour is the same as ever.

Recommendations welcome.

Sunday, 31 July 2011

“From The Smell Of The Air..."

Is how Paul Cornell's Ninth Doctor determines where and when the TARDIS has landed in the Doctor Who webcast Scream Of The Shalka, he continues "...England, 2003."

This was the year that the war in Iraq began, the human genome was sequenced, the use of mobile phones whilst driving was made illegal in the UK, Beagle 2 attempted to land on Mars and the largest hailstone ever recorded fell in Nebraska.

In 2003, I was in Spa, WAR: RAW, e-Merge and Pyramus & Thisbe, and I directed Far Away whilst at university.

These are a few of my favourite things from 2003:

Film
The Station Agent
I could wax lyrical about this film here, but I already have elsewhere, so I won't. Here's the trailer.







The Lord Of The Rings: The Return Of The King
The final film of the trilogy that redefined the meaning of the word epic is a worthy ending. Amidst the grandness of the battles and the destinies fulfilled, this film is about the four Hobbits turning the tide in their own ways. In my opinion the epilogue is justly earned by now. Here's the trailer.

A Mighty Wind
Christopher Guest's touching mockumentary follows folk music groups of yesteryear reforming for a concert and has such a great ensemble cast: Jane Lynch, John Michael Higgins, Paul Dooley, Fred Willard, Ed Begley, Catherine O'Hara, Eugene Levy, Michael McKean, Harry Shearer and Guest himself are all phenomenal. The 'six months later' coda is heartbreaking. Here's the trailer.

Anything Else
Jason Biggs and Christina Ricci star in Woody Allen's as a couple whose relationship is full of contradictions in a city full of character who are equally full of contradictions. Allen himself is great as Dobel, a Jewish Atheist comedy writer with an extraordinary vocabulary and a loaded gun in every room. Here's the trailer.


American Splendor
Lots of comic book adaptations try to feel like a comic book and fail. The movie version of Harvey Pekar’s autobiographical comic is a resounding success. This film is part drama, part documentary, but the result is a metafictional masterpiece. Paul Giamatti and Judah Friedlander are great as Pekar and Toby Radloff, but the presence of the real Pekar and Radloff is genius and gives the film a sense of authenticity. Here's the trailer.

TV
Buffy The Vampire Slayer: Showtime; Potential; The Killer In Me; First Date; Get It Done; Storyteller; Lies My Parents Told Me; Dirty Girls; Empty Places; Touched; End Of Days; Chosen
The beginning of the end. The Slayer, the Scooby Gang and the Potential Slayers go on the offensive against The First in Showtime. Giles and Anya's negotiations with Torg and the telepathic conference scene between Buffy, Xander and Willow are great. For a while Dawn is a Potential Slayer and then she's not, Michelle Trachtenberg conveys Dawn’s initial denial of her calling, acceptance, then disappointment at not being chosen and Xander's last speech is beautiful. The Killer In Me sees both Alyson Hannigan and Adam Busch playing Willow and once again the former's tears almost reduce me to the same. Never kill a boy on the First Date is a lesson that almost didn't get learned twice as Buffy and Principal Wood go on a date that reveals a bit of the latter's backstory and D.B. Woodside is great, and unlucky-in-love Xander's dating efforts see a return to the demon magnet days of yore. Buffy's eulogy to deceased potential Slayer Chloe in Get It Done is fantastic and the last shot is epic. Storyteller is astonishing. Tom Lenk's central performance leaves you wondering how they managed with out Andrew for as long as they did. His revisionist history and daydreams are hilarious and his commentary on Buffy's current tendency to make speeches is very welcome. James Marsters and Caroline Lagerfelt are phenomenal in Lies My Parents Told Me which sees the creation of the Spike we know and love and his mother's post-death epiphany is uncomfortable. Faith returns from stint on Angel (see below) to lend a hand in Dirty Girls, an episode which is disturbing in so many ways. For a series that is about feminine power, the misogynistic preacher Caleb is the Big Bad the series always deserved and Nathan Fillion's performance is outstanding, but it's still difficult to listen to his sermons and his killing of potentials and mutilating Xander makes for a terrifying debut. The aptly-named Empty Places is bleak as Buffy pushes her army too far while morale is at its lowest and they turn on her, Spike and Andrew's road trip scenes, the Willow visiting the now-monocular Xander in hospital and Anya's "lucky" speech are the highlights. With Faith in charge in Touched the First appears to her as the Mayor and it's great to see Eliza Dushku and Harry Groener back together. End Of Days sets everyone in motion for the finale but along the way gives Anya some great lines while nursing the mortally wounded, Dawn's reaction to Buffy's letter is so unexpected and Anya and Andrew's wheelchair fight is hilarious. And so to the last ever episode of Buffy The Vampire Slayer, it's fantastic: Caleb's death, the Buffy and Angel cookie dough scene that succeeds in having its cake and eating it too, Dawn's kick, Xander's "Party in my eye socket" line, Dungeons & Dragons, Spike's drawing of Angel, the army of Turok-Hans, Willow's spell, the closing of the Hellmouth, Wood's surprise, the last shot, the Grrr Argh monster, all of it. In short, Chosen is perfect.

Angel: Habeas Corpses; Long Day's Journey; Awakening; Soulless; Calvary; Salvage; Release; Orpheus; Players; Inside Out; Shiny Happy People; The Magic Bullet; Sacrifice; Peace Out; Home; Conviction; Just Rewards; Unleashed; Hell Bound; Life Of The Party; The Cautionary Tale Of Numero Cinco; Lineage; Destiny
The fourth season of Angel spring cleans as The Beast massacres Wolfram & Hart in Habeas Corpses and the bodies that litter their offices become an army of zombies. Everybody loves zombies. The Beast takes Los Angeles on a Long Day's Journey into perpetual night and Jack Kehler's Manny is very endearing. Awakening completely had me fooled and makes fascinating watching second time around. After three and a half years of alluding to the possibility, Angel is finally Soulless and it was worth the wait. Even from inside a cage he still manages to divide if not quite conquer the rest of Angel Investigations. Calvary has a lot going for it: Angelus impersonating Angel, the sight of apocalyptic Los Angeles littered with bodies and the ending is so shocking. After a great scene between Wesley and Lilah's corpse, Salvage sees the welcome return of Eliza Dushku as Faith, Angelus versus The Beast and builds toward another in a series of great shock endings. The supernatural soap opera continues in Release as Cordy manipulates Connor, Wesley tortures a witness for information and proves to Faith she can beat Angelus, yet another surprising cliffhanger ending and Andy Hallett is finally in the opening titles, about bloody time. Orpheus drags Angelus and Faith through flashbacks of previously unseen parts of Angel's past, the Angel versus Angelus fight is great and Willow's visit is delightful. Hope Shin is wonderfully sarcastic as Players almost makes Gunn an accessory to her kidnapping, and allows Team Angel to catch up to the audience that Cordelia is evil in a very theatrical scene. Inside Out drives a bigger wedge between Connor and the gang, leaves you questioning the events of the previous 82 episodes and destiny versus free will, brings back Skip which is always good and sees Cordelia give birth in another great cliffhanger. Cordelia's child, Jasmine, turns everyone into Shiny Happy People in an interesting variation on the apocalypse and when Fred becomes immune to the effects, her friends turn on her. Jasmania grips Los Angeles, with Fred as the only dissenter, The Magic Bullet is astounding, a view into a quiet revolution, Lorne's open mic night is hilarious and the reactions to the come down as Jasmine's true face is revealed to each member of Angel Investigations. They go on the run in Sacrifice, but Jasmine's eyes are everywhere. The Jasmaniacs speaking with her voice is very creepy and Jeff Ricketts is great as the demon. Peace Out sees Jasmine vanquished and it's interesting that since returning free will to the people prevents world peace, does that make Angel the villain of the piece? The Jasmine storyline has been a refreshing attempt at dramatising a philosophical argument. Wolfram & Hart is back in Home which feels like the pilot episode for a new show entirely as Angel Investigations debate whether or not to accept an offer to take over the LA branch of the law firm. Each member of Team Angel is tempted in a different way and Connor gets a fresh start. It's such a great idea that gives Angel a maxim. If Buffy was ‘High school is hell’, the new Angel paradigm asks: ‘can you stay true to yourself within the belly of the beast?’
The fifth and final season begins with Conviction and reveal show each of the former members of Angel Investigations is settling into the shades of grey of Wolfram & Hart. The teaser opening shows how much life has changed for Angel himself, Harmony's scenes are great, as is Fred's “work the problem” speech, but Gunn's legal downloading is a great development and J. August Richards makes the courtroom drama a joy to watch. Spike returns as a ghost and fits in remarkably easily as Just Rewards makes he and Angel a definite double act. James Marsters does a great job of showing his fragility in the light of his non-corporeal form. A werewolf is Unleashed in Nina and Jenny Mollen plays her uncertainty beautifully, John Billingsley is great as Royce and his comeuppance is harsh, if deserved. Hell Bound sees Spike haunted by Wolfram & Hart’s past while only Fred is fighting his corner, Marsters and Acker are great as usual and what is probably the most horrific episode of Angel ends with Angel making another very harsh call. Andy Hallett is wonderful as the put-upon Lorne who is the Life Of The Party, it's all too much for him and the rest of the company acting out his wishes are all very funny. The Cautionary Tale Of Numero Cinco is a lot of fun and Los Hermanos Numeros are a very distinctive and endearing Mexican wrestling (and crime fighting) team with references to El Robotico Diabolo peppered through out are a lovely touch. Alexis Denisof gets another chance to shine in Lineage and Roy Dotrice is formidable as Wesley's father Roger Wyndam-Pryce. Destiny recorporealises Spike with a brilliant lack of fuss, sets both Spike and Angel vying for the Shanshu prophecy's attention and have a truly epic fight about it, the flashbacks are wonderful and ends with a great reveal.

Firefly: Trash; The Message; Heart Of Gold
Cancelled long before its time, the last three episodes of Firefly leave you wanting more. Christina Hendricks returns as Saffron in the aptly-named Trash. It's another great ensemble piece with a twist on the standard heist movie story. Nathan Fillion and Gina Torres are as great as ever as Mal and Zoë deliver The Message. From its bovine alien opening scene, to Jayne's cunning hat to a wonderful performance by Jonathan M Woodward as Tracey, this episode is touching and funny throughout. Heart Of Gold is Firefly at its wild westiest and it speaks to the morals of the show. I can't recommend this show highly enough.

Enterprise: Cease Fire; Future Tense; Judgment, Regeneration; Twilight; North Star; Similitude; Carpenter Street
The situation between the Vulcans and Andorians heats up and Cease Fire places humanity in the middle, but this is another chance for Jeffrey Combs, Gary Graham and Suzie Plakson to shine. Future Tense features a time travelling ship that is bigger on the inside, sound familiar? Everyone is fighting over the ship, time is ‘hiccupping’ and then it all turns out to be for nothing. Judgment is a slice of Klingon justice, sees a return to Rura Penthe and J.G. Hertzler being bloody fantastic. From a prequel to Star Trek VI, to a sequel to the eighth film as Enterprise takes on the Borg in Regeneration, darker in tone than most episodes and successfully turns the cybernetic organisms back into the implacable foe that they were before their over exposure on Voyager. The search for the Xindi superweapon begins and the series spends a lot of time in macho posturing. It's difficult not to see this as a reaction to 9/11 and feels like Enterprise trying to be 24. Strangely things pick up when all is lost and we get a glimpse at a future after Earth has been destroyed, sort of, in Twilight. Another episode which bucks the trend is North Star which concerns humans abducted from the wild west confronted with the truth of their existence three hundred years later. Similitude is an allegory for human cloning for medical reasons and stem cell research. Archer and T’Pol visit their most depraved planet yet and it turns out to be Earth in 2004. Prostitution, onscreen hypodermic injections and the wonderful Leland Orser as an American with a very casual attitude to getting paid by what he presumes are terrorists: Carpenter Street is definitely not what Gene Roddenberry had in mind when he started it all, but this is Star Trek at its grittiest.

Farscape: Terra Firma; A Constellation Of Doubt; Prayers; We're So Screwed; Bad Timing
After showing us how aliens react to us, Terra Firma and A Constellation Of Doubt show how we react to them. The optimism of Farscape's first episode has been replaced by post 9/11 paranoia while John has been away and we don't come off well. The search for Aeryn takes Crichton and Scorpius back to an unrealized reality in Prayers and then into Scarran territory in the We’re So Screwed three-parter which raises the stakes higher and higher until Bad Timing comes along and boldly ends the series on its best ever cliffhanger.

QI
The Quite Interesting quizzing begins with a series that takes in Astronomy, Arthropods & Alans among others.


Peep Show
The first series of the sitcom made up entirely of POV shots is a real breath of fresh air. Highlights include Jez's tirade at his uncle's humanist funeral and Mark convincing himself he's “not a paedo”.

Star Wars: Clone Wars Chapters One to Ten
Genndy Tartakovsky's traditionally animated series of the events between Episodes II and III is better than the rest of Star Wars put together. It has a sense of style and humour. Highlights include Kit Fisto's underwater lightsabre duel and everything the Banker does.

Futurama: Kif Gets Knocked Up A Notch; Less Than Hero; Teenage Mutant Leela's Hurdles; The Why Of Fry; The Sting; The Farnsworth Parabox; Three Hundred Big Boys; Spanish Fry; Bend Her; Obsoletely Fabulous; Bender Should Not Be Allowed On Television; The Devil's Hands Are Idle Playthings
Amy struggles with the commitment when Kif Gets Knocked Up A Notch and the holo-shed scenes, Motherhood mode and the Grand Midwife are all great. Less Than Hero sees Fry, Leela and Bender becoming superheroes in an episode that is a lot of fun and features another great song. The Planet Express crew are youthasized and keep getting younger in Teenage Mutant Leela's Hurdles and Farnsworth, Zoidberg and Bender de-ageing is real highlight. The Why Of Fry is a brilliant sequel to The Day The Earth Stood Stupid and draws together several strands of series continuity to create another really touching episode. The Sting is an astonishing piece of work, a beautiful episode with a great twist. The many and varied parallel universes that The Farnsworth Parabox are fantastic. Nixon gives everyone Three Hundred Big Boys as a tax rebate and the ensuing and interweaving spending sprees are all brilliant. Spanish Fry gives us a great public information film about Bigfoot, another great instalment of The Scary Door and some great nob gags. Robonia’s National Anthem and Coilette’s soap opera goodbye to Calculon are fantastic when Bender switches gender in Bend Her. Bender’s downgrade in Obsoletely Fabulous is great and there’s another great twist in the tale. The almost prophetically-titled Bender Should Not Be Allowed On Television is fantastic, the metafictional announcement, the caption underneath a flaming Bender and his final speech to camera are hilarious. The Devil's Hands Are Idle Playthings, the opera Fry dedicates to Leela is wonderful as is the Robot Devil musical plea to get his hands back. The first last ever episode of Futurama was a beautiful send off until thankfully it wasn’t.

The Second Coming
Christopher Eccleston, Lesley Sharp and Mark Benton are all excellent in this story about the return of the son of God to Earth. As the unwitting messiah convinces the world with his Maine Road miracle in Manchester and asks for humanity to write a third testament, the forces of the devil move to stop him. Russell T. Davies’ script is bold and deals with such massive questions in such a convincing way.

Marion & Geoff
The second season of in-car monologues from Rob Brydon is as good as the first. Brydon's character Keith Barret works as a chaffeur, finds himself on the edge of an extra extra-marital affair and gives up on one happy ending for another.

Music
The Polyphonic Spree: The Beginning Stages Of…
The relentlessly upbeat nature of Tim Delaughter’s cultish robed band is impossible not to like. The feel good factor of this twenty-something piece band is extraordinary.
Stand out tracks: 'Have A Day/Celebratory', 'It's The Sun', 'La La', 'Hanging Around The Day' parts 1 & 2, 'Soldier Girl', 'Light And Day/Reach For The Sun'

Relaxed Muscle: A Heavy Nite With…
The sound of young Doncaster has arrived. Darren Spooner and Wayne Marsden’s only album (so far) is brash electro-rock with a Jarvis Cocker-like talent for deceptively subtle lyrics.
Stand out tracks: '3 Way Accumulator', 'Billy Jack', 'Rod Of Iron', 'Tuff It Out', 'Sexualized', 'B-Real', 'Battered', 'Mary'

Placebo: Sleeping With Ghosts
A rocky and electronic sonic landscape with bleak lyrics predominantly concerning relationships in different stages of failure.
Stand out tracks: 'English Summer Rain', 'Sleeping With Ghosts', 'The Bitter End'


Eels: Shootenanny!
The fifth album is a beautiful slice of Americana that gets its title from a phrase coined by E defined as "a social gathering at which participants engage in folk singing and sometimes dancing, but mostly the shooting of guns." The influences lean more towards blues than the folkiness that the title implies, but the lyrics are as cynical as ever.
Stand out tracks: 'All In A Day‘s Work', 'Saturday Morning', 'Love Of The Loveless', 'Dirty Girl', 'Rock Hard Times', 'Restraining Order Blues'

Books
The Curious Incident Of The Dog In The Night-Time by Mark Haddon
A murder mystery seen through the eyes of a fifteen year old boy with Asperger's Syndrome. A portrayal that is both very funny and very touching.





Comics
Y: The Last Man: Cycles; One Small Step; Comedy & Tragedy 1
The Amazons catch up to Yorick and friends in the idyllic town of Marrisville and the last man has a confrontation with his sister in Cycles. Yorick may not be the last man on Earth much longer as One Small Step concerns two more in orbit around the planet and changes the landscape. The first part of Comedy & Tragedy concerns the writing of a play about The Last Man and reveals that times may change but tastes remain constant.

Doctor Who: Oblivion 4-6; Where Nobody Knows Your Name; The Curious Tale Of Spring Heeled Jack; The Land Of Happy Endings
The TV show's ruby anniversary year is a tumultuous one for the comic strip, beginning with the latter half of Oblivion, which compares Izzy and Destrii's lives, notably in a beautiful double page 'telepathic conference'. This strip returns Izzy and Destrii to their own bodies and gives them both a great sendoff as Destrii and Jodafra head off in their own time machine, while Izzy is honest with Fey about her feelings and asks the Doctor to take her home in a beautiful ending for the longest serving comics companion. Where Nobody Knows Your Name is a nice little strip in which two old friends who’ve changed appearances sit and chew the fat without ever realising who the other one was. The Curious Tale Of Spring Heeled Jack is brilliant as it addresses the expectations of the reader and repeatedly confounds them. Dr Who and his grandchildren, John and Gillian, visit The Land Of Happy Endings with a script and art that evokes the TV Comic strips of old, very funny with a beautifully sad ending.

Fray: The Gateway; All Hell
The big showdown for Joss Whedon’s futuristic Slayer is every bit as epic as a TV season finale. Buffy Summers may have lived and fought demons above a hellmouth, but Melaka Fray is faced with a colossal demon whose womb is itself a gateway to a hell dimension. The emotional fallout of the manipulation of Melaka is huge and I look forward to seeing more Fray in the future.

Games
Futurama: The Game
Play as Fry, Leela, Bender and briefly Zoidberg as you attempt to foil Mom’s latest evil scheme in this enjoyable 3D platform game with great cut scenes that really feel like an episode of the TV show (see above).

Online
Doctor Who: Shada; Scream Of The Shalka
The fortieth anniversary of Doctor Who inspires a burst of creativity. Paul McGann is no longer 'the George Lazenby of Doctor Who' as the Eighth Doctor returns to complete Shada, the unfinished (and fantastic) TV script by Douglas Adams from 1979 as a webcast and the result is wonderful. McGann's performance is positively gleeful. Romana and K-9 are reunited with the Doctor and both Lalla Ward and John Leeson are marvellous. Andrew Sachs is delightfully evil as Skagra, Melvin Hayes is wonderful as Wilkin, Lee Sullivan’s illustrations are beautiful and the animation, although simple, really does make the most of them.
With the return of Doctor Who to TV screens looking unlikely, BBCi decided to regenerate the Doctor and make a fresh start. Richard E. Grant is the Ninth Doctor, albeit briefly, in Scream Of The Shalka, Paul Cornell’s dark and brooding Earth invasion story and the description of Kim’s demise is one of the most horrific things in Doctor Who dialogue. Sophie Okonedo is great as Alison and Derek Jacobi's Master is fantastic and I suppose the legacy of what turned out to be false dawn for the Doctor.

Star Trek - Fables And Folklore: The Young Hunter
A Klingon child on his first hunting trip and his grandfather recounts The Legend Of Gorath. On face of it, this parable is simply the Klingon equivalent of The Boy Who Cried Wolf, but it paints a larger picture of Klingon mythology. The animation is simple, but the design is great. It's a shame this didn't lead to more of these Starfleetless tales.

Art
Cockaigne by Vincent Desiderio
Named after a mythical land of plenty Vincent Desiderio’s Cockaigne beautifully illustrates the effects of a genuine land of plenty and the tangled webs we weave in clutter and stuff.



Recommendations welcome.