Showing posts with label Gomez. Show all posts
Showing posts with label Gomez. Show all posts

Monday, 4 February 2019

Twitter Twatter #61

August 2018 on Twitter:














































Tuesday, 31 January 2012

"Too Important To Let A Loose Cannon Rock The Boat"

So says Mayor Richard Wilkins III in Buffy The Vampire Slayer's Lovers Walk of 1998. The full quote is "This year is too important to let a loose cannon rock the boat…Loose cannon. Rock the boat. Now is that a mixed metaphor?…Boats did have cannons. And a loose one would cause it to rock…" (and to be perfectly honest he's really talking about the academic year 1998/1999, but I decided the quote was too good not to use it).

1998 was the year in which the Good Friday Agreement was negotiated in Belfast, both India and Pakistan conducted nuclear tests, General Pinochet was placed under house arrest while visiting the UK, the first segment of the International Space Station was launched into orbit and nineteen countries outlawed human cloning.

This was the year in which my school neglected to stage a play, which was probably a good thing since it was also the year that I took my GCSEs and started at sixth form.

These are a few of my favourite things from 1998:

Film
Rushmore
Jason Schwartzman, Olivia Williams and Bill Murray are wonderful in this tale of a student who excels only in extra curricular activities. This is where many of the hallmarks of Wes Anderson's later films begin. Here's the trailer.

Happiness
Not a film about happiness, but its absence. Todd Solondz's cast of characters are all searching individually for an elusive something to make them happy. Those that get what they want are still just as unhappy. Here's the trailer.

Celebrity
Full of characters that contradict themselves in the same breath with the role traditionally played by Woody Allen divided between Kenneth Branagh and Judy Davis as a husband and wife with mostly neuroses in common, caught up in a quest for fame and an assumption that the grass is always greener.

The Big Lebowski
Jeff Bridges, John Goodman, Steve Buschemi, David Huddleston, Julianne Moore and Philip Seymour Hoffman are fantastic in this brilliant slacker comedy with a witty and intelligent script full of twist and turns, a great soundtrack, a hilarious dream sequence and wonderful characters. Here's the trailer.

Antz
Successfully incorporating great visual gags, Marxist theory and all the hallmarks of a Woody Allen film, this is a very funny animated film. Here's the trailer.


Ï€
Darren Aronofsky's directorial debut is a brilliant psychological thriller. The all-consuming search for a mathematical pattern within the Kabbalah and the effect it has on Max are surprisingly compelling as conspiracy theories give way to body horror and desperation. Sean Gullette and Mark Margolis are fantastic. Here's the trailer.

Run Lola Run
Franke Potente is fantastic in this quirky and stylish German film. Here's the trailer.

Velvet Goldmine
Ewan McGregor, Christian Bale and Toni Collette are great in this sprawling ode to glam rock. The film takes the form of a biopic of a Ziggy Stardust-style figure told with the structure of Citizen Kane and a phenomenal (if Bowieless) soundtrack (including peerless track The Whole Shebang by Grant Lee Buffalo). Here's the trailer.

TV
Buffy The Vampire Slayer: Bad Eggs; Surprise & Innocence; Phases; Bewitched, Bothered And Bewildered; Passion; Killed By Death; I Only Have Eyes For You; Go Fish; Becoming; Anne; Dead Man's Party; Faith, Hope & Trick; Beauty And The Beasts; Homecoming; Band Candy; Revelations; Lovers Walk; The Wish; Amends
The second season continues with Bad Eggs which is easily dismissed as Invasion Of The Bodysnatchers with added egg jokes, but they're very good egg jokes and the conviction of everyone involved raises it above dismissal. As the series mythology develops, the use of horror as a metaphor becomes more intricate and as Buffy and Angel consummate their relationship in Surprise, the consequences become apparent in Innocence as Angel is released from his curse and becomes the Big Bad. These episodes shake just about every relationship on the show, from the tenderness of Willow and Oz, Willow feeling betrayed by Xander, Cordy's embarrassment of Xander, Giles' mistrust of Jenny and Spike's jealousy of Angel. The show just keeps getting better and better and in retrospect these two episodes are the foundation on which the rest of Buffy and Angel were built. Phases is fantastic and Seth Green is awesome in what looks like an audition for Oz to become a regular. Bewitched, Bothered And Bewildered is another great Xander comedy episode, but also another example of Buffy taking an idea and doing it better than anybody else. Passion is a stunning piece of television from David Boreanaz's opening monologue that makes Angel's sadism real to Anthony Stewart Head, Sarah Michelle Gellar and Alyson Hannigan's excellent portrayals of grief. Killed By Death is a change of pace, but it's interesting to see Buffy weakened by something as universal as the flu and the episode uses Cordelia really well. Gellar and Boreanaz are fantastic in I Only Have Eyes For You which is possibly the best ghost story ever made. Go Fish is Buffy at its most monster-of-the-week, but the scenes of Willow interrogating Jonathan, Cordelia's promises to the fishman she believes is Xander and absolutely everything Snyder does are all hilarious. The two-part season finale Becoming is a game of two halves, the flashbacks of the first part make the story feel bigger in scope and the second part draws together the threads of the season and brings out the best in everyone and the ending is heartbreaking.
The third season begins by showing us where Buffy ran away to and her life as Anne in Los Angeles meanwhile the scenes of the now-Buffyless Scooby Gang slaying in her absence are great, the really long first-day-of-school tracking shot is very impressive, Joyce's speech about blaming Giles is terrific and Buffy's Gandhi impression is a nice little non sequitur. Dead Man's Party is a nice little zombie story and Oz drawing the distinctions between gatherings, shindigs or hootenannies, Nancy Lenahan, Giles threatening Snyder and Buffy and Willow insulting each other in the last scene are all great. Two out of three ain't bad as Eliza Dushku and K. Todd Freeman are great as Faith, Hope & Trick introduces Faith, Hope and Trick and it sets the scene for the rest of the season. Beauty And The Beasts looks like it'll be another Oz-centric episode but instead it is Buffy's Dr Jekyll And Mr Hyde homage with the twist that Pete is an abusive boyfriend in both his forms, Green makes Oz's dilemma real, Phill Lewis is great as Mr Platt and Buffy's secret discovery that Angel is back is well handled. Contrasting Buffy and Cordelia's fight to be Homecoming queen with Mr Trick's SlayerFest '98 in a great episode, Harry Groener is fantastic and instantly likable as the Mayor, the Xander and Willow formal wear scene, the funniest use of a spatula ever on television and a great ending and so begins an unparalleled run of episodes. Head, Sutherland and Shimerman are all great as Band Candy-regressed teenage versions of their characters and this episode manages to be both a very funny standalone comedy episode and keeps the various storylines with the Mayor, Buffy keeping Angel secret and Xander and Willow's rekindling romance ticking along expertly. In Revelations, Buffy's secret is out and the gang's intervention scene is great, Xander and Willow's secret is and the driving of the wedge between Faith and the gang starts here. Spike is back with a bang in Lovers Walk and his scenes with Willow are shocking and with Joyce are hilarious, the funeral ending is fantastic, the closing montage is heartbreaking and brilliantly undercut Spike's way. 'What if' scenarios and parallel universes are commonplace in SF TV, but when Cordelia makes The Wish that the slayer never arrived in Sunnydale, Buffy proves that it even has a fresh perspective here: Mark Metcalf is fantastic as a Master whose Harvest was successful, vamped Xander and Willow are a shocking sight and an amazing final fight in an episode that moves from a Cordy comedy to operatic tragedy. Amends is Buffy's Christmas episode, the reconciliation of Willow and Oz is beautiful, The First Evil is a great concept and the Christmas miracle ending is as unashamedly sentimental as every other Christmas episode, but possibly unique because the right to be sentimental is so well earned.

Star Trek: Deep Space Nine: Waltz; Who Mourns For Morn?; Far Beyond The Stars; One Little Ship; Honor Among Thieves; Change Of Heart; Wrongs Darker Than Death Or Night; Inquisition; In The Pale Moonlight; His Way; The Reckoning; The Sound Of Her Voice; Tears Of The Prophets; Image In The Sand & Shadows And Symbols; Afterimage; Take Me Out To The Holosuite; Chrysalis; Treachery, Faith, And The Great River; Once More Unto The Breach; The Siege Of AR-558; Covenant; It's Only A Paper Moon
The sixth season continues with a Waltz between Sisko and Dukat, Marc Alaimo is great as a man who has lost his sanity, but not his ego. It's a credit to DS9 that an episode focussed on a supporting artist with no dialogue can be as good as Who Mourns For Morn? The episode is a very enjoyable treasure hunt, Morn's memorial is very touching and his co-conspirators are all great. Far Beyond The Stars is one of the best episodes of any television series…ever, Avery Brooks is phenomenal, the fifties period detail is fantastic and the rest of the cast clearly relish playing their other roles. One Little Ship is ludicrous, but unashamedly so. O'Brien goes undercover and discovers Honor Among Thieves in the sort of murky episode that none of the other Star Treks could do justice to. Husband and wife team Worf and Jadzia go on a mission in Change Of Heart and Terry Farrell is fantastic. Wrongs Darker Than Death Or Night has both a great moral ambiguity to it and an emotional intensity, Nana Visitor is as wonderful as ever and Wayne Grace steals is scenes as the Cardassian Legate undermining Dukat. Bashir undergoes an Inquisition, William Sadler is fantastic as Sloan and the concept of Section 31, an organisation that betrays the principles of the Federation in order to protect it, is a brilliant one that would clearly have appalled Gene Roddenberry, which is not necessarily a bad thing. It's a theme that pervades the next episode as well, In The Pale Moonlight, as Sisko proves that every man has his price as he constructs a complex lie in order to bring a new ally into the war for the greater good, Brooks is phenomenal as the Captain struggles with his morality and the resulting episode is probably Star Trek at its darkest, but also at its best. Odo woos Kira His Way in a very touching fashion, James Darren's Vic Fontaine is great addition to the show and Visitor's performance of 'Fever' is astonishing. The battle between the Prophets and the Pah-Wraiths is fought in The Reckoning and mixes the epic and the personal to great effect. Lisa Cusak is great as a stranded Captain whom the Defiant's crew try to rescue, but know only by The Sound Of Her Voice in what is essentially a Star Trek radio drama and O'Brien's eulogy is wonderful. The season finale, Tears Of The Prophets, is epic: the space battle is fantastic, Dukat's Pah-Wraith possession, the darkened Orbs and wormhole's disappearance are suitably sinister and mysterious, the episode also proves that death is what happens when you are making other plans and once again the symbolism of Sisko's baseball is brilliant.
The seventh season begins in a quieter fashion than its predecessors with Image In The Sand, which sees the various factions involved in the war posturing while Sisko searches for a purpose. Ezri Dax is a perfect contrast to Jadzia and Nicole de Boer is fantastic. Shadows And Symbols sees Sisko's quest digging for buried treasure provoke the Pah Wraiths, but it's great to see Benny Russell back and the revelation about Sisko's parentage is intriguing and just the right side of Christlike. Afterimage concerns Ezri's struggle to settle back into life on DS9 and shows how her relationships with Jadzia's friends have altered and Andrew J. Robinson is as great as ever as Garak. I know absolutely nothing about baseball and still quite enjoyed Take Me Out To The Holosuite which has to be a good sign. Bashir helps Sarina emerge from her Chrysalis and oversteps the mark, but it's good to see the return of the genetically engineered savants. Jeffrey Combs is always fantastic as Weyoun, but outdoes himself as two distinct clones of the Vorta in Treachery, Faith, And The Great River and Aron Eisenberg is great as Nog navigates the twists and turns of the Great Material Continuum. It's Once More Unto The Breach for Kor and John Colicos' portrayal of his delusions is wonderful, and J.G. Hertzler puts in another great performance. The troops on AR-558 are under siege and under attack, each of the characters has a fascinating personal reaction to the warfare and Armin Shimerman's of Quark's "creature comforts" speech is perfect. The Siege Of AR-558 is Star Trek at its bleakest and this episode was vital in making the Dominion War matter. Covenant reasserts Dukat as both a villain and a believer, his spin on the parentage of Mika's baby and his speech blaming his followers as he is unmasked as a traitor are brilliant. Deep Space Nine's supporting cast has always been great, but the fact that It's Only A Paper Moon concentrates on Nog and Vic almost to the exclusion of everyone else is testament to the faith that the show put in Aron Eisenberg and James Darren. They do not disappoint.

Star Trek: Voyager: Message In A Bottle; Hunters; Prey; The Killing Game; Vis à Vis; The Omega Directive; Living Witness; One; Hope And Fear; Drone; Timeless; Infinite Regress; Thirty Days; Counterpoint
The highlights of the latter half of Star Trek: Voyager's fourth season include Message In A Bottle in which Robert Picardo and Andy Dick are a hilarious double act. The Hirogen Hunters make for a fascinating alien culture that arrives fully formed and are successfully very intimidating. The threat of the Hirogen is cemented as they track a member of Species 8472 as Prey to Voyager, the CGI of it walking on the ship's hull is incredible and Seven's conflict of interests is a great source of friction here. The two-parter The Killing Game uses the Holodeck and all the hallmarks of a World War II movie to give the Hirogen added depth and features great moments for each of the regular characters. Robert Duncan McNeill and Dan Butler are great in bodyswapping episode Vis à Vis. Janeway attempts to uphold The Omega Directive in a great conspiracy episode and finds herself in confrontation with Seven in some great scenes that take in lines that science shouldn't cross and concepts of religion. The Doctor finds himself in an inaccurate recreation of events that paints Voyager in a very bad light and asks the question of whether history is written by the victors or the victims, his reinterpretation asks questions of truth itself and has far reaching consequences for an entire society: Living Witness is phenomenal. Ryan portrays Seven's sense of isolation brilliantly in the eerie and claustrophobic One. Mulgrew, Ryan and Ray Wise give wonderful performances as the ramifications the events of the last season come back to haunt Janeway in the excellent season finale Hope And Fear which seems both more and less plausible than most of the 'short cut home' episodes and with good reason.
The fifth season's highlights include Drone, an interesting twist on a euthanasia allegory which features great performances from Ryan and J. Paul Boehmer. Timeless is flawless: the visual effects are wonderful and Garrett Wang's performance as the future Kim is wonderful. Once again Ryan is fantastic in Infinite Regress as Seven suffers from a version of multiple personality disorder. McNeill's great central performance, the flashback story structure and the environmental issue under discussion gives Thirty Days a real edge. Mulgrew is wonderful in Counterpoint's great tale of sleeping with the enemy.

Louis Theroux's Weird Weekends: UFOs, Porn, Survivalists, Weird Christmas
Louis looks into American subcultures one at a time. He meets members of a community following UFOs, but discovers far more variety in humanity, there are enthusiasts, academics, witnesses, self-appointed ambassadors, exploiters, tour guides and the inhabitants of Rachel, Nevada and their infighting. He attempts to make it in the Porn industry and the results are darker than usual as they range from heartbreaking to terrifying following new boy JJ Michaels' first steps, failed HIV tests and waiting for wood. The variety returns in his investigation of the movement of Survivalists in the American North West living in covenant communities, white separatists, a man living in straw bale house in freezing conditions, a very surprising fan of Are You Being Served? and the absolute star of the show is Mike who lives underground like a hobbit. Weird Christmas sees Louis spend the holidays with four of his former subjects and it's a joy to see Louis, JJ Michaels and Mike getting on so well.

Father Ted: Are You Right There Father Ted?; Chirpy Burpy Cheap Sheep; Speed 3; The Mainland; Escape From Victory; Kicking Bishop Brennan Up The Arse; Night Of The Nearly Dead; Going To America
The Craggy Islanders return for a third series with Are You Right There Father Ted? and it's firing on all cylinders, highlights include: Habit-Hat, the perfectly square bit of dirt on the window, Nazis, "I hear you're a racist now", Dougal's hamster, Mrs Doyle's cure, Ted's sideshow and Jack's agoraphobia. Ted's Columbo moment and the various descriptions of 'the beast' in Chirpy Burpy Cheap Sheep are brilliant. Speed 3 is quite simply the finest action movie set on a milk float and is better that both of its big screen predecessors put together. They brave a visit to The Mainland, Richard Wilson and Graham Norton are wonderful. Escape From Victory is nice football episode and Dougal's puppetry of Ted's fake hands is hilarious. Jim Norton is fantastic as the football forfeit leads to Ted Kicking Bishop Brennan Up The Arse. Zombie film and Daniel O'Donnell parody all rolled into one Night Of The Nearly Dead and Patrick McDonnell is very funny as Eoin McLove. In the final episode Ted believes he's Going To America and the point-of-view shots that prevent him from telling Dougal, Mrs Doyle and Jack the truth, while Tommy Tiernan is fantastic as depressed Father Kevin. Dermot Morgan, Ardal O'Hanlon, Frank Kelly and Pauline McLynn are fantastic throughout.

Music
Pulp: This Is Hardcore
Those expecting the band's sixth album to be Different Class II may be surprised as anthems mostly give way to songs about getting everything you ever wanted and discovering it wasn't worth the effort. Opener 'The Fear' sets the tone spectacularly, the title track is a masterpiece and tracks like 'Dishes', 'Seductive Barry' and 'Glory Days' show that every one could have been a fantastic single. Lyrically and musically the album is an absolute triumph.
Stand Out Tracks: 'The Fear', 'Dishes', 'Help The Aged', 'This Is Hardcore', 'TV Movie', 'A Little Soul', 'I'm A Man', 'Seductive Barry', 'Sylvia', 'Glory Days', 'The Day After The Revolution'

Eels: Electro-Shock Blues
Inspired by the deaths of E's family and friends, the band's second album was more dificult than most. It is the sound of grief at its most tender. The lyrics are almost mostly about loss and tragedy, set to beautiful music. This album is spectacular.
Stand Out Tracks: 'Elizabeth On The Bathroom Floor', 'Going To Your Funeral, Part 1', 'Cancer For Your Cure', 'My Descent Into Madness', '3 Speed', 'Hospital Food', 'Electro-Shock Blues', 'Efil's God', 'Last Stop: This Town', 'Climbing To The Moon', 'Dead Of Winter', 'The Medication Is Wearing Off', 'P.S. You Rock My World'

Gomez: Bring It On
The debut album from Gomez is a fantastic slice of blues rock and sounds like it should have come straight out of the American deep south, not the UK's Southport.
Stand Out Tracks: 'Get Miles', ' Whippin' Piccadilly', '78 Stone Wobble', 'Tijuana Lady', 'Here Comes The Breeze', 'Love Is Better Than A Warm Trombone', 'Get Myself Arrested', 'Bubble Gum Years'

The Supernaturals: A Tune A Day
The band's second album is fun and playful even when it's being morose.
Stand Out Tracks: 'You Take Yourself Too Seriously', 'Monday Morning', 'Submarine Song', 'I Wasn't Built To Get Up', 'Country Music', 'Motorcycle Parts', 'Sheffield Song', 'VW Song', 'Idiot', 'Magnet', 'Still Got That Feelin', 'It Doesn't Matter Any More', 'Everest'

Books
The Last Continent by Terry Pratchett
The twenty-second Discworld novel sends Rincewind to EcksEcksEcksEcks, the Disc's allegory for Australia and the results are very, very funny. Crammed full of references to (and at jokes at the expense of) the likes of Antipodean culture, Mad Max, Crocodile Dundee and The Adventures of Priscilla, Queen of the Desert.

Carpe Jugulum by Terry Pratchett
On one level the next Discworld novel is Lancre versus Überwald and Vampires versus witches, but its so much more as well. It's full of ethical dilemmas, common sense wisdom and pastiche of Vampires in literature and films. Carpe Jugulum means "Seize The Throat" in Ankh Morpork's dead language Latatian and the narrative does just that, but more importantly it does it with style.

Comics
Doctor Who: Tooth And Claw 4; The Final Chapter; Wormwood; Happy Deathday
The last part of Tooth And Claw sees an infected vampiric Doctor defeat the Cucurbite but apparently at the cost of his own life and Izzy and Fey return him to Gallifrey. Once there he is saved by Shayde and encounters The Final Chapter in a surreal dream within the matrix that references several elements of past strips that culminates in the boldest of cliffhangers as the Eighth Doctor regenerates into a Ninth (but not that Ninth). The new TARDIS crew visit Wormwood, in a strip that brings a complex story arc to a close with the Threshold running an old western town on the moon, outer space ceases to exist, Fey and Shayde becoming 'Feyde', Izzy with Ace's baseball bat and a Doctor that isn't a Doctor: the Eighth Doctor's return is glorious. The strip celebrates Doctor Who's thirty-fifth anniversary with Happy Deathday, Roger Langridge's caricatures of eight Doctors and hundreds of monsters are wonderful, while the dialogue between the pairs of Doctors is great.

Recommendations welcome.

Wednesday, 30 November 2011

"Tonight I'm Gonna Party Like It's 1999...Again"

So says Philip J. Fry in Hell Is Other Robots (see below) referencing Prince's 1982 song '1999'.

1999 was the year that the first elections of the Scottish Parliament and Welsh Assembly took place, the Earth was circumnavigated in a hot air balloon for the first time, the Columbine High School massacre took place, Slobodan Milošević was indicted for war crimes and crimes against humanity committed in Kosovo and the world worried unduly about the wrath of the Y2K bug.

I spent 1998 studying for my A-Levels, appearing in Kiss Me Kate and turning eighteen.

These are a few of my favourite things from 1999:

Film
Magnolia
On a random day, a tangled web of intertwined lives are shaped and reshaped by coincidence. P. T. Anderson's masterpiece features fantastic performances across the board and not one, but two very surprising shifts in tone. Here's the trailer.



Being John Malkovich
Andy Kaufman's continually surprising script is brimming with ideas: the 7½ floor, Malkovich inside Malkovich, the resurgence of puppetry, the chase through Malkovich’s subconscious. The film takes twists and turns and becomes the most extraordinary love story ever told. Puppetry, comedy, metaphysics and existential ennui. John Cusack, Catherine Keener, Cameron Diaz and John Horatio Malkovich himself are wonderful, while everything Orson Bean does is absolutely sublime. Here's the trailer.

Sweet And Lowdown
Sean Penn stars in Woody Allen's biopic of the world's second best jazz guitarist (after some gypsy in Europe), the arrogant, childish and kleptomaniac Emmet Ray. Samantha Morton steals the show in every scene she has and the descent of the crescent moon is fantastic. Here's the trailer.


Star Trek: Insurrection
The ninth Star Trek film concerns "the forced relocation of a small group of people to satisfy the demands of a large one" and that larger group's quest for a fountain of youth. It feels like exactly the sort of Star Trek that Gene Roddenberry would have approved of. As with the other Next Generation films, Patrick Stewart and Brent Spiner get the lion's share of the action with the other characters getting only moments such as Michael Dorn's Worf reluctantly singing Gilbert & Sullivan, LeVar Burton's Geordi seeing a sunrise with his own eyes for the first time, romance between Riker and Troi being rekindled and F. Murray Abraham makes a wonderfully chilling villain as Ru'afo. Here's the trailer.

Austin Powers: The Spy Who Shagged Me
Mike Myers is hilarious in his trio of roles in this spy spoof sequel which exploits time travel, "how much England looks in no way like Southern California" and running gags from the first film with very funny results. Mindy Sterling, Seth Green and Rob Lowe are all wonderful and Heather Graham is a Bondgirl par excellence. Here's a fantastic trailer.

The Straight Story
Based on the true story of Alvin Straight's six week journey across rural USA on a lawnmower. This beautiful off road movie explores themes of mortality and family and Richard Farnsworth is fantastic as Straight. Here's the trailer.




Galaxy Quest
SF fandom is a great concept for a comedy and Galaxy Quest doesn't disappoint. The cast are uniformly impressive. Here's the trailer.




Go
Doug Limon's tangled web of a weekend has a great cast, a Tarantino-esque sscript and style and forms a black comedy triptych as its plot threads interweave. Here's the trailer.





TV
Spaced: Beginnings; Gatherings; Art; Battles; Chaos; Epiphanies; Ends
The first episode, Beginnings, sets up the dynamic of this slick and stylish flatsharing sitcom perfectly. Daisy meets Tim and they move into a flat at Marsha's house masquerading as a Professional Couple Only, but it's the rapid editing, pop culture references, great music and surreal elements that make this the most inventive sitcom of the twenty-first century a year early. The introductions of Marsha, Brian and the getting to know you sequence for Tim and Daisy are brilliant. In order to avoid work Daisy throws a party in Gatherings which gives Mike and Twist proper introductions and features fake sex noises, Daisy singing 'Hot dog jumping from almond cookies' and Brian to the rescue. Brian takes Daisy and Tim to see Vulva's Art and highlights include zombies, Cassandra's phone number and "It's not finished. It’s finished." Brian's literal tribute to the self reflexivity of Rembrandt, the colourful tale of Pom Pom, Paul Putner, Mike's 'death' and Peter Serafinowicz is great as Tim Battles Duane Benzie while paintballing. Between Gramsci's politics and Colin's kidnap, Chaos ensues and the rescue attempt is great and Twist running comes into her own with the DK urban warfare range and "Is Jabba the princess?" Michael Smiley is wonderful as Tyres in Epiphanies and his mood swings are inspired as are the Scrabble fight, the clubbing scenes, the glorious remix of The A-Team theme tune and Tyres' exit. The first series Ends beautifully with Mike returning to the TA, Brian and Twist on a successful date and Tim realising life with Daisy is better than it was with his ex. Simon Pegg, Jessica Stephenson, Mark Heap, Nick Frost, Julia Deakin and Aida the Dog are magnificent throughout. It should be required viewing.

Buffy The Vampire Slayer: Gingerbread; Helpless; The Zeppo; Bad Girls & Consequences; Doppelgangland; Enemies; Choices; The Prom; Graduation Day; Earshot; The Freshman; Living Conditions; The Harsh Light Of Day; Fear, Itself; Beer Bad; Wild At Heart; The Initiative; Pangs; Something Blue; Hush
The slayer's third season (and senior year at high school) continues with another great metaphor episode, Gingerbread is about mass hysteria, which proves that paranoia is often far more dangerous than the problem at hand. As usual it's a terrifying concept that is dealt with intelligently and the episode is chock full of funny like Willow's "A doodle, I do doodle. You too, you do doodle too", Cordelia's "wake up in a coma" and Oz's "We're here to save you" lines. Buffy turns eighteen and is made Helpless in an episode about how disempowering reaching adulthood and realising that your parents are flawed can be with great opening and ending scenes. After the briefest (and therefore probably the funniest) Previously On… sequence, Cordelia declares Xander The Zeppo in the first episode of Buffy that redefines what the show can do, the inversion of the A and B stories reduces the apocalypse to the background, raises Xander's quiet night out to epic status and Nicholas Brendon gives a fantastic performance in Buffy's funniest episode. Two-parter Bad Girls & Consequences introduces Wesley, gives Mr Trick a great exit line and is the turning point for Faith. Buffy turns to another SF staple, the 'Evil Twin', with the return of Vamp Willow in Doppelgangland and once again deals with it better than anybody else. Naturally Alyson Hannigan is fantastic in both roles and also as both characters impersonating the other, the hugging scene and Percy's Roosevelt papers are hilarious. Buffy capitalises on its own mythology in Enemies and sets up the showdown between the Slayers in the season finale. Hannigan gives great hostage in Choices and Oz's silent decision making is great. Angel's dream and Jonathan's Class Protector speech are wonderful as Buffy saves The Prom. The Class of '99 goes to war on its Graduation Day in an amazing two-part season finale which has great character moments for everyone, the Mayor is probably TV's most enjoyable villain, the students disrobing is triumphant (though not for the reasons you might expect), Oz's final line shamelessly spelling out the show's metaphor is a great touch. Scheduled to be broadcast the same week as the Columbine High School shootings, Earshot was understandably delayed, but it was worth the wait. Buffy's temporary telepathy gives great insights, especially into the inner thoughts of Cordelia and Oz. Veering from comedy to tragedy and back again with incredible skill. Probably the best standalone episode in the entire run of the series.
After high school comes college and The Freshman shows Buffy not out of her depth, but unsure of it and is a great 'mission statement' episode. An episode about irritation is not an easy thing to pull off, illustrating annoyance without just being annoying is tough and yet some how Living Conditions manages it. The Harsh Light Of Day sees the welcome return of James Marsters, Emma Caulfield and Mercedes McNab, and proves you can learn more in college than you realise. Fear, Itself is a classic, as magic causes the Scooby Gang's fears to manifest it demonstrates the strength of the ensemble, despite spending most of the episode separated. Beer Bad replaces the usual intelligent dialogue with caveman grunting and the result is a bad episode of Buffy, but what it shows is that a bad episode of Buffy is still much, much better than a good episode of a great many other shows. After a great cameo from Spike, Wild At Heart features great performances from Hannigan and Seth Green as Willow and Oz's relationship is tested and the latter leaves Sunnydale. He will be missed. The introduction of The Initiative in The Initiative is really impressive, but it's Spike's promotion to the regular cast and his scene with Willow that make this episode great. Buffy attempts to fend off a vengeful spirit whilst preoccupied with cooking the perfect thanksgiving dinner in Pangs unaware of Angel's return. Protecting her from the wings he interacts with pretty much everyone except Buffy and the subsequent awkward dinner conversation is great. Something Blue is just fun. The almost-silent Hush is a phenomenal piece of television. Watch it.

Angel: City Of…; Lonely Hearts; In The Dark; I Fall To Pieces; Rm W/a Vu; Sense & Sensitivity; The Bachelor Party; I Will Remember You; Hero; Parting Gifts
Angel forges out on his own, but only gets as far as Los Angeles. The pilot City Of… sets up our hero as an atoning dark knight with equivalent Batcave and Batmobile, and with Cordelia as his secretary and Doyle as a messenger keeping his destiny on track. The episode sets up Tina as a damsel for Angel to save and Russell Winters as Angel's big bad and then neither of these things comes off quite as we expect. Initially a monster-of-the-week detective show the series seeks to establish its own identity and Lonely Hearts brand of almost sexually transmitted possession is definitely a step in that direction. Conversely it's the link s to the series we know and love that make In The Dark such a success as Spike and Oz crossover from Buffy. I Fall To Pieces is Angel at its creepiest. Rm W/A Vu is a great Cordy episode with a B-story that gives us a glimpse into Doyle's life and introduces Phantom Dennis. Sense & Sensitivity is good example of an idea that is allowed to work better here than it might in a lesser TV show, rather than simply being oversensitive there is far more scope in having the affected characters unable to control their emotions and reveal more about themselves. It's also another opportunity for Wolfram & Hart to emerge from the shadows. We learn a little more about Doyle in The Bachelor Party and Carlos Jacott puts in another great performance. When Buffy arrives in LA the ante is upped and the resulting I Will Remember You is the best love story that never happened. Hero is fantastic, a great send off for Doyle and all the more poignant after Glenn Quinn's death. Setting the pattern for the next couple of years Parting Gifts gives Cordelia the link to The Powers That Be and brings Alexis Denisof's Wesley back into the fold.

Star Trek: Deep Space Nine: Prodigal Daughter; The Emperor's New Cloak; Field Of Fire; Chimera; Badda-Bing Badda-Bang; Inter Arma Enim Silent Leges; Penumbra; ‘Til Death Do Us Part; Strange Bedfellows; The Changing Face Of Evil; When It Rains; Tacking Into The Wind; Extreme Measures; The Dogs Of War; What You Leave Behind
The final season continues with an interesting twist on the semi-annual 'O'Brien must suffer' episode with the return of the Prodigal Daughter as Ezri investigates the Chief's disappearance on her homeworld. Another semi-annual tradition are the episodes set in the Mirror Universe, and The Emperor's New Cloak is a lot of fun with Quark and Rom’s theft of the cloaked cloaking device, Rom’s attempts to understand the differences between the alternate realities and realisations of the Mirror versions of Ezri, Brunt and Leeta are great. Field Of Fire is a forensics-style whodunnit in the vein of CSI and another great use of Ezri. Chimera presents Odo with Laas, another Changeling who isn't part of the Dominion and J.G. Hertzler plays his feeling of superiority over the 'monoforms' wonderfully, Quark gets a great speech about genetics and Nana Visitor deserves a special mention for the palpable sense of guilt that she gives Kira about the possibility that their relationship is holding Odo back. Badda-Bing Badda-Bang isn't just DS9's version of a heist movie, it's DS9's version of the original Ocean's Eleven, it's mostly frivolous, but great fun. William Sadler makes a welcome return as Sloan in Inter Arma Enim Silent Leges, a well told espionage story which makes Section 31 seem even more complex. Setting up the next eight episodes of the epic end of the series, Penumbra is the calm before the storm and shows that the show is going to go all out as Ezri rescues Worf and they are captured by the Breen, Sisko proposes to Kasidy, but is subsequently told by the Prophets not to marry her and the sight of a Dukat surgically altered to appear Bajoran is very shocking. In spite of the Prophet's warning Sisko and Kasidy are joined in marriage 'Til Death Do Us Part, the political wrangling continues as the Breen and the Dominion form an alliance and Ezri and Worf are handed over as gifts, but topping Dukat as a Bajoran, is Kai Winn unwittingly becoming romantically involved with him. Winn and Dukat make Strange Bedfellows as the Pah Wraiths send her a vision and she struggles with her faith and as the Cardassians begin to be victims of the Dominion's plans for the war, Damar is increasingly uncomfortable as puppet leader. Louise Fletcher and Casey Biggs are phenomenal as their characters each undergo an about face. The Changing Face Of Evil sees both these characters finally switch allegiances as Winn turns to the dark side, in scenes which another great performance from James Otis as Solbor, and Damar's resistance turns the Cardassians against the Dominion, shown as a broadcast witnessed by all the major players at the same time. The space battle at Chintoka is great and the destruction of the USS Defiant is a hell of a blow. When It Rains… it pours., this episode is packed with developments: Odo, Garak and a now Starfleet Kira aid Damar's resistance, Gowron takes over the Klingon deployment seeking glory, Bashir and O'Brien discover Starfleet deliberately infected Odo with the morphogenic virus and Dukat is blinded and shunned by Winn. Tacking Into The Wind keeps all the balls in the air and the "something has to be done" scene between Sisko and Worf, Garak lurking in the shadows, the scene between Kira, Garak and Damar after the latter's family has been killed, Ezri's appraisal of the state of the Klingon Empire, O'Brien and Bashir's 'devious' scheming, Gowron's death, the Mexican standoff aboard the stolen Jem'Hadar ship are all excellent. Bashir and O'Brien take Extreme Measures to find Odo's cure and Sloan is determined not to make it easy for them in the most SF episode of the last nine, A Tale Of Two Cities being the key to realising they've been duped is a lovely device and it's great to see these two friends get one last adventure together before all hell breaks loose. The new USS Defiant arrives at DS9, Odo is cured of the virus killing his people, Damar becomes the champion of the people of Cardassia, the Emissary's wife discovers she is pregnant, The Dominion retreats and the Alpha Quadrant alliance decides to go on the offensive and press home the attack in The Dogs Of War, but the big picture of the Dominion War has largely left Quark on the sidelines and so the penultimate episode redresses the balance somewhat and is a wonderful last hurrah for the Ferengi: Armin Shimerman, Max Grodénchik, Wallace Shawn, Chase Masterson, Cecily Adams and Jeffrey Combs (in both his roles) are all as great as ever. The finale, What You Leave Behind, is astoundingly good: Ezri's reveal in the first scene, O'Brien resisting telling Bashir about his post-war plans, Broca's uselessness, the Female Changeling's dismissive reaction to Weyoun's offer to give his life for her own, Bashir and Garak's final scene together, Worf's weird repetition of "Minsk", Vic's farewell song, Sisko's toast, Dukat getting everything he wanted, Winn's reaction to the disappearance of the Kosst Amojan, Sisko's ascendance, Odo and Quark's lack of goodbyes, the last line (and the fact that it's Quark that gets to say it), the beautiful last shot are all amazing. It's an achievement that the end of the Dominion war doesn't completely dominate this episode and the tying up of loose ends and the separation of O'Brien from Bashir, Kira from Odo and Sisko from Jake and Kasidy leaves the viewer with a satisfactory sense of closure without being sentimental. Avery Brooks, Rene Auberjonois, de Boer, Michael Dorn, Cirroc Lofton, Colm Meaney, Shimerman, Alexander Siddig, Visitor, Marc Alaimo, Biggs, James Darren, Fletcher, Hertzler, Salome Jens, Penny Johnson, Juliana McCarthy and Andrew Robinson are all excellent throughout. So ends the best of the Star Trek series and one of the best television series ever made.

Star Trek: Voyager: Latent Image; Bride Of Chaotica!; Gravity; Dark Frontier; Think Tank; Someone To Watch Over Me; 11:59; Relativity; Equinox; Survival Instinct; Tinker, Tenor, Doctor, Spy; Riddles; Dragon's Teeth; The Voyager Conspiracy; Pathfinder
From memory loss to conspiracy via a Sophie's Choice dilemma, Latent Image is great and Robert Picardo is fantastic as the Doctor attempts to discover what happened to him and then to resolve it with his ethics. Bride Of Chaotica! is incredibly camp, but also great fun. Gravity is excellent and Tim Russ and Lori Petty are fantastic together. TV movie Dark Frontier is epic, brings out the best in Kate Mulgrew, Jeri Ryan and Susannah Thompson and the flashbacks to Annika’s childhood are great. Jason Alexander is suitably eerie as part of the Think Tank, an episode that is incredibly simple and all the better for it. Someone To Watch Over Me is a delightful romantic comedy with an very sad ending. The millennial flashback scenes of 11:59 are great and the Y2K bug prediction is bold (and as it turned out largely accurate). Voyager's encounters with the USS Relativity revisits earlier episodes and complicates them with a fascinating temporal paradox. Voyager discovers the USS Equinox, another Starfleet ship in the Delta Quadrant which has travelled the same path, but abandoned its ethics along the way. It vindicates Janeway in a season that saw her questioning the decision that marooned her crew.
The second part sees the two Captains switch positions as Janeway tries to get revenge by any means possible and Ransom has a change of heart and repents, but once again it's Picardo and Ryan that rescue the story. The sixth season continues with Survival Instinct, which forces Seven of Nine to choose quality or quantity of life for three of her peers. Tinker, Tenor, Doctor, Spy is great fun and the Doctor's daydreams are all wonderful, especially his operatic diagnosis of Tuvok's medical condition and Seven as his muse. Ethan Phillips and Tim Russ are wonderful in Riddles, a great Neelix and Tuvok episode. Dragon's Teeth features wonderful CGI effects and some great scenes for Neelix. A little learning is dangerous thing and an overabundance of information causes Seven to theorise The Voyager Conspiracy and sets Janeway and Chakotay at loggerheads, it's a little late in the day to convince but compelling nonetheless. Dwight Schultz is as wonderful as ever in Pathfinder and his scenes aboard the holographic USS Voyager are particularly poignant and this episode manages to bring the real one a step closer to home with being cloyingly sentimental.

Red Dwarf: Back In The Red; Cassandra
Series VIII begins with epic three-parter Back In The Red which sees the Starbuggers return to the small rouge one to find it bigger than ever before and amazingly with its long dead crew resurrected. After seven series of being the last man alive, Lister is suddenly back at the bottom of the pile. It's great to see him reunited with Rimmer, how Cat and Kryten react to their new situation and Mac MacDonald makes a welcome return as Captain Hollister. Cassandra is an intricate locked box of an episode reminiscent of Dwarf circa Series V, with some nice jokes in it and it's nice to see each of the characters reactions to learning their future.

The League Of Gentlemen: Welcome To Royston Vasey; The Road To Royston Vasey; Nightmare In Royston Vasey; The Beast Of Royston Vasey; Love Comes To Royston Vasey; Escape From Royston Vasey
Mark Gatiss, Steve Pemberton and Reece Shearsmith prove themselves to be three of the country’s best actors as their sketch show meets sitcom comes to television. The dark comedy world of Royston Vasey is brilliantly brought to life in Welcome To Royston Vasey: from its fantastic opening joke with the wonderful Frances Cox, Benjamin visiting the Dentons, Tubbs and Edward at the Local Shop, Barbara, Chinnery, Pauline and her jobseekers, Geoff, Mike and Brian telling "Mau Mau", the characters are more than mere grotesques but have a real depth to them, the visual gags are brilliant and the horror movie references are very rewarding. The first series is made up of groups of sketches which for the most part only have the town in common, but with the construction of The Road To Royston Vasey as an overarching storyline, the introduction of the "special stuff", Henry and Ally's video selection and Pop's son(s). Aqua vita, "there is a Swansea", the roundabout zoo, Bernice's sermon and egregious are among the many highlights of Nightmare In Royston Vasey. The series takes on an epic quality with the discovery of The Beast Of Royston Vasey and turns darker still with Farmer Tinsel's scarecrow, Charlie and Stella's date and Legz Akimbo Theatre Company gives Theatre-In-Education a bad name with its unfortunately accurate portrayal. Gatiss is excellent during his monologue as the Stump Hole Caverns tour guide while Geoff uses his speech as Mike's best man to settle old scores and Barbara misunderstands Benjmin’s advances as Love Comes To Royston Vasey. Things culminate in Pauline's dismissal, Geoff finally firing his gun, the return of Tubbs and Edward's son David, the reveal of the contents of the towns postboxes, Barbara's operation and Benjamin makes another attempt to Escape From Royston Vasey.

Futurama: Space Pilot 3000; The Series Has Landed; I, Roommate; Love's Labors Lost In Space; Fear Of A Bot Planet; A Fishful Of Dollars; My Three Suns; A Big Piece Of Garbage; Hell Is Other Robots; A Flight To Remember; Mars University; When Aliens Attack; Fry And The Slurm Factory; I Second That Emotion; Brannigan, Begin Again; A Head In The Polls; Xmas Story
Matt Groening and David X. Cohen's vision of the future gets a solid start with Space Pilot 3000. The characters of Fry, Leela, Bender and Farnsworth arrive fully formed and the trademark cruel humour is already in place. Amy joins the Planet Express crew as they make a delivery to the moon in the both touching and funny The Series Has Landed. I, Roommate is I, Robot meets The Odd Couple and the flathunting montage is great. Introducing Zapp Brannigan, Kif and Nibbler, Love's Labors Lost In Space, is a step into a more adult arena and the Vergon VI fauna are great. The demonisation of humans in Fear Of A Bot Planet is great and best summed up in the It Came From Planet Earth B-Movie line featured within: "Relax Wendy, humans will never come to our defence less little town. It's perfectly safe to let our guard down, even for a second." As extinction tales go, A Fishful Of Dollars is funnier than it has any right to be. The episode introduces Mom and her assumption of Fry's plan for the last tin of anchovies is as terrifying, as the last scene is funny. My Three Suns is a more sedate, but no less brilliant episode featuring a unisex robe. The Planet Express crew go up against A Big Piece Of Garbage that threatens Earth in an episode which highlights the show's interesting take on environmental issues. Hell Is Other Robots compares religion with addiction and hilarity ensues. The Robot Devil is a great character and the episode features the first of many wonderful original songs.
A Flight To Remember sees Leela and Amy both pretending to be dating Fry aboard the starship Titanic, what could possibly go wrong? The episode's highlight has to be Hermes facing up to his past as a limboer. Mars University is Animal House with an actual animal as Guenter the monkey with the Electronium Hat bests Fry who enrols in college to become a college dropout. When Aliens Attack is wonderful, the Monument Beach scene, the Single Female Lawyer scenes and the reassuring-everything-back-to-normal ending. Fry And The Slurm Factory is reassuringly disgusting. Bender is forced to feel Leela's emotions in I Second That Emotion which the episode exploits brilliantly, whilst introducing the sewer mutants very successfully. Brannigan, Begin Again is wonderful: the Neutral planet, "I'm going to allow this", Fry's "Woooooh", the Midnight Cowboy parody, Bender looking back and laughing. All of it. As a treatise on political apathy A Head In The Polls is very funny, Billy West's Nixon is a triumph and its The Scary Door opening is excellent. Introducing Robot Santa and Tinny Tim, Xmas Story gives us a terrifying vision of the Christmases of the future and features some great yuletide gags.

Farscape: Premiere, Thank God It's Friday, Again; I, ET; DNA Mad Scientist; Jeremiah Crichton; A Human Reaction
If Firefly's Mal Reynolds is Han Solo done right, then Farscape's universe is the Mos Eisley cantina writ large. For obvious reasons most of the first season concerns Ben Browder's fish out of water Crichton, but Virginia Hey's performance as Zhaan deserves a special mention.

Doctor Who And The Curse Of Fatal Death
Featuring no less than five Doctors and a fantastic performance from Jonathan Pryce as the Master, Steven Moffat's Comic Relief spoof is a loving tribute that pokes fun in all the right places.

Louis Theroux's Weird Weekends: Swingers; Wrestling
Wife swapping is your future, and Louis investigates the world of Swingers, finds it difficult to fit in and exposes cracks in a relationship. Louis tries his hand at professional Wrestling and discovers that while it isn't fake, it is predetermined and the WCW's Sarge trains him hard enough to prove the distinction. Rowdy Roddy Piper, Pistol Pez Whatley and the AIWF come out of it very well.

Journeys Into The Outside With Jarvis Cocker
An excellent three part series following the Pulp frontman around fascinating artwork created by people with no formal training. The documentaries take in Les Rochers Sculptés, La Maison de la vaiselle cassée, Jardin du Coquillage and Ferdinand Cheval's Palais Idéal in France, the Coral Castle, Miracle Cross Garden, Beer Can House, Bottle Village and Watts Towers in the USA, Las Pozas in Mexico, the Tower of the Apocalypse in Belgium and the Chandigarh Rock Garden in India. Cocker's insights are great and his French is very impressive.

Now And Again
The first ten episodes of this excellent and criminally unavailable TV show were broadcast this year. Eric Close, Dennis Haysbert, Margaret Colin and Gerrit Graham are fantastic in the story of Michael Wiseman, a man whose brain is transplanted after his death into the perfect genetically engineered body and resurrected as a tool for espionage. Wiseman is given a new life and trained to be a spy, but is unable to leave his old life, wife and daughter behind. The show was a great mix of action and comedy

The Flint Street Nativity
A class of schoolchildren attempt to tell the story of the birth of Jesus as they understand it. Tim Firth's Christmas tale sees the children played by a great cast of adults on an oversize set. The misunderstandings and logical leaps of the children, both about the nativity story and life itself, are very, very funny and sometimes heartbreaking.

Music
Supergrass: Supergrass
The band's third (and eponymous) album, also dubbed the X-Ray album, is fantastic from start to finish and consistent throughout. Musically it is mature and assured, but the trio have lost none of their sense of fun.
Stand Out Tracks: 'Moving'; 'Your Love'; 'What Went Wrong (In Your Head)'; 'Beautiful People'; 'Shotover Hill'; 'Eon'; 'Jesus Came From Outta Space'; 'Mary'; 'Born Again'; 'Mama & Papa'

The All Seeing I: Pickled Eggs & Sherbert
This electronic album which feels like it came from an astral conjunction of a Sheffield supergroup. Jarvis Cocker's lyrics are fantastic and the vocals by Tony Christie, Phil Oakey and Stephen Jones from Babybird are all great.
Stand Out Tracks: 'Walk Like A Panther', '1st Man In Space', 'Stars On Sunday', 'I Walk', 'Happy Birthday Nicola', 'Plastic Diamond'

Blur: 13
The band's sixth album moves further away from their Britpop roots with a baker's dozen of tracks largely about love and loss that stretch them musically.
Stand Out Tracks: 'Tender', 'Coffee & TV', '1992', 'B.L.U.R.E.M.I.', 'Trailerpark', 'No Distance Left To Run', 'Optigan 1'

Ultrasound: Everything Picture
The sole double album release from Ultrasound is an epic and sprawling beast of an album with layers and layers of sound. Every song feels like a big hitter, the anthemic 'Stay Young' builds into what I'm sure would have a crowd pleaser given half a chance, while songs like 'Cross My Heart', 'Floodlit World' and 'My Impossible Dream' show the enormous musical ability of band. The unassuming 'Sentimental Song' is one of the most beautiful songs I've ever heard and the title track is a 21 minute symphony that revisits the first ten songs expertly and is at turns triumphant and discordant and then a hidden track like a delightful lullaby. This is a bittersweet beauty of a record as sadly their inability to remain in the 'Same Band' denied us a follow up.
Stand Out Tracks: 'Cross My Heart'; 'Same Band'; 'Stay Young'; 'Suckle'; 'Fame Thing'; 'Aire & Calder'; 'Sentimental Song'; 'Floodlit World'; 'My Impossible Dream'; 'Everything Picture'

Gomez: Liquid Skin
The second album is another slice of hazy pseudo-Americana in the same vein as the first, but with a more refined production this time around.
Stand Out Tracks: 'Revolutionary Kind'; 'Bring It On'; 'Blue Moon Rising'; 'We Haven't Turned Around', 'Rhythm And Blues Alibi'

Kula Shaker: Peasants, Pigs & Astronauts
The band’s second album is a grand soundscape heavy on the psychedelia and eastern mysticism, but it's the rockier tracks that impress the most.
Stand Out Tracks: 'Mystical Machine Gun'; 'Shower Your Love'; '108 Battles (Of The Mind)'; 'Sound Of Drums'

Mr Scruff: Keep It Unreal
Breakbeat programmer Mr Scruff has excelled himself with this diverse collection of tracks.
Stand Out Tracks: 'Spandex Man'; 'Get A Move On'; 'Midnight Feast'; 'Shanty Town'; 'Blackfoot Roll'; 'Fish'


Books
The Fifth Elephant by Terry Pratchett
One of the themes of the Discworld series is the conflict between tradition and progress and the twenty-fourth novel pulls in both directions as the Ankh Morpork City Watch expands and modernises. Vimes briefly becomes the city's ambassador to Überwald, the disc's allegory for Transylvania, where he investigates the theft of the Dwarf's Scone of Stone and becomes embroiled in Vampiric intrigue. A crime thriller set against a fantasy backdrop that is as funny as it is scary. References veer from Dracula to the plays of Chekhov and back via the Diet of Worms and The Italian Job.

The Science Of Discworld by Terry Pratchett, Ian Cohen & Jack Stewart
Alternating between a Discworld story featuring the creation of a universe of 'Roundworlds' by the wizards of the Unseen University and scientific explanations of the creation our universe, the Earth and the beginnings of life. This book is a great literary contribution to popular science and the two halves compliment each other and made up for shortcomings in my own knowledge of science.

The Boy Who Kicked Pigs by Tom Baker
This story of a misnthropic boy who takes a perverse pleasure from the kicking of pigs is an escalating morality tale with inevitable (and horrific) comeuppance. The novel is wonderfully macabre and the accompanying illustrations by David Roberts are just as unsettling.


Santa Land Diaries by David Sedaris
These six short Christmas stories are hilarious, from the titular tale of the trials and tribulations of being one of Santa's helper elves in a department store to 'Season's Greetings To Our Friends And Family!!!' is a great parody of the traditional American holiday newsletter with a touch too much honesty in it.


Comics
Doctor Who: The Fallen; Unnatural Born Killers; The Road To Hell; TV Action!
The Eighth Doctor is reunited with Grace Holloway in The Fallen a story that riffs extensively on Paul McGann's TV movie and the fantastic final panel makes it obvious to the reader that this is the beginning of another epic story. Adrian Salmon's simple storyline and stark artwork for the Doctorless strip Unnatural Born Killers reintroduces Kroton the Cyberman with a soul, as he takes on a pack of Sontarans and loses his home. The Road To Hell is paved with good intentions as the Doctor and Izzy arrive in 17th Century Japan during an isolationist period, Lady Asami being driven mad by images of Japan's future from Izzy's mind is great and the concept of forcing immortality on a Samurai who try as he might cannot give his life and therefore his continued existence dishonours him is fantastic. The TARDIS lands at BBC Television Centre in TV Action! which is a nice little comedy strip that shows a snapshot of the BBC's output in 1979 and features a guest appearance from Tom Baker of all people.

Recommendations welcome.