Showing posts with label Father Ted. Show all posts
Showing posts with label Father Ted. Show all posts

Monday, 4 February 2019

Twitter Twatter #61

August 2018 on Twitter:














































Sunday, 14 January 2018

Twitter Twatter #51

November 2017 does Twitter:


























































Monday, 2 January 2017

Twitter Twatter #35

September 2016's twittering:



















Wednesday, 23 December 2015

"Ruud Gullit Sitting On A Shed?"

Three years ago, I wrote this for Noiseless Chatter and I'm unashamedly recycling it here. I can't quite believe it was so long ago, but reading it back it still reflects my views on the Father Ted Christmas special.


After two phenomenal series Father Ted was awarded with a feature-length Christmas special, and so on Christmas Eve in the year of our Lord 1996, a fifteen-year-old me sat down in front of the television set to watch Father Ted. I loved it. I still do. I watch it every year and it’s still as great as ever.

I could wax lyrical about all the great things in A Christmassy Ted, and so I’m going to. Dougal versus the Christmas tree lights, Mrs Doyle’s window sill dismounts, “Gifts for husbands, like pipes and slippers,” Dougal’s weird familial one-liners, Priest Chatback, a Glittery Dougal, “So a protestant is better than me!”, Dougal presiding over a funeral, Ted’s list of everyone who’s fecked him over, Larry Duff skiing, Dougal’s matador stuff, “bizarre irregularities in his accounts,” Ted’s speech, “La Marseillaise,” the shots framed with Todd’s anatomy, “I don’t know. It was just going that way,” Dougal hanging up the phone, etc.

Father Dougal: Can I open another window on the Advent calendar?
Father Ted: All right. But remember, only today’s window.
Father Dougal: Oh! A shepherd! Great! Fantastic stuff! Can I not open the other two?
Father Ted: No, Dougal.
Father Dougal: God, I can’t wait to see what’s under tomorrow’s window. I bet it’s a donkey or something.
Father Ted: Really? So, you’ve changed from your initial prediction of… what was it again? “Ruud Gullit sitting on a shed.” God, Dougal, where do you get these ideas from?


In many ways, however, one of the real strengths of this episode is all the things that it doesn’t do. This is a situation comedy that successfully takes the high road, but brilliantly acknowledges the roads less travelled. For once in a sitcom Christmas special, Christmas is simply the sit and not the source of com. It’s a move acknowledged by the baby that isn’t left on their doorstep and therefore deliberately denying us a version of the Nativity filled with Three Men And A Baby-style high jinks.

Father Ted: A nice quiet Christmas with no unusual incidents or strange people turning up, that would suit me down to the ground.

This episode doesn’t take the easy option at any point. It isn’t yet another retelling of A Christmas Carol, the spirit of Christmas isn’t revealed to any of the characters, and they don’t learn anything. Nor does it try and show the inhabitants of Craggy Island undergoing all the same Christmas rituals as their viewers.

Father Todd Unctious: He gives good mass…he really knows how to work the altar. Look at that chalice work.

When it does acknowledge Christmas it does so in explicitly crass ways such as the jingle bells that are practically bolted onto the opening theme tune, showing the priest’s collective reaction to a televised mass or getting the big guest stars out of the way in the shamelessly conspicuous Ballykissangel opening dream scene and then rapidly replacing them with giant peanuts.


Father Dougal: What’s goin’ on?
Father Terry: I think Ted has a plan.
Father Dougal: No, I mean in general.
Father Terry: Oh, we can’t find a way out of the lingerie section.
Father Dougal: Oh, right.

On subject of pop-culture references, the Mission Impossible cat burglar scene came at a time when such a nod was still new, and most notably the idea of eight priests finding themselves in Ireland’s biggest lingerie section played with the same high stakes as being behind enemy lines in a Vietnam War movie is a stroke of unadulterated genius. Any other sitcom would be happy to rest on those laurels, but Ted is different, and takes us into the bizarre Film Noir flashback confession of Father Todd Unctious.

I was very disappointed to discover that Graham Linehan is not a fan of this episode and feels it is too long. I think he’s a bit hard on it. The extended running time broadens the scope of A Christmassy Ted beyond the other episodes. Between the priestly platoon, the opulence of the “strapped for cash” Vatican and the Golden Cleric scenes the Christmas special has the highest number of priests per square inch of any episode, and they each have their own distinct characters, attributes and motivations.


Mrs Doyle: Father Andy Riley?
Unknown Father: No.
Mrs Doyle: Father Desmond Coyne? Father George Byrne? Father David Nicholson? Father Dick Linlidge?
Unknown Father: I’ll give you a clue.
Mrs Doyle: No clues! I’ll get it in a second. Father Ken Sweeney? Father Neil Hannon? Father Keith Cullen? Father kieran Donnelly? Father Mick McAvoy? Father Jack White?…Father Henry Bigbigging? Father Hank Tree? Father Hiroshima Twinkie? Father Stig Bubblecard? Father Johnny Helzapoppin? Father Luke Duke? Father Billy Furley? Father Chewy Louie? Father John Hoop? Father Hairy Cakelinem? Father Rabulah Conundrum? Father Pee-wee Stairmaster? Father Tri-Peglips? Father Jemimah Ractoole? Father Jerry Twig? Father Spodo Komodo? Father Canabramalamer? Father Todd Unctious?
‘Father Todd Unctious’: Yes!

In any other episode the idea of a character “being vaguely unhappy but not being able to figure out exactly why” might go underexplored, but here it gets the attention it deserves. It’s all done without being pious and not a moment is wasted.

Father Ted: And who’s that Todd Unctious? I didn’t invite him, did you? No, I barred you from inviting people over after that tramp stayed a week when I was away.
Father Dougal: That wasn’t a tramp. That was the Prime Minister of France.

The resulting piece of television is fantastic, but that’s not surprising because there are no bad episodes of Father Ted. Any episode of Father Ted shown at Christmas would have felt sufficiently 'special'. A Christmassy Ted is a fantastic episode, but crucially it’s not very Christmassy, and that’s what makes it so great.

Father Ted: Dougal, fantastic news!
Father Dougal: You’re getting married.
Father Ted: No, I’m no…is that a joke?

Thursday, 29 January 2015

Twitter Twatter #7

April 2014's twitterage:



A bit more from 'Sunday Sunday':






Patrick Stewart has competition:






I don't remember this, but I'm presuming it was all about gardening-themed Doctor Who puns:




The Daily Mail's sidebar of shame...




Mine wasn't chosen:






Monday, 24 December 2012

More Christmas Moments

Last year I wrote a post focussing on the Christmassiest elements of the years I'd written about for These Are A Few Of My Favourite Things. Here's an update based on what I've written about since:

Christmas 1988 and Charles Dickens' A Christmas Carol inspired both Scrooged in cinemas and Blackadder's Christmas Carol on television. Both revolve around a character who isn't Ebeneezer Scrooge that learn the true meaning of Christmas after seeing visions of the past, present and future. Each man finds a very different "true meaning of Christmas" though.


- - - - -

1989 and 1990 saw the publication of the Red Dwarf novels, Infinity Welcomes Careful Drivers and Better Than Life respectively and one story element across both books is Lister getting back to Earth, discovering that Bedford Falls, the town from It's A Wonderful Life, is real, moving there, starting a family with his ideal woman and all on Christmas Eve, because in Bedford Falls it's always Christmas Eve...


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Christmas 1991 is the first for a Northern Exposure's Joel Fleischman and the experience gives the good Jewish boy a crisis of confidence in Seoul Mates, while the local Native Americans are decorating everything with Ravens. To quote Chris-in-the-Morning: "Twinkling colored lights are nice and so are plastic Santas and reindeers and nativity scenes, but let me tell you something. There's nothing like the sight of a beautiful, black-as-pitch raven to get you in the Christmas spirit."


- - - - -

Four years later and Alan Partridge celebrates Christmas 1995 with a Christmas edition of his show entitled Knowing Me, Knowing Yule With Alan Partridge. Alan gamely soldiers on through struggles with a tranvestite celebrity chef, product placement, racist chauffers and his own boss as a guest toward the most predictable of puns.


- - - - -

1996 saw Terry Pratchett take his Discworld into a Christmas-like territory with Hogfather and Father Ted broadcast A Christmassy Ted, which at some point I will stop going on about.


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The radio series of On The Town With The League Of Gentlemen marked Christmas in 1997 with God Rest Ye Merry Gentlemen (not to be confused with this), as the residents of Spent celebrated with a Christmas party that draws the radio show to a spectacular close.


- - - - -

1998
Amends is a beautiful episode of Buffy The Vampire Slayer, which sees the Slayer and her vampire ex-boyfriend dreaming the same dreams, Xander's Christmas tradition, an uncharacteristic snowfall in California and sets up the Big Bad for the series final season, while Louis Theroux's Weird Christmas reunites him with four of his Weird Weedenders to talk about porn, survivalism, Christ, aliens and Satan Claus.


- - - - -

Christmases 1999 to 2010 featured in last years post.

- - - - -

Last year saw the broadcast of not one but two very different Doctor Who Christmas episodes The Doctor, The Widow And The Wardrobe on TV and Hornet's Nest on the radio. Both were fantastic.


Here's to Christmas 2012...

Thursday, 13 December 2012

Feck The Halls...

Phil over at Noiseless Chatter is hosting a series of articles that he has called The 12 Days Of Christmas. They are twelve articles about twelve TV Christmas Specials and I was delighted to be asked to write the first of them.


I chose to write about A Christmassy Ted, the yuletide offering from Father Ted. The episode in question is a masterpiece, but don't just take my word for it. Go and watch it, then take my word for it.


I have another article coming up and I'm very much looking forward to seeing what everyone else has decided to write about.

Saturday, 21 April 2012

S Is For...Stay Alive In '95

My nineteenth post for the A-to-Z Challenge, S is for... Stay Alive In '95:

I wrote a review-of-the-year type post of my favourite Film, TV, Radio, Music, Books, Comics, Games, Online and/or Art etc at the end of 2010 and enjoyed writing it enough to decide to keep writing them. So I've been working my way backwards, one year per month, and I've reached 1995:

Stay Alive In '95
I've borrowed this title from the sleeve notes for the single release of Pulp's 'Common People', the full quote is: "There is a war in progress - don't be a casual(ty). The time to decide whose side you're on is here. Choose wisely. Stay alive in '95."

1995 was the year that Richey Edwards of the Manic Street Preachers disappeared, Nick Leeson caused the collapse of Barings Bank, the Oklahoma City bombing took place, O.J. Simpson was found not guilty of double murder and astonishingly the state of Mississippi finally outlawed slavery.

These are a few of my favourite things from 1995:

Film
Mighty Aphrodite
Woody Allen does Greek tragedy and does it in style. Mighty Aphrodite is very, very funny. Mira Sorvino's performance is phenomenal, Allen and F. Murray Abraham are great.

Twelve Monkeys
Terry Gilliam's thought-provoking time travel thriller is fantastic. Inspired by La Jetee the film deals with temporal mechanics in an intelligent way. Bruce Willis, Madeleine Stowe, Brad Pitt, Frank Gorshin and Christopher Plummer are all great. Here's the trailer.

GoldenEye
Bond is back with a vengeance after a six year absence. The bizarre, but brilliant title sequence exemplifies the idea of adjusting Bond for a post-Cold War age. Pierce Brosnan takes on the role and makes it his own, while Sean Bean, Izabella Scorupco, Famke Janssen, Alan Cumming, Michael Kitchen, Robbie Coltrane and Judi Dench are all wonderful and it's great to see Desmond Llewellyn back as Q. Here's the trailer.

The Usual Suspects
Bryan Singer's directorial debut is a brilliant and densely plotted film that takes in elements of heist movies and film noir to become probably the best in its genre. The cast and the twist in the tale are fantastic. Here's the trailer.

Apollo 13
Based on the true story of the thirteenth Apollo mission. The realism acheived aboard Apollo 13 is incredibly convincing, the cast are great and the sense of lunar apathy on Earth, followed by the sensationalism when the mission is at risk, are both very well played. Here's the trailer.


TV
Star Trek: Deep Space Nine: Past Tense; Heart Of Stone; Destiny; Prophet Motive; Visionary; Through The Looking Glass; Improbable Cause & The Die Is Cast; Explorers; Family Business; Shakaar; Facets; The Adversary; The Way Of The Warrior; The Visitor; Hippocratic Oath; Indiscretion; Rejoined; Starship Down; Little Green Men; The Sword Of Kahless; Our Man Bashir
The third series continues with two-parter Past Tense which addresses the issues of homelessness, unemployment and segregation on 21st centry Earth with a great guest cast. Heart Of Stone is almost a tragic love story between Odo and Kira with a great surprise ending and Nog's application for Starfleet Academy is a nice subplot. Destiny concerns Sisko's uncomfortable relationship with the mantle of Emissary, the interpretation and reinterpretation of the prophecy is great and O'Brien's embarrassment is tangible. Armin Shimerman, Max Grodénchik and Wallace Shawn are all great in Prophet Motive, a uniquely Ferengi spin on the concepts and mythology at the heart of DS9's pilot episode. Visionary is an intricate time travel detective story and Colm Meaney's dual performance is fantastic. Sisko goes Through The Looking Glass and fits in perfectly as a Terran freedom fighter in the Mirror Universe. Improbable Cause and The Die Is Cast are an outstanding two-parter which builds on the events of the season thus far and the mostly unexplored relationship between Odo and Garak is used to great effect, Rene Auberjonois and Andrew Robinson are fantastic, the interrogation scene and the space battle are particularly impressive and it's lovely to see Paul Dooley back. Avery Brooks and Cirroc Lofton ease with one another make the Siskos father and son trip in Explorers, the Cardassian coincidence is well played and the O'Brien and Bashir drunk scene is fantastic. Quark and Rom return home to deal with some Family Business, Shimerman, Grodenchik and Andrea Martin are wonderful in what is a fantastic Ferengi episode. Kira is reunited with Shakaar as Kai Winn risks a civil war on Bajor and the exterior shooting looks wonderful. The regular cast each embody a different host of the Dax symbiont in Facets and Shimerman as Quark as Audrid and Auberjonois as Odo as Curzon in particular are wonderful, while Nog takes his Starfleet exams and Grodenchik is adorable as proud father Rom. The paranoia caused by the Changeling infiltration of The Adversary is intense, the Odo versus Founder fight scene is impressive and the Founder's final words are revealed to be suitably chilling.
The fourth season begins with the flawless TV movie The Way Of The Warrior, which works like another pilot as the political landscape shifts once again, the Klingons become the enemy once more and Michael Dorn's Worf joins the cast. Brooks, Lofton and Tony Todd are wonderful in The Visitor's fantastic exploration of a relationship between father and son which transcends death. Bashir and O'Brien's friendship is tested as the Doctor's Hippocratic Oath compels him to help a group of Jem'Hadar, but the engineer chooses to break it for him. Nana Visitor and Marc Alaimo are wonderful together as Indiscretion throws Kira and Dukat together in a road movie-like episode and Sisko's faux pas is very funny. Rejoined is a love story that trades one taboo for another and Terry Farrell and Susanna Thompson make a beautiful couple. Starship Down is a great submarine thriller with some lovely interaction between its pairs of characters. Shimerman, Grodenchik and Aron Eisenberg are hilarious in Little Green Men, a comedy episode crammed full of B-movie references. The quest for The Sword Of Kahless is a great adventure yarn and Dorn, Farrell and John Colicos are terrific. Our Man Bashir is a fantastic Bond homage and a huge amount of fun.

Star Trek: Voyager: Caretaker; Parallax; Time And Again; Phage; Eye Of The Needle; Emanations; Prime Factors; State Of Flux; Heroes And Demons; Faces; Jetrel; Learning Curve; The 37's; Initiations; Projections; Non Sequitur; Parturition; Persistence Of Vision; Tattoo; Cold Fire; Maneuvers; Resistance
The Star Trek spinoff about a starship marooned in the Delta Quadrant and its long voyage home begins with Caretaker, Armin Shimerman's cameo scene as Quark is great, Ethan Phillips steals the show as Neelix, the location shooting and the visual effects are very impressive in what is the most equally balanced Star Trek pilot. It introduces all nine of its regular characters ably as well as several of the key relationships between them and sets up the premise of the series very well. The second episode, Parallax, is not yet business as usual for Star Trek: Voyager and the quantum singularity cause is effect A-story is fairly inconsequential, but the subplots tidying up unfinished business from the pilot are much more interesting. Time And Again is another time travel paradox episode and a nice little story to boot which expands on the role of Kes. The Phage-suffering Vidiians are a great SF concept and this episode avoids the silliness you would expect from lung theft and instead features some genuine ethical dilemmas and brings out the best in Kate Mulgrew, Robert Picardo and Phillips. The 'Harry Kim wormhole' allows the crew to peer through the Eye Of The Needle into the Alpha Quadrant in the first of many attempts to get home quicker and Vaughn Armstrong is great as Telek R'Mor. Emanations asks some interesting questions about the afterlife, gives Garrett Wang an episode to get his teeth and Jefrey Allan Chandler is wonderful as a reluctant recipient of euthanasia. The crew get another chance to get home in Prime Factors which sees the Starfleet and Maquis crews working together like never before and Martha Hackett is great as Seska. She comes to the fore again and the revelations keep coming in State Of Flux. Heroes And Demons is a very funny Doctor episode which features a hilarious performance from Picardo and a wonderful depiction of Beowulf. Faces is a very literal character study as Torres is split in half in, but it's a great episode as Roxann Biggs-Dawson is wonderful in both roles, Brian Markinson is fantastic and this episode turns the Vidiians into great horror movie-style bad guys. Neelix comes face to face with Jetrel, a thinly veiled Oppenheimer/Hiroshima parable which features great performances from Phillips and James Sloyan are great. Learning Curve is an atypical season finale, but it does acknowledge the Starfleet/Maquis divide and run with it convincingly for the last time (and as a plus features this line).
The second season begins with The 37's which works as a restatement of principles and effectively as a second pilot episode with wonderful performances from David Graf and Sharon Lawrence. Robert Beltran and Aron Eisenberg are great in Initiations, an episode that adds a much-needed layer of complexity to both the Kazon and Chakotay. Picardo and Dwight Schultz are as brilliant as ever in Projections, a fractal Cartesian nightmare for the Doctor as reality unfolds around him and the resulting episode is fantastic. Wang and Robert Duncan McNeill are great together as Kim gives up the perfect parallel life in Non Sequitur. Neelix and Paris overcome their jealousy and undergo Parturition in an episode that proves Phillips and McNeill are a great double act. Persistence Of Vision follows a well mined seam of hallucinations and fears made real, but does so with such style that it seems far more original. Beltran and Henry Darrow are both wonderful in Chakotay-centric episode Tattoo and Picardo is hilarious as the ill Doctor. Jennifer Lien is given a rare chance to excel as Kes in Cold Fire and she does not disappoint. Maneuvers advances the Seska storyline compellingly, the Kazon torpedo shuttle attack is impressive, Cullah's transporter use is gruesome and Beltran, Hackett and Anthony De Longis are great. Joel Grey is phenomenal as Caylem in Resistance and the relationship between his character and Janeway is very touching.

Father Ted: Good Luck, Father Ted; Entertaining Father Stone; The Passion Of St Tibulus; Competition Time; And God Created Woman; Grant Unto Him Eternal Rest
The series hits the ground running as the first episode, Good Luck, Father Ted is fantastic and highlights include Dougal's diagram, the Lord's prayer, Funland, duelling banjos and every scene with Tom. Ted and Dougal find themselves Entertaining Father Stone and Michael Redmond pitches his deadpan stoicism perfectly. Jim Norton is great as Bishop Brennan forces Ted and Dougal to protest against The Passion Of St Tibulus at the cinema and their signage has gone down in history, while Father Hernandez is hilarious. Competition Time introduces Ted's rivalry with Dick Byrne and the intercutting between Craggy and Rugged Islands, Dougal's fascination with Henry Sellars hair and the Elvises Presley are great while the simplistic treatment of alcoholism somehow manages to be funny and still does the show credit. Mrs Doyle's examples of bad language, Jack on automatic, mass fans, Jim's diagnosis, Ted as an accessory in Tom's lift and Dougal looking for change are all brilliant moments in And God Created Woman. Jack shuffles off this mortal coil in the last episode of the first series, Grant Unto Him Eternal Rest, and Dougal's last rites, the cut to 'Karma Chameleon' and the game of charades are all great.

Northern Exposure: The Great Mushroom; Mi Casa, Su Casa; Horns; The Mommy's Curse; The Quest; Lucky People; The Graduate; Little Italy; Balls; Buss Stop; Ursa Minor; Let's Dance; Tranquility Base
The sixth and final season continues with Maggie visiting Joel living atop The Great Mushroom and his various deaths are all funny. Marilyn follows soon after and Joel feels she undermines him, while Ed housesits for Maurice and takes on more than a few aspects of the owner's personality in Mi Casa, Su Casa. Alaska releases Joel from his contract which has a profound effect on him, while Maurice's Cicely Water venture causes a role reversal in the town in the brilliant hundredth episode Horns. Another death leaves Maggie wondering if The Mommy's Curse is hereditary and Walt's brief career in retail is great. The Quest for the Jewel City of the North takes Joel and Maggie on a bizarre journey and ends in a particularly poignant ending. If people who need people are the luckiest people, then Maurice, Phil and Michelle discover they are Lucky People indeed. Chris becomes The Graduate, the transcendental 45th Regiment are brilliant, the reveal of Holling's secret is shocking and the town's rallying around him is very funny. Phil discovers Cicely's Little Italy and finds himself at the centre of a family feud, while Ruth-Ann's radio career and Ed's suggestion of "early burnout" are very funny. Lester Haines' "tribal values" are initially hilarious and ultimately heartbreaking for Ed, the bowling team scenes are great and the rift between the Capras is a bold move at this stage in Balls. Michelle tries to direct a production of Bus Stop in Buss Stop, Hayden Keyes' forced perspective entrance and pointless trapdoor, Shelly's presentation skills and Maurice's theatre speech are great. Ursa Minor sees Ed looking after a baby bear. The effect of Cal's violin on Semanski, Phil's breaches of Tlingit etiquette and Marilyn's cotillion classes are hilarous in Let's Dance. Cicely's couples converge on Maurice's Tranquility Base in the final episode and every relationship is tested to one degee or another, Michelle is visited by Joel's hallucinatory Rabbi Schulman and the 'Our Town' montage at the end is great.

American Gothic: Pilot; A Tree Grows In Trinity; Eye Of The Beholder; Damned If You Don't; Dead To The World; Meet The Beetles; Strong Arm Of The Law;
Gary Cole, Sarah Paulson, Lucas Black and Nick Searcy are fantastic in Shaun Cassidy's horror TV series. The pilot episode introduces the town of Trinity in South Carolina, USA a well as its Sheriff, its Doctor and schoolteacher and Caleb has a particularly horrific tenth birthday as he loses his sister and father. A tree grows in Trinity in A Tree Grows In Trinity and David Lenthall is great as put upon coroner Webb. Eye Of The Beholder introduces the wonderful Tina Lifford, the horror quotient is high, Michael Burgess is great and the episode builds to a nice twist which sets up the the dynamic for the rest of the show. Brigid Walsh and Steve Rankin are great as Damned If You Don't shows that Lucas collects on debts. Searcy is excellent in Dead To The World, which again shows another facet of Lucas, but also feature a great use of Gail's character. Meet The Beetles is incredibly creepy and Caleb's grave idea gives a brilliant insight into his character. Strong Arm Of The Law is a great example of Sheriff Buck's sense of justice at work.

Wallace & Gromit: A Close Shave
Shaun and a flockful of sheep join Wallace and Gromit in Nick Park's third short film. It's what you might get if International Rescue used Thunderbirds for cleaning windows. Between the window cleaning and the flock acrobatics, the set pieces are wonderful. Wallace's romantic involvement with Wendoline is heartbreaking as you will them to get together, but as usual it's Gromit that steals the show. It's another animated tour-de-force.

Knowing Me, Knowing Yule With Alan Partridge;
Alan's records some choice cuts of Christmas chat from a studio mock up of his home. Christian bellringers mingle with electrocuted golfers, a cross-dressing chef and Alan's new boss Tony Hayers. Featuring several Rover Vitesse product placement and a brilliant rendition of 'The Twelve Days Of Christmas'. Steve Coogan, Rebecca Front, David Schneider, Kevin Eldon, Patrick Barber and Doon MacKichan are hilarious.

Music
Pulp: Different Class
The band's fifth album and their biggest break is made up of twelve of the best tracks ever. Dealing with themes of sex and social class, the lyrics are brilliant throughout. This album is fantastic.
Stand-Out Tracks: 'Mis-Shapes', 'Pencil Skirt', 'Common People', 'I Spy', 'Disco 2000', 'Live Bed Show', 'Something Changed', 'Sorted For E's & Wizz', 'F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E.', 'Underwear', 'Monday Morning', 'Bar Italia'

Blur: The Great Escape
The fourth album could be seen as the antidote to its predecessor, The Great Escape is everything that Parklife is not. Moving its focus into suburbia and with a listless melancholic feeling hiding within even the jauntiest tracks, while the slower songs 'Best Days', 'The Universal', 'He Thought Of Cars' and 'Yuko & Hiro' take on a beautiful elegance.
Stand-Out Tracks: 'Stereotypes', 'Country House', 'Best Days', 'Charmless Man', 'Fade Away', 'The Universal', 'Mr Robinson's Quango', 'He Thought Of Cars', 'It Could Be You', 'Ernold Same', 'Dan Abnormal', 'Yuko & Hiro'

Supergrass: I Should Coco
Popular perception of this band probably stems most from 'Alright', but even at this stage they were already so much more. The band’s debut album rushes passed at breakneck speed and takes in a huge array of musical styles that should probably clash, yet the dexterity with which they are played sees them sit perfectly side-by-side. Beginning with several rockier tracks, each distinctively different from the last, building through slower towards a quite trippy penultimate track and a beautiful coda. 'Caught By The Fuzz' is easily one of the best songs ever written (especially in its sublime acoustic version), but it speaks volumes that it might not even be the best song on this album.
Stand-Out Tracks: 'I'd Like To Know', 'Caught By The Fuzz', 'Mansize Rooster', 'Alright', 'Lose It', 'Lenny', 'Strange Ones', 'She's So Loose', 'Time', 'Sofa (Of My Lethargy)', 'Time To Go'

The Presidents Of The United States Of America: The Presidents Of The United States Of America
Despite sometimes feeling more like a novelty album, this album is both grungy and catchy with some great self-deprecating lyrics.
Stand-Out Tracks: 'Lump', 'Boll Weevil', 'Peaches', 'Dune Buggy', 'We Are Not Going To Make It', 'Naked And Famous'

Books
Red Dwarf: Last Human by Doug Naylor
In a similar vein to series VI and VII, the third Red Dwarf novel is set aboard Starbug rather than its mothership. Last Human plays very intelligently with time and multiple realities, features some intersting descendents and incorporates elements from the TV episodes Psirens, Legion, Emohawk - Polymorph II, DNA and Quarantine. A rather more explicit novel than its stablemates, especially in its descriptions of the GELFs and the consummation of Lister's wedding...

Maskerade by Terry Pratchett
The eighteenth Discworld novel sees the witches caught up in a story not unlike The Phantom Of The Opera. Pratchett takes no prisoners joking at the expense of opera, musical theatre and goths. Any book containing the sentence "People who didn't need people needed people around to know that they were the kind of people who didn't need people" is alright by me.

Comics
Ghost World: Hubba Hubba; The Norman Square
The fifth chapter sees Enid and Rebecca visit fifties diner Hubba Hubba
and the girls arrange a date with bearded windbreaker in a sequence which is the scenario for the film. Josh, Weird Al and the episode of Orlando are all very well depicted. The Norman Square finally acknowledges the Ghost World graffiti and sees elements of the backdrop to the girl's lives unravelling: Bob Skeetes phone is cut off, a solo Satanist and no more Norman as his bus stop is reactivated. Both chapters end on a very touching note.

Art
Benefits Supervisor Sleeping by Lucian Freud
The painting (below) captures its subject in a moment of stillness. It's refreshing to see a zaftig nude portrayed simply and seemingly without judgement. She is neither glamourised nor demonised, she just is.


Recommendations welcome. Next Month: 1994