Showing posts with label Now And Again. Show all posts
Showing posts with label Now And Again. Show all posts

Friday, 27 November 2015

Twitter Twatter #23

September 2015





















































Wednesday, 30 November 2011

"Tonight I'm Gonna Party Like It's 1999...Again"

So says Philip J. Fry in Hell Is Other Robots (see below) referencing Prince's 1982 song '1999'.

1999 was the year that the first elections of the Scottish Parliament and Welsh Assembly took place, the Earth was circumnavigated in a hot air balloon for the first time, the Columbine High School massacre took place, Slobodan Milošević was indicted for war crimes and crimes against humanity committed in Kosovo and the world worried unduly about the wrath of the Y2K bug.

I spent 1998 studying for my A-Levels, appearing in Kiss Me Kate and turning eighteen.

These are a few of my favourite things from 1999:

Film
Magnolia
On a random day, a tangled web of intertwined lives are shaped and reshaped by coincidence. P. T. Anderson's masterpiece features fantastic performances across the board and not one, but two very surprising shifts in tone. Here's the trailer.



Being John Malkovich
Andy Kaufman's continually surprising script is brimming with ideas: the 7½ floor, Malkovich inside Malkovich, the resurgence of puppetry, the chase through Malkovich’s subconscious. The film takes twists and turns and becomes the most extraordinary love story ever told. Puppetry, comedy, metaphysics and existential ennui. John Cusack, Catherine Keener, Cameron Diaz and John Horatio Malkovich himself are wonderful, while everything Orson Bean does is absolutely sublime. Here's the trailer.

Sweet And Lowdown
Sean Penn stars in Woody Allen's biopic of the world's second best jazz guitarist (after some gypsy in Europe), the arrogant, childish and kleptomaniac Emmet Ray. Samantha Morton steals the show in every scene she has and the descent of the crescent moon is fantastic. Here's the trailer.


Star Trek: Insurrection
The ninth Star Trek film concerns "the forced relocation of a small group of people to satisfy the demands of a large one" and that larger group's quest for a fountain of youth. It feels like exactly the sort of Star Trek that Gene Roddenberry would have approved of. As with the other Next Generation films, Patrick Stewart and Brent Spiner get the lion's share of the action with the other characters getting only moments such as Michael Dorn's Worf reluctantly singing Gilbert & Sullivan, LeVar Burton's Geordi seeing a sunrise with his own eyes for the first time, romance between Riker and Troi being rekindled and F. Murray Abraham makes a wonderfully chilling villain as Ru'afo. Here's the trailer.

Austin Powers: The Spy Who Shagged Me
Mike Myers is hilarious in his trio of roles in this spy spoof sequel which exploits time travel, "how much England looks in no way like Southern California" and running gags from the first film with very funny results. Mindy Sterling, Seth Green and Rob Lowe are all wonderful and Heather Graham is a Bondgirl par excellence. Here's a fantastic trailer.

The Straight Story
Based on the true story of Alvin Straight's six week journey across rural USA on a lawnmower. This beautiful off road movie explores themes of mortality and family and Richard Farnsworth is fantastic as Straight. Here's the trailer.




Galaxy Quest
SF fandom is a great concept for a comedy and Galaxy Quest doesn't disappoint. The cast are uniformly impressive. Here's the trailer.




Go
Doug Limon's tangled web of a weekend has a great cast, a Tarantino-esque sscript and style and forms a black comedy triptych as its plot threads interweave. Here's the trailer.





TV
Spaced: Beginnings; Gatherings; Art; Battles; Chaos; Epiphanies; Ends
The first episode, Beginnings, sets up the dynamic of this slick and stylish flatsharing sitcom perfectly. Daisy meets Tim and they move into a flat at Marsha's house masquerading as a Professional Couple Only, but it's the rapid editing, pop culture references, great music and surreal elements that make this the most inventive sitcom of the twenty-first century a year early. The introductions of Marsha, Brian and the getting to know you sequence for Tim and Daisy are brilliant. In order to avoid work Daisy throws a party in Gatherings which gives Mike and Twist proper introductions and features fake sex noises, Daisy singing 'Hot dog jumping from almond cookies' and Brian to the rescue. Brian takes Daisy and Tim to see Vulva's Art and highlights include zombies, Cassandra's phone number and "It's not finished. It’s finished." Brian's literal tribute to the self reflexivity of Rembrandt, the colourful tale of Pom Pom, Paul Putner, Mike's 'death' and Peter Serafinowicz is great as Tim Battles Duane Benzie while paintballing. Between Gramsci's politics and Colin's kidnap, Chaos ensues and the rescue attempt is great and Twist running comes into her own with the DK urban warfare range and "Is Jabba the princess?" Michael Smiley is wonderful as Tyres in Epiphanies and his mood swings are inspired as are the Scrabble fight, the clubbing scenes, the glorious remix of The A-Team theme tune and Tyres' exit. The first series Ends beautifully with Mike returning to the TA, Brian and Twist on a successful date and Tim realising life with Daisy is better than it was with his ex. Simon Pegg, Jessica Stephenson, Mark Heap, Nick Frost, Julia Deakin and Aida the Dog are magnificent throughout. It should be required viewing.

Buffy The Vampire Slayer: Gingerbread; Helpless; The Zeppo; Bad Girls & Consequences; Doppelgangland; Enemies; Choices; The Prom; Graduation Day; Earshot; The Freshman; Living Conditions; The Harsh Light Of Day; Fear, Itself; Beer Bad; Wild At Heart; The Initiative; Pangs; Something Blue; Hush
The slayer's third season (and senior year at high school) continues with another great metaphor episode, Gingerbread is about mass hysteria, which proves that paranoia is often far more dangerous than the problem at hand. As usual it's a terrifying concept that is dealt with intelligently and the episode is chock full of funny like Willow's "A doodle, I do doodle. You too, you do doodle too", Cordelia's "wake up in a coma" and Oz's "We're here to save you" lines. Buffy turns eighteen and is made Helpless in an episode about how disempowering reaching adulthood and realising that your parents are flawed can be with great opening and ending scenes. After the briefest (and therefore probably the funniest) Previously On… sequence, Cordelia declares Xander The Zeppo in the first episode of Buffy that redefines what the show can do, the inversion of the A and B stories reduces the apocalypse to the background, raises Xander's quiet night out to epic status and Nicholas Brendon gives a fantastic performance in Buffy's funniest episode. Two-parter Bad Girls & Consequences introduces Wesley, gives Mr Trick a great exit line and is the turning point for Faith. Buffy turns to another SF staple, the 'Evil Twin', with the return of Vamp Willow in Doppelgangland and once again deals with it better than anybody else. Naturally Alyson Hannigan is fantastic in both roles and also as both characters impersonating the other, the hugging scene and Percy's Roosevelt papers are hilarious. Buffy capitalises on its own mythology in Enemies and sets up the showdown between the Slayers in the season finale. Hannigan gives great hostage in Choices and Oz's silent decision making is great. Angel's dream and Jonathan's Class Protector speech are wonderful as Buffy saves The Prom. The Class of '99 goes to war on its Graduation Day in an amazing two-part season finale which has great character moments for everyone, the Mayor is probably TV's most enjoyable villain, the students disrobing is triumphant (though not for the reasons you might expect), Oz's final line shamelessly spelling out the show's metaphor is a great touch. Scheduled to be broadcast the same week as the Columbine High School shootings, Earshot was understandably delayed, but it was worth the wait. Buffy's temporary telepathy gives great insights, especially into the inner thoughts of Cordelia and Oz. Veering from comedy to tragedy and back again with incredible skill. Probably the best standalone episode in the entire run of the series.
After high school comes college and The Freshman shows Buffy not out of her depth, but unsure of it and is a great 'mission statement' episode. An episode about irritation is not an easy thing to pull off, illustrating annoyance without just being annoying is tough and yet some how Living Conditions manages it. The Harsh Light Of Day sees the welcome return of James Marsters, Emma Caulfield and Mercedes McNab, and proves you can learn more in college than you realise. Fear, Itself is a classic, as magic causes the Scooby Gang's fears to manifest it demonstrates the strength of the ensemble, despite spending most of the episode separated. Beer Bad replaces the usual intelligent dialogue with caveman grunting and the result is a bad episode of Buffy, but what it shows is that a bad episode of Buffy is still much, much better than a good episode of a great many other shows. After a great cameo from Spike, Wild At Heart features great performances from Hannigan and Seth Green as Willow and Oz's relationship is tested and the latter leaves Sunnydale. He will be missed. The introduction of The Initiative in The Initiative is really impressive, but it's Spike's promotion to the regular cast and his scene with Willow that make this episode great. Buffy attempts to fend off a vengeful spirit whilst preoccupied with cooking the perfect thanksgiving dinner in Pangs unaware of Angel's return. Protecting her from the wings he interacts with pretty much everyone except Buffy and the subsequent awkward dinner conversation is great. Something Blue is just fun. The almost-silent Hush is a phenomenal piece of television. Watch it.

Angel: City Of…; Lonely Hearts; In The Dark; I Fall To Pieces; Rm W/a Vu; Sense & Sensitivity; The Bachelor Party; I Will Remember You; Hero; Parting Gifts
Angel forges out on his own, but only gets as far as Los Angeles. The pilot City Of… sets up our hero as an atoning dark knight with equivalent Batcave and Batmobile, and with Cordelia as his secretary and Doyle as a messenger keeping his destiny on track. The episode sets up Tina as a damsel for Angel to save and Russell Winters as Angel's big bad and then neither of these things comes off quite as we expect. Initially a monster-of-the-week detective show the series seeks to establish its own identity and Lonely Hearts brand of almost sexually transmitted possession is definitely a step in that direction. Conversely it's the link s to the series we know and love that make In The Dark such a success as Spike and Oz crossover from Buffy. I Fall To Pieces is Angel at its creepiest. Rm W/A Vu is a great Cordy episode with a B-story that gives us a glimpse into Doyle's life and introduces Phantom Dennis. Sense & Sensitivity is good example of an idea that is allowed to work better here than it might in a lesser TV show, rather than simply being oversensitive there is far more scope in having the affected characters unable to control their emotions and reveal more about themselves. It's also another opportunity for Wolfram & Hart to emerge from the shadows. We learn a little more about Doyle in The Bachelor Party and Carlos Jacott puts in another great performance. When Buffy arrives in LA the ante is upped and the resulting I Will Remember You is the best love story that never happened. Hero is fantastic, a great send off for Doyle and all the more poignant after Glenn Quinn's death. Setting the pattern for the next couple of years Parting Gifts gives Cordelia the link to The Powers That Be and brings Alexis Denisof's Wesley back into the fold.

Star Trek: Deep Space Nine: Prodigal Daughter; The Emperor's New Cloak; Field Of Fire; Chimera; Badda-Bing Badda-Bang; Inter Arma Enim Silent Leges; Penumbra; ‘Til Death Do Us Part; Strange Bedfellows; The Changing Face Of Evil; When It Rains; Tacking Into The Wind; Extreme Measures; The Dogs Of War; What You Leave Behind
The final season continues with an interesting twist on the semi-annual 'O'Brien must suffer' episode with the return of the Prodigal Daughter as Ezri investigates the Chief's disappearance on her homeworld. Another semi-annual tradition are the episodes set in the Mirror Universe, and The Emperor's New Cloak is a lot of fun with Quark and Rom’s theft of the cloaked cloaking device, Rom’s attempts to understand the differences between the alternate realities and realisations of the Mirror versions of Ezri, Brunt and Leeta are great. Field Of Fire is a forensics-style whodunnit in the vein of CSI and another great use of Ezri. Chimera presents Odo with Laas, another Changeling who isn't part of the Dominion and J.G. Hertzler plays his feeling of superiority over the 'monoforms' wonderfully, Quark gets a great speech about genetics and Nana Visitor deserves a special mention for the palpable sense of guilt that she gives Kira about the possibility that their relationship is holding Odo back. Badda-Bing Badda-Bang isn't just DS9's version of a heist movie, it's DS9's version of the original Ocean's Eleven, it's mostly frivolous, but great fun. William Sadler makes a welcome return as Sloan in Inter Arma Enim Silent Leges, a well told espionage story which makes Section 31 seem even more complex. Setting up the next eight episodes of the epic end of the series, Penumbra is the calm before the storm and shows that the show is going to go all out as Ezri rescues Worf and they are captured by the Breen, Sisko proposes to Kasidy, but is subsequently told by the Prophets not to marry her and the sight of a Dukat surgically altered to appear Bajoran is very shocking. In spite of the Prophet's warning Sisko and Kasidy are joined in marriage 'Til Death Do Us Part, the political wrangling continues as the Breen and the Dominion form an alliance and Ezri and Worf are handed over as gifts, but topping Dukat as a Bajoran, is Kai Winn unwittingly becoming romantically involved with him. Winn and Dukat make Strange Bedfellows as the Pah Wraiths send her a vision and she struggles with her faith and as the Cardassians begin to be victims of the Dominion's plans for the war, Damar is increasingly uncomfortable as puppet leader. Louise Fletcher and Casey Biggs are phenomenal as their characters each undergo an about face. The Changing Face Of Evil sees both these characters finally switch allegiances as Winn turns to the dark side, in scenes which another great performance from James Otis as Solbor, and Damar's resistance turns the Cardassians against the Dominion, shown as a broadcast witnessed by all the major players at the same time. The space battle at Chintoka is great and the destruction of the USS Defiant is a hell of a blow. When It Rains… it pours., this episode is packed with developments: Odo, Garak and a now Starfleet Kira aid Damar's resistance, Gowron takes over the Klingon deployment seeking glory, Bashir and O'Brien discover Starfleet deliberately infected Odo with the morphogenic virus and Dukat is blinded and shunned by Winn. Tacking Into The Wind keeps all the balls in the air and the "something has to be done" scene between Sisko and Worf, Garak lurking in the shadows, the scene between Kira, Garak and Damar after the latter's family has been killed, Ezri's appraisal of the state of the Klingon Empire, O'Brien and Bashir's 'devious' scheming, Gowron's death, the Mexican standoff aboard the stolen Jem'Hadar ship are all excellent. Bashir and O'Brien take Extreme Measures to find Odo's cure and Sloan is determined not to make it easy for them in the most SF episode of the last nine, A Tale Of Two Cities being the key to realising they've been duped is a lovely device and it's great to see these two friends get one last adventure together before all hell breaks loose. The new USS Defiant arrives at DS9, Odo is cured of the virus killing his people, Damar becomes the champion of the people of Cardassia, the Emissary's wife discovers she is pregnant, The Dominion retreats and the Alpha Quadrant alliance decides to go on the offensive and press home the attack in The Dogs Of War, but the big picture of the Dominion War has largely left Quark on the sidelines and so the penultimate episode redresses the balance somewhat and is a wonderful last hurrah for the Ferengi: Armin Shimerman, Max Grodénchik, Wallace Shawn, Chase Masterson, Cecily Adams and Jeffrey Combs (in both his roles) are all as great as ever. The finale, What You Leave Behind, is astoundingly good: Ezri's reveal in the first scene, O'Brien resisting telling Bashir about his post-war plans, Broca's uselessness, the Female Changeling's dismissive reaction to Weyoun's offer to give his life for her own, Bashir and Garak's final scene together, Worf's weird repetition of "Minsk", Vic's farewell song, Sisko's toast, Dukat getting everything he wanted, Winn's reaction to the disappearance of the Kosst Amojan, Sisko's ascendance, Odo and Quark's lack of goodbyes, the last line (and the fact that it's Quark that gets to say it), the beautiful last shot are all amazing. It's an achievement that the end of the Dominion war doesn't completely dominate this episode and the tying up of loose ends and the separation of O'Brien from Bashir, Kira from Odo and Sisko from Jake and Kasidy leaves the viewer with a satisfactory sense of closure without being sentimental. Avery Brooks, Rene Auberjonois, de Boer, Michael Dorn, Cirroc Lofton, Colm Meaney, Shimerman, Alexander Siddig, Visitor, Marc Alaimo, Biggs, James Darren, Fletcher, Hertzler, Salome Jens, Penny Johnson, Juliana McCarthy and Andrew Robinson are all excellent throughout. So ends the best of the Star Trek series and one of the best television series ever made.

Star Trek: Voyager: Latent Image; Bride Of Chaotica!; Gravity; Dark Frontier; Think Tank; Someone To Watch Over Me; 11:59; Relativity; Equinox; Survival Instinct; Tinker, Tenor, Doctor, Spy; Riddles; Dragon's Teeth; The Voyager Conspiracy; Pathfinder
From memory loss to conspiracy via a Sophie's Choice dilemma, Latent Image is great and Robert Picardo is fantastic as the Doctor attempts to discover what happened to him and then to resolve it with his ethics. Bride Of Chaotica! is incredibly camp, but also great fun. Gravity is excellent and Tim Russ and Lori Petty are fantastic together. TV movie Dark Frontier is epic, brings out the best in Kate Mulgrew, Jeri Ryan and Susannah Thompson and the flashbacks to Annika’s childhood are great. Jason Alexander is suitably eerie as part of the Think Tank, an episode that is incredibly simple and all the better for it. Someone To Watch Over Me is a delightful romantic comedy with an very sad ending. The millennial flashback scenes of 11:59 are great and the Y2K bug prediction is bold (and as it turned out largely accurate). Voyager's encounters with the USS Relativity revisits earlier episodes and complicates them with a fascinating temporal paradox. Voyager discovers the USS Equinox, another Starfleet ship in the Delta Quadrant which has travelled the same path, but abandoned its ethics along the way. It vindicates Janeway in a season that saw her questioning the decision that marooned her crew.
The second part sees the two Captains switch positions as Janeway tries to get revenge by any means possible and Ransom has a change of heart and repents, but once again it's Picardo and Ryan that rescue the story. The sixth season continues with Survival Instinct, which forces Seven of Nine to choose quality or quantity of life for three of her peers. Tinker, Tenor, Doctor, Spy is great fun and the Doctor's daydreams are all wonderful, especially his operatic diagnosis of Tuvok's medical condition and Seven as his muse. Ethan Phillips and Tim Russ are wonderful in Riddles, a great Neelix and Tuvok episode. Dragon's Teeth features wonderful CGI effects and some great scenes for Neelix. A little learning is dangerous thing and an overabundance of information causes Seven to theorise The Voyager Conspiracy and sets Janeway and Chakotay at loggerheads, it's a little late in the day to convince but compelling nonetheless. Dwight Schultz is as wonderful as ever in Pathfinder and his scenes aboard the holographic USS Voyager are particularly poignant and this episode manages to bring the real one a step closer to home with being cloyingly sentimental.

Red Dwarf: Back In The Red; Cassandra
Series VIII begins with epic three-parter Back In The Red which sees the Starbuggers return to the small rouge one to find it bigger than ever before and amazingly with its long dead crew resurrected. After seven series of being the last man alive, Lister is suddenly back at the bottom of the pile. It's great to see him reunited with Rimmer, how Cat and Kryten react to their new situation and Mac MacDonald makes a welcome return as Captain Hollister. Cassandra is an intricate locked box of an episode reminiscent of Dwarf circa Series V, with some nice jokes in it and it's nice to see each of the characters reactions to learning their future.

The League Of Gentlemen: Welcome To Royston Vasey; The Road To Royston Vasey; Nightmare In Royston Vasey; The Beast Of Royston Vasey; Love Comes To Royston Vasey; Escape From Royston Vasey
Mark Gatiss, Steve Pemberton and Reece Shearsmith prove themselves to be three of the country’s best actors as their sketch show meets sitcom comes to television. The dark comedy world of Royston Vasey is brilliantly brought to life in Welcome To Royston Vasey: from its fantastic opening joke with the wonderful Frances Cox, Benjamin visiting the Dentons, Tubbs and Edward at the Local Shop, Barbara, Chinnery, Pauline and her jobseekers, Geoff, Mike and Brian telling "Mau Mau", the characters are more than mere grotesques but have a real depth to them, the visual gags are brilliant and the horror movie references are very rewarding. The first series is made up of groups of sketches which for the most part only have the town in common, but with the construction of The Road To Royston Vasey as an overarching storyline, the introduction of the "special stuff", Henry and Ally's video selection and Pop's son(s). Aqua vita, "there is a Swansea", the roundabout zoo, Bernice's sermon and egregious are among the many highlights of Nightmare In Royston Vasey. The series takes on an epic quality with the discovery of The Beast Of Royston Vasey and turns darker still with Farmer Tinsel's scarecrow, Charlie and Stella's date and Legz Akimbo Theatre Company gives Theatre-In-Education a bad name with its unfortunately accurate portrayal. Gatiss is excellent during his monologue as the Stump Hole Caverns tour guide while Geoff uses his speech as Mike's best man to settle old scores and Barbara misunderstands Benjmin’s advances as Love Comes To Royston Vasey. Things culminate in Pauline's dismissal, Geoff finally firing his gun, the return of Tubbs and Edward's son David, the reveal of the contents of the towns postboxes, Barbara's operation and Benjamin makes another attempt to Escape From Royston Vasey.

Futurama: Space Pilot 3000; The Series Has Landed; I, Roommate; Love's Labors Lost In Space; Fear Of A Bot Planet; A Fishful Of Dollars; My Three Suns; A Big Piece Of Garbage; Hell Is Other Robots; A Flight To Remember; Mars University; When Aliens Attack; Fry And The Slurm Factory; I Second That Emotion; Brannigan, Begin Again; A Head In The Polls; Xmas Story
Matt Groening and David X. Cohen's vision of the future gets a solid start with Space Pilot 3000. The characters of Fry, Leela, Bender and Farnsworth arrive fully formed and the trademark cruel humour is already in place. Amy joins the Planet Express crew as they make a delivery to the moon in the both touching and funny The Series Has Landed. I, Roommate is I, Robot meets The Odd Couple and the flathunting montage is great. Introducing Zapp Brannigan, Kif and Nibbler, Love's Labors Lost In Space, is a step into a more adult arena and the Vergon VI fauna are great. The demonisation of humans in Fear Of A Bot Planet is great and best summed up in the It Came From Planet Earth B-Movie line featured within: "Relax Wendy, humans will never come to our defence less little town. It's perfectly safe to let our guard down, even for a second." As extinction tales go, A Fishful Of Dollars is funnier than it has any right to be. The episode introduces Mom and her assumption of Fry's plan for the last tin of anchovies is as terrifying, as the last scene is funny. My Three Suns is a more sedate, but no less brilliant episode featuring a unisex robe. The Planet Express crew go up against A Big Piece Of Garbage that threatens Earth in an episode which highlights the show's interesting take on environmental issues. Hell Is Other Robots compares religion with addiction and hilarity ensues. The Robot Devil is a great character and the episode features the first of many wonderful original songs.
A Flight To Remember sees Leela and Amy both pretending to be dating Fry aboard the starship Titanic, what could possibly go wrong? The episode's highlight has to be Hermes facing up to his past as a limboer. Mars University is Animal House with an actual animal as Guenter the monkey with the Electronium Hat bests Fry who enrols in college to become a college dropout. When Aliens Attack is wonderful, the Monument Beach scene, the Single Female Lawyer scenes and the reassuring-everything-back-to-normal ending. Fry And The Slurm Factory is reassuringly disgusting. Bender is forced to feel Leela's emotions in I Second That Emotion which the episode exploits brilliantly, whilst introducing the sewer mutants very successfully. Brannigan, Begin Again is wonderful: the Neutral planet, "I'm going to allow this", Fry's "Woooooh", the Midnight Cowboy parody, Bender looking back and laughing. All of it. As a treatise on political apathy A Head In The Polls is very funny, Billy West's Nixon is a triumph and its The Scary Door opening is excellent. Introducing Robot Santa and Tinny Tim, Xmas Story gives us a terrifying vision of the Christmases of the future and features some great yuletide gags.

Farscape: Premiere, Thank God It's Friday, Again; I, ET; DNA Mad Scientist; Jeremiah Crichton; A Human Reaction
If Firefly's Mal Reynolds is Han Solo done right, then Farscape's universe is the Mos Eisley cantina writ large. For obvious reasons most of the first season concerns Ben Browder's fish out of water Crichton, but Virginia Hey's performance as Zhaan deserves a special mention.

Doctor Who And The Curse Of Fatal Death
Featuring no less than five Doctors and a fantastic performance from Jonathan Pryce as the Master, Steven Moffat's Comic Relief spoof is a loving tribute that pokes fun in all the right places.

Louis Theroux's Weird Weekends: Swingers; Wrestling
Wife swapping is your future, and Louis investigates the world of Swingers, finds it difficult to fit in and exposes cracks in a relationship. Louis tries his hand at professional Wrestling and discovers that while it isn't fake, it is predetermined and the WCW's Sarge trains him hard enough to prove the distinction. Rowdy Roddy Piper, Pistol Pez Whatley and the AIWF come out of it very well.

Journeys Into The Outside With Jarvis Cocker
An excellent three part series following the Pulp frontman around fascinating artwork created by people with no formal training. The documentaries take in Les Rochers Sculptés, La Maison de la vaiselle cassée, Jardin du Coquillage and Ferdinand Cheval's Palais Idéal in France, the Coral Castle, Miracle Cross Garden, Beer Can House, Bottle Village and Watts Towers in the USA, Las Pozas in Mexico, the Tower of the Apocalypse in Belgium and the Chandigarh Rock Garden in India. Cocker's insights are great and his French is very impressive.

Now And Again
The first ten episodes of this excellent and criminally unavailable TV show were broadcast this year. Eric Close, Dennis Haysbert, Margaret Colin and Gerrit Graham are fantastic in the story of Michael Wiseman, a man whose brain is transplanted after his death into the perfect genetically engineered body and resurrected as a tool for espionage. Wiseman is given a new life and trained to be a spy, but is unable to leave his old life, wife and daughter behind. The show was a great mix of action and comedy

The Flint Street Nativity
A class of schoolchildren attempt to tell the story of the birth of Jesus as they understand it. Tim Firth's Christmas tale sees the children played by a great cast of adults on an oversize set. The misunderstandings and logical leaps of the children, both about the nativity story and life itself, are very, very funny and sometimes heartbreaking.

Music
Supergrass: Supergrass
The band's third (and eponymous) album, also dubbed the X-Ray album, is fantastic from start to finish and consistent throughout. Musically it is mature and assured, but the trio have lost none of their sense of fun.
Stand Out Tracks: 'Moving'; 'Your Love'; 'What Went Wrong (In Your Head)'; 'Beautiful People'; 'Shotover Hill'; 'Eon'; 'Jesus Came From Outta Space'; 'Mary'; 'Born Again'; 'Mama & Papa'

The All Seeing I: Pickled Eggs & Sherbert
This electronic album which feels like it came from an astral conjunction of a Sheffield supergroup. Jarvis Cocker's lyrics are fantastic and the vocals by Tony Christie, Phil Oakey and Stephen Jones from Babybird are all great.
Stand Out Tracks: 'Walk Like A Panther', '1st Man In Space', 'Stars On Sunday', 'I Walk', 'Happy Birthday Nicola', 'Plastic Diamond'

Blur: 13
The band's sixth album moves further away from their Britpop roots with a baker's dozen of tracks largely about love and loss that stretch them musically.
Stand Out Tracks: 'Tender', 'Coffee & TV', '1992', 'B.L.U.R.E.M.I.', 'Trailerpark', 'No Distance Left To Run', 'Optigan 1'

Ultrasound: Everything Picture
The sole double album release from Ultrasound is an epic and sprawling beast of an album with layers and layers of sound. Every song feels like a big hitter, the anthemic 'Stay Young' builds into what I'm sure would have a crowd pleaser given half a chance, while songs like 'Cross My Heart', 'Floodlit World' and 'My Impossible Dream' show the enormous musical ability of band. The unassuming 'Sentimental Song' is one of the most beautiful songs I've ever heard and the title track is a 21 minute symphony that revisits the first ten songs expertly and is at turns triumphant and discordant and then a hidden track like a delightful lullaby. This is a bittersweet beauty of a record as sadly their inability to remain in the 'Same Band' denied us a follow up.
Stand Out Tracks: 'Cross My Heart'; 'Same Band'; 'Stay Young'; 'Suckle'; 'Fame Thing'; 'Aire & Calder'; 'Sentimental Song'; 'Floodlit World'; 'My Impossible Dream'; 'Everything Picture'

Gomez: Liquid Skin
The second album is another slice of hazy pseudo-Americana in the same vein as the first, but with a more refined production this time around.
Stand Out Tracks: 'Revolutionary Kind'; 'Bring It On'; 'Blue Moon Rising'; 'We Haven't Turned Around', 'Rhythm And Blues Alibi'

Kula Shaker: Peasants, Pigs & Astronauts
The band’s second album is a grand soundscape heavy on the psychedelia and eastern mysticism, but it's the rockier tracks that impress the most.
Stand Out Tracks: 'Mystical Machine Gun'; 'Shower Your Love'; '108 Battles (Of The Mind)'; 'Sound Of Drums'

Mr Scruff: Keep It Unreal
Breakbeat programmer Mr Scruff has excelled himself with this diverse collection of tracks.
Stand Out Tracks: 'Spandex Man'; 'Get A Move On'; 'Midnight Feast'; 'Shanty Town'; 'Blackfoot Roll'; 'Fish'


Books
The Fifth Elephant by Terry Pratchett
One of the themes of the Discworld series is the conflict between tradition and progress and the twenty-fourth novel pulls in both directions as the Ankh Morpork City Watch expands and modernises. Vimes briefly becomes the city's ambassador to Überwald, the disc's allegory for Transylvania, where he investigates the theft of the Dwarf's Scone of Stone and becomes embroiled in Vampiric intrigue. A crime thriller set against a fantasy backdrop that is as funny as it is scary. References veer from Dracula to the plays of Chekhov and back via the Diet of Worms and The Italian Job.

The Science Of Discworld by Terry Pratchett, Ian Cohen & Jack Stewart
Alternating between a Discworld story featuring the creation of a universe of 'Roundworlds' by the wizards of the Unseen University and scientific explanations of the creation our universe, the Earth and the beginnings of life. This book is a great literary contribution to popular science and the two halves compliment each other and made up for shortcomings in my own knowledge of science.

The Boy Who Kicked Pigs by Tom Baker
This story of a misnthropic boy who takes a perverse pleasure from the kicking of pigs is an escalating morality tale with inevitable (and horrific) comeuppance. The novel is wonderfully macabre and the accompanying illustrations by David Roberts are just as unsettling.


Santa Land Diaries by David Sedaris
These six short Christmas stories are hilarious, from the titular tale of the trials and tribulations of being one of Santa's helper elves in a department store to 'Season's Greetings To Our Friends And Family!!!' is a great parody of the traditional American holiday newsletter with a touch too much honesty in it.


Comics
Doctor Who: The Fallen; Unnatural Born Killers; The Road To Hell; TV Action!
The Eighth Doctor is reunited with Grace Holloway in The Fallen a story that riffs extensively on Paul McGann's TV movie and the fantastic final panel makes it obvious to the reader that this is the beginning of another epic story. Adrian Salmon's simple storyline and stark artwork for the Doctorless strip Unnatural Born Killers reintroduces Kroton the Cyberman with a soul, as he takes on a pack of Sontarans and loses his home. The Road To Hell is paved with good intentions as the Doctor and Izzy arrive in 17th Century Japan during an isolationist period, Lady Asami being driven mad by images of Japan's future from Izzy's mind is great and the concept of forcing immortality on a Samurai who try as he might cannot give his life and therefore his continued existence dishonours him is fantastic. The TARDIS lands at BBC Television Centre in TV Action! which is a nice little comedy strip that shows a snapshot of the BBC's output in 1979 and features a guest appearance from Tom Baker of all people.

Recommendations welcome.

Monday, 31 October 2011

Let's All Meet Up In The Year 2000

A lyric from Pulp's 'Disco 2000' it continues "Won't it be strange when we're all fully grown?"

The last year of the twentieth century & George Bush is elected President of the USA, unless you count Florida. And they didn't.

I was supposed to be working hard on my A-Levels, but if I'm honest I spent more time on Oklahoma, Habeas Corpus and A Doll's House.

These are a few of my favourite things from 2000:

Film
Small Time Crooks
Woody Allen's crime caper is great fun with wonderful performances from Tracey Ullman, Elaine May and Brian Markinson. Here's the trailer.






Best In Show
Christopher Guest's wonderful mockumentary takes on dog shows. The cast are uniformly fantastic with Guest, Eugene Levy, Catherine O'Hara, John Michael Higgins, Michael McKean, Michael Hitchcock, Parker Posey, Jennifer Coolidge, Jane Lynch, Fred Willard and Ed Begley, Jr. all giving excellent performances. Here's the trailer.

O Brother, Where Are Thou?
Based on Homer’s Odyssey, the Coen brothers inspired depression road movie sends a fantastic trio in the form of George Clooney, John Turturro and Tim Blake Nelson on a riotous ride as it mixes comedy, adventure and some great music. Here's the trailer.



Dancer In The Dark
This film is often described as having an implausible plot. It is a musical folks, and since when have expected plausibility from our musicals? This particular musical wears its implausibility like a hard won badge of honour. Apparently loved and loathed in equal measure, which is an achievement in itself. I couldn't care less about the Dogme manifesto, but Björk gives an astonishing performance in the lead role and that alone is worth your attention. Here's the trailer.

High Fidelity
Breaking up is hard to do in this adaptation of Nick Hornby's novel. John Cusack, Jack Black, Todd Luiso and Joan Cusack are all wonderful. Rob’s Top 5's speak to the geek within, but they also set the tone: can you enjoy life whilst always reviewing it? A question close to my own heart and to which the answer eludes me. The variations on the "So shall we leave at that, then?" scene are fantastic and the music is great throughout. Here's the trailer.

TV
Buffy The Vampire Slayer: Doomed; A New Man; The I In Team & Goodbye Iowa; This Year's Girl & Who Are You?; Superstar; Where The Wild Things Are; New Moon Rising; The Yoko Factor & Primeval; Restless; Buffy Versus Dracula; Real Me; The Replacement; Out Of My Mind; No Place Like Home; Family; Fool For Love; Shadow; Listening To Fear; Into The Woods
The rules have changed in Sunnydale with the arrival of The Initiative, the chip in Spike's head and the discovery by Buffy and Riley of each other's secret identities. Despite averting another apocalypse, Doomed is not a big episode full of revelations, but instead one about clarification. The nitty gritty of these new elements is explored. Giles has been marginalised for much of this season and instead of just sulking A New Man gives us some comedy hi-jinx. A brace of two-parters changes everything, again. Buffy joins up with The Initiative in The I In Team which confirms Maggie Walsh as absolutely and definitely this season's Big Bad until the last scene. With Maggie gone, Riley's loyalties uncertain and Adam on the loose, Goodbye Iowa gives us a view of how the rest of the season is going to pan out. All of which is put on hold by the welcome return of Faith in This Year's Girl and her bodyswapping with Buffy in Who Are You? Both Sarah Michelle Gellar and Eliza Dushku are wonderful as each other's characters. Superstar is fantastic and really shows the versatility of the show. Where The Wild Things Are shows the strength of the ensemble, Buffy and Riley may be the stimulus but it is the rest of the Scooby Gang that carry and resolve the story. Oz returns in New Moon Rising to discover how much the show has change d in his absence and that he no longer fits. He will be missed. The big showdown occurs in The Yoko Factor & Primeval as Adam gets his comeuppance in spectacular style whilst capitalising on the themes of separation that have run through this season. Having dealt with the Big Bad an episode earlier than usual, season four ends with the more introspective Restless concerning the fall out from the spell that invoked the first of the Slayers and shows that no one does dreams better than Joss Whedon.
In principal, season five opener Buffy Versus Dracula sounds like a terrible idea and yet once again this show make s it work spectacularly. The episode also introduces Buffy's little sister Dawn as if she's always been around, and Real Me is another mission statement episode establishing her relationships with each of the rest of the Scooby Gang. Xander is duplicated in The Replacement and Nicholas Brendon proves that double the Xander is double the funny. After three largely standalone episodes Out Of My Mind is the soapiest yet and sets Joyce, Riley and Spike off on their paths for the rest of the season. No Place Like Home introduces Glory and reveal s Dawn's origins as The Key. Tara is thrust into centre stage in Family and Amber Benson is wonderful. Told largely in flashback, Fool For Love details Spike's earlier run-ins with previous Slayers features a great performance from James Marsters and is beautifully shot. Things get serious in Shadow with Joyce discovering that she has a brain tumour, Riley going in for some recreational Vampire activity and Glory sending a big snake after The Key whatever it may be. Listening To Fear sees Riley reaching out to the remnants of The Initiative, but Kristine Sutherland and Tiny Jewish Santa are the real highlights. Into The Woods sees the remnants of The Initiative reaching out to Riley, but it's Brendon's performance that stands out again.

Angel: Somnambulist; Expecting; She; I've Got You Under My Skin; The Prodigal; The Ring; Eternity; Five By Five & Sanctuary; War Zone; Blind Date; To Shanshu In LA; Judgment; Are You Now Or Have You Ever Been?; First Impressions; Untouched; Dear Boy; Guise Will Be Guise; Darla; The Shroud Of Rahmon; The Trial; Reunion
Angel Investigations return to help the hopeless with Somnambulist, the most 'cop show' episode of the series which is chock full of 'detecting' montage and ends Kate Lockley's ignorance of the supernatural. The overnight pregnancy episode is usually a bad idea, but when Cordy is Expecting the result is far more touching. Allegories of female genital mutilation are not common on television and She redresses the balance whilst also giving Alexis Denisof some spectacular pratfalling opportunities. I've Got You Under My Skin is a great example of episode that puts its own spin on a classic horror trope of demonic possession and makes it the lesser of two evils. The parallel narrative of The Prodigal draws comparisons between Angel and Kate's relationship with their respective fathers. Angel's 'birth' and John Mahon's conflicted performance are particularly well done. The Ring is a gladiatorial fight to the death episode, but as usual one that is far better than the competition. Briefly bringing back curseless Angel, Eternity has its cake and eats it. After wreaking havoc in Sunnydale, Faith arrives in Five By Five & Sanctuary on the run and moves quickly from hired assassin to torturer to victim in a two-parter that features wonderful performances from Denisof, David Boreanaz and Eliza Dushku, marks the first time Wolfram & Hart goes on the offensive and more importantly is when Angel really steps out of Buffy's shadow. J. August Richards makes an impressive debut as Gunn in War Zone. Christian Kane's Lindsay has a crisis of confidence in Blind Date and ultimately decides redemption isn't for him, which sets the tone for the Wolfram & Hart episodes to come. The first season finale, To Shanshu In LA, is epic and yet touching, with a surprising cliffhanger ending.
The second season opens with Judgment in which Angel accidentally kills one of the good guys and can't seem to do anything right, but more importantly the late Andy Hallett is wonderful in his first episode as the Host, a character whose juxtaposition of attributes encapsulates Angel as a TV show better than any other. Are You Now Or Have You Ever Been? is a fantastic fifties piece which taps into some good ol’ McCarthyist paranoia. First Impressions brings Gunn further into the fold and gives the new selfless Cordelia a mission. Untouched sees one of Wolfram & Hart’s plans go awry, but only after showing that they are the lesser of the two evils in Bethany's life. The law firm's plot concerning Angel and Darla becomes both clearer and more confusing in Dear Boy. Denisof and Art LaFleur are excellent in the equally excellently named Guise Will Be Guise. What Buffy's Fool For Love (above) was for Spike, so Darla is for…well for Darla. Her history is beautifully told with prodigious amounts of flashback often showing the same scenes as Spike's episode, but from her perspective. The Shroud Of Rahmon is a heist, but it's Denisof and Charisma Carpenter that provide the highlights. Angel undergoes The Trial to save Darla and it's tempting to wonder why he bothers. The last scene is great. Darla and Drusilla's Reunion leads to a massacre worth cheering and then the most-shocking episode ending in the entire series.

Star Trek: Voyager: Blink Of An Eye; Tsunkatse; Live Fast And Prosper; Muse; Fury; Life Line; Unimatrix Zero; Critical Care; Inside Man; Body And Soul; Flesh And Blood
The crew of the USS Voyager watch generations pass on a planet in the Blink Of An Eye in lovely slice of hard SF. Jeri Ryan, J.G. Hertzler and Jeffrey Combs all put in great performances that make Tsunkatse better than yet another-gladiatorial-fight-to-the-death episode has any right to be. Live Fast And Prosper is very enjoyable, punctures Star Trek's pomposity beautifully and the enjoyment of Gregg Daniels character at playing a Vulcan is very funny. B'Elanna find herself as a playwright's Muse and the Greek-chorus plays she inspires are a great device. Kes returns in Fury and Jennifer Lien is wonderful as her bitter older self. Robert Picardo pulls double duty in Life Line and the results are fantastic. In the sixth season finale, Seven visits Unimatrix Zero, the shared virtual world in the subconscious mind of the Borg is a fascinating notion.
The cliffhanger is a massive cheat and robs the Borg of most of their menace, but Part II is saved by wonderful performances from Tim Russ and Susanna Thompson. The Doctor is kidnapped and put to work in Critical Care is another allegorical episode which is a damning indictment of the US health system. Inside Man sees another great appearance by Dwight Schultz as Barclay and also as his ultraconfident holographic alter ego Reg. Ryan's performance as the Doctor inhabiting Seven's Body And Soul is uncanny and very, very funny. The return of the Hirogen and their holographic prey in the TV Movie Flesh And Blood makes comparisons with slavery. The ever reliable Picardo and Roxann Dawson help prevent this episode being too simplistic and reassuringly the self-appointed holographic messiah Iden is a more complex character than he first appears.

Futurama: Why Must I Be A Crustacean In Love?; The Lesser Of Two Evils; Put Your Head On My Shoulder; Raging Bender; A Bicyclops Built For Two; A Clone Of My Own; How Hermes Requisitioned His Groove Back; The Deep South; Bender Gets Made; Mother's Day; The Problem With Popplers; Anthology Of Interest I; War Is The H-Word; The Honking; The Cryonic Woman
The first episode to centre on Dr. Zoidberg is Why Must I Be A Crustacean In Love? as the Planet Express crew visit his homeworld for what is essentially a great remake of Star Trek's Amok Time with lobsters. Put Your Head On My Shoulder is a great Valentines episode. The Lesser Of Two Evils introduces Bender's 'twin' Flexo which breeds mistrust aboard the Planet Express ship and leads to excessive searching of Leela's underwear drawer, Bender's "little thing called style" and features the great line "No one in New York drove, there was too much traffic." Raging Bender sees Bender become a professional wrestler, but the scenes of Hermes with a brainslug and the foreigner with his "crazy passport" are the highlights. The scenes in A Bicyclops Built For Two set inside the internet and video game are fantastic. How Hermes Requisitioned His Groove Back is fantastic. The scenes of Hermes 'holiday' and the Bureaucrat song are wonderful. A Clone Of My Own is a wonderful Farnsworth episode which introduces Cubert and features young people using curse words to great effect. The Deep South is a nice diversion as a visit to lost city of Atlanta with a wonderful exposition-covering Chamber of Commerce video narrated by folk-rock troubadour Donovan. Bender Gets Made introduces the Robot Mafia and features the line: "Those are the finest cigars in the universe. I can stink up a whole maternity ward with one of those things". The hilarious The Problem With Popplers owes more than a little to Star Trek's The Trouble With Tribbles and features another brilliant song. Mother's Day concerns mankind's over reliance on technology, the re-invention of the wheel and features possibly the only geriatric supercentarian seduction in animation. The four 'what if' scenarios of Anthology Of Interest I are all great. The Honking is a wonderful mix of werewolf and horror car movie jokes with a great plot twist. On first glance War Is The H-Word is a hybrid of references to M*A*S*H and just about every other war movie, but it also contains a plethora of ball-based gags, a government sponsored suicide bomber and an interesting commentary on homosexuals serving in the armed forces. The Cryonic Woman is a measure of just how well Fry has fitted into 31st century life and how grateful we should be that the series isn't about his on-again-off-again girlfriend of the past thousand years, Michelle.

Marion And Geoff
Each of Rob Brydon's ten minute monologues as recently-separated minicab driver Keith Barrett is a tour de bloody force.

The League Of Gentlemen: Destination: Royston Vasey; Lust For Royston Vasey; A Plague On Royston Vasey; Death In Royston Vasey; Anarchy In Royston Vasey; Royston Vasey And The Monster From Hell; the Christmas Special
More special stuff from The League Of Gentlemen. The nosebleeds storyline of the second series is a far more integral element than the new road was of the first. Papa Lazarou and his circus arrive at Destination: Royston Vasey and find it even stranger than he is. Herr Lipp shares his Lust For Royston Vasey. Pauline lays siege to the Jobcentre and nosebleeds reach epidemic proportions in A Plague On Royston Vasey. Tubbs and Edward begin searching for a no-tail for their son David and find more than they bargained for in Death In Royston Vasey. The town is quarantined causing Anarchy In Royston Vasey, Pauline's siege peters out and the episode has an incredibly bleak ending even for The League Of Gentlemen. It all comes to a head in Royston Vasey And The Monster From Hell with a shotgun wedding and an angry mob, ironically despite their many crimes Tubbs and Edward are innocent of these particular accusations. The unnamed Christmas Special is a great portmanteau tale with a framing story featuring Bernice hearing confessions of sorts on Christmas Eve, with very funny stories for Charlie and Stella, Herr Lipp and Chinnery's grandfather, and setting the tone for the third series.

Farscape: Nerve; The Hidden Memory; The Way We Weren't; Look At The Princess; Won't Get Fooled Again; The Locket; The Ugly Truth, A Clockwork Nebari
This is where Farscape really takes off. Outer space vies for attention with inner. Gigi Edgley is a welcome addition to the cast and Wayne Pygram is fantastic as Scorpius (and Harvey). The Look At The Princess trilogy which begins to show the scope of what Farscape could achieve. Won't Get Fooled Again is a human reaction to A Human Reaction, an epic love story in The Locket, a courtroom drama with subjective testimony in The Ugly Truth and A Clockwork Nebari probably contains the single-most shocking image shown on television ever.

Louis Theroux's Weird Weekends: Hypnosis; South Africa; Gangsta Rap
Louis Theroux turns his focus on some more subcultures. He investigates the world of Hypnosis and with the likes of Marshall Sylver and Ross Jeffries employing it in such cynical ways the results are scary mix of comic and heartbreaking. Louis visits post-Apartheid South Africa and interviews Eugène Terra'Blanche and various other members of white Afrikaner separatist communities and finds a surprising variety between them. Louis investigates the porn, the pimping and the pessimistic promotion of Gangsta Rap, each of which seems worse than its predecessor. The individuals that he meets are fascinating: Mello-T spends more time on his extra-curricular activities, Wild Wayne is a great rap ambassador, Master P's definition of "keeping it real" does him credit, Reece and Bigalow are very endearing lyricists and Theroux's rapping is more impressive than you would expect.

Human Remains: An English Squeak; Slither In; All Over My Glasses; Straight As A Flute; Hairless; More Than Happy
Rob Brydon and Julia Davies are fantastic in each of these six bleakly comic episodes of a mockumentary sitcom that each focus on a different relationship. An English Squeak presents the audience with the aristocratic Flick and Peter living in the shadow of Flick's dead fiancé and a medical condition that prevents their intimacy, but only when her husband is in the room. Slither In provides the least dysfunctional couple in the series with swingers Gordon and Sheila, both keen to talk about their proclivities despite exes, naysayers and a sister in a coma. Steven and Michelle take the next step from their bullying relationship with a "Lady Diane" inspired wedding, the wedding dress shop scene, the ABC of bands game and Spiel, Spindalero and Sausages: All Over My Glasses might just be the funniest half hour of television comedy ever made. Christians and curly sausage casseroles abound in Straight As A Flute, but it's Beverly and Tony's assessment of their neighbours and aubergine hair dye that makes this episode. In Hairless, Fonte and Barne are musicians whose creative output is odd, Fonte has no problem describing the songs of Alanis Morrisette as her own work: "All I’m taking is the lyrics and the tune, that's all I'm taking from Alanis", while Barne reads too much into the psychology of his own compositions. Les and Ray run an increasingly eclectic Brighton boutique in More Than Happy and their tragic history is revealed slowly and the timing as they talk over and contradict one another is perfect, plus the episode features the best wig ever seen on TV.

Black Books: Cooking The Books; Manny's First Day; Grapes Of Wrath; The Blackout; The Big Lock-Out
The first series of the bookshop-based sitcom sets up its three main characters with skill and Dylan Moran, Bill Bailey and Tamsin Grieg are wonderful throughout. Cooking The Books isn't just a fantastic first episode, it's a fantastic episode full stop: the customer with the leather fetish, "and the plug went in some Tizer", Nick the fugitive accountant, Chunky soup, Martin Freeman's interrupted diagnosis, The Little Book Of Calm, the Christians who've never been indoors and Fran's gadget. It's Manny's First Day and he's already struggling to keep his job wrangling with the rules of the shop, the closed sign, Bernard's urinary multi-tasking and David Cann's customer. Grapes Of Wrath is a classic, with its descriptions of shop filth that are almost literary in and of themselves, Kevin Eldon's cleaner is excellent, the onscreen drinking tally and Frankenstein's vineyard are hilarious. The Blackout gives each of the characters their own storyline with great success and Bernard's dinner party faux pas are very, very funny. This divide-and-conquer strategy continues very successfully with The Big Lock-Out which features the funniest use of a Subutteo player in British television…

Jam
Chris Morris creates the bleakest sketch comedy show ever made. Jam is a bold post-modern masterpiece with its particularly innovative uses of editing, grading and sound. Amelia Bullimore, David Cann, Julia Davis, Kevin Eldon and Mark Heap are all fantastic in their many and varied roles. Highlights across the six episodes include: the 4ft Noddycar, the poppadom fight, thick people winning arguments, all Cann's Doctor sketches, Martina's present, the plumber mending the baby, Mr Lizard, abortion coffins, Billy's parents at the Police press conference, the little hoover, Maria, acupuncture, the Lulch's estate agents, "And you should lock up", Ted's laissez faire parents, musical chairs and "Babies don’t cry!?"

Gormenghast
The phrase All-Star Cast is usually not as rewarding as it sounds, but Celia Imrie, John Sessions, Warren Mitchell, Ian Richardson, Neve McIntosh, June Brown, Christopher Lee, Richard Griffiths, Eric Sykes, Windsor Davies, Stephen Fry, Steve Pemberton, Spike Milligan, Gregor Fisher, Cameron Powrie and Andrew N. Robertson are all fantastic in this luxuriant adaptation of the first two of Mervyn Peakes Gormenghast novels.

Now And Again
Twelve episodes of this brilliant series were broadcast in 2000, but I can't remember how this show ended and as it is shamefully unavailable on DVD I may never find out... It probably shouldn't be on this list, but I loved it so it is.

Music
Clinton: Disco And The Halfway To Discontent
The album by Cornershop's side project is a jaunty mix of the usual musical styles with an increased amount of dance flavour included.
Stand out tracks: 'People Power In The Disco Hour', 'Buttoned Down Disco', 'Electric Ice Cream (Miami Jammies)', 'Mr. President', 'Welcome To Tokyo, Otis Clay'

Eels: Daisies Of The Galaxy
The third album is a distinctly lighter affair than its immediate predecessor without bring overly sentimental. Full of simple, yet, beautiful symphonies and self-deprecatingly humorous lyrics.
Stand out tracks: 'Grace Kelly Blues', 'Packing Blankets', 'The Sound Of Fear', 'I Like Birds', 'Flyswatter', 'It's A Motherfucker', 'A Tiger In My Tank', 'A Daisy Through Concrete', 'Wooden Nickels', ' Mr E's Beautiful Blues'

Gomez: Abandoned Shopping Trolley Hotline
This collection of B-Sides, session tracks and live performances holds together better than most albums. The track selection shows Gomez in a more experimental light and shows the direction they would take with In Our Gun, while songs like 'Bring Your Lovin' Back Here' and 'Flavors' still have that distinctive Gomez sound. It may be controversial to admit it, but I prefer the cover of 'Getting Better' to the original...
Stand out tracks: 'Bring Your Lovin' Back Here', 'Hit On The Head', 'Flavors', '78 Stone Shuffle', 'Shitbag', 'Getting Better'

Lemonjelly: .KY
A compilation of three EPs released by the Electronica duo. Each track features eccentric samples beautifully surrounded by a musical landscape that ebbs and flows wonderfully. 'The Staunton Lick' is fantastic, one of the most accomplished composition ever to arrive in my shell-like.
Stand out tracks: 'In The Bath', 'A Tune For Jack', 'The Staunton Lick', 'Homage To Patagonia', 'Page One', 'Come'

Placebo: Black Market Music
Rockier and more consistent than either of the band's first two albums, Black Market Music is filled with lyrics that eschew the hedonism associated with Placebo and instead seek to question it.
Stand out tracks: 'Taste In Men', 'Days Before You Came', ' Special K', 'Spite & Malice', ' Black-Eyed', 'Blue American', 'Commercial For Levi', 'Narcoleptic', 'Peeping Tom'

Books
The Truth by Terry Pratchett
The advent of movable type leads to the publication of the Discworld's first newspaper and with it investigative journalism. This novel is crammed full of references to the Watergate scandal and becomes a treatise on print media and the presentation of the news. As with many of Pratchett's works this book is oddly prescient and has remained topical in light of the News International phone hacking scandal.

A Local Book For Local People by Jeremy Dyson, Mark Gatiss, Steve Pemberton & Reece Shearsmith
Taking the form of a scrapbook compiled by Tubbs, The League Of Gentlemen's book is horrific and beautiful all at the same time. The tone is set by the dustcover made of human skin and Tubb's naïve observations on the things she has found. Highlights include a tourist's guide to Royston Vasey, editions of the local newspaper, Attatchments dating profiles, a Stump Hole Caverns leaflet, a Look-In article about Crème Brulee, Henry & Ally's Video finder, Herr Lipp's tours, Legz Akimbo (especially Linda's bio), The Curse Of Karrit Poor (ahead of its appearance in the Christmas special, above), a page from "the book" from the charity shop sketches. Comedy tie-in books are rarely this good.

Never Trust A Rabbit by Jeremy Dyson
A thought-provoking collection of twisted and comic short stories.








Slow Down Arthur, Stick To Thirty by Harland Miller
With a title is inspired by a line of dialogue from The Man Who Fell To Earth, this coming of age story is very funny and deals with the horror of wasted potential wonderfully.




Star Trek: Deep Space Nine Companion by Terry Erdman with Paula M. Block
To say this book is an episode guide doesn't do it justice, this book is the most thorough reference work on this on any other television programme interviewing actors, writers, directors, producers and all manner of crew members, but to a level of depth that is probably unprecedented.

Comics
Doctor Who: The Glorious Dead
The ten-part story The Glorious Dead is epic is all right places, the representations of the Glory are intriguing, the reveal of the Doctor's bedfellow is impressive, the Doctorless chapter is fantastic, the trip through the Doctor's subconscious, the identity of Morningstar and the final twist all make for the best Master story ever.




Games
Escape From Monkey Island
Guybrush Threepwood and his wife Elaine return in the fourth game of the Monkey Island series and they are rendered in 3D graphics for the first time. Reunited with Herman Toothrot, the Voodoo Lady, Murray, Stan and LeChuck. This time around he searches islands old and new for the Ultimate Insult and his quest takes him into the murky world of politics and the bizarre arena of Monkey Kombat. Most importantly the sense of humour is the same as ever.

Recommendations welcome.