Showing posts with label American Gothic. Show all posts
Showing posts with label American Gothic. Show all posts

Saturday, 21 April 2012

S Is For...Stay Alive In '95

My nineteenth post for the A-to-Z Challenge, S is for... Stay Alive In '95:

I wrote a review-of-the-year type post of my favourite Film, TV, Radio, Music, Books, Comics, Games, Online and/or Art etc at the end of 2010 and enjoyed writing it enough to decide to keep writing them. So I've been working my way backwards, one year per month, and I've reached 1995:

Stay Alive In '95
I've borrowed this title from the sleeve notes for the single release of Pulp's 'Common People', the full quote is: "There is a war in progress - don't be a casual(ty). The time to decide whose side you're on is here. Choose wisely. Stay alive in '95."

1995 was the year that Richey Edwards of the Manic Street Preachers disappeared, Nick Leeson caused the collapse of Barings Bank, the Oklahoma City bombing took place, O.J. Simpson was found not guilty of double murder and astonishingly the state of Mississippi finally outlawed slavery.

These are a few of my favourite things from 1995:

Film
Mighty Aphrodite
Woody Allen does Greek tragedy and does it in style. Mighty Aphrodite is very, very funny. Mira Sorvino's performance is phenomenal, Allen and F. Murray Abraham are great.

Twelve Monkeys
Terry Gilliam's thought-provoking time travel thriller is fantastic. Inspired by La Jetee the film deals with temporal mechanics in an intelligent way. Bruce Willis, Madeleine Stowe, Brad Pitt, Frank Gorshin and Christopher Plummer are all great. Here's the trailer.

GoldenEye
Bond is back with a vengeance after a six year absence. The bizarre, but brilliant title sequence exemplifies the idea of adjusting Bond for a post-Cold War age. Pierce Brosnan takes on the role and makes it his own, while Sean Bean, Izabella Scorupco, Famke Janssen, Alan Cumming, Michael Kitchen, Robbie Coltrane and Judi Dench are all wonderful and it's great to see Desmond Llewellyn back as Q. Here's the trailer.

The Usual Suspects
Bryan Singer's directorial debut is a brilliant and densely plotted film that takes in elements of heist movies and film noir to become probably the best in its genre. The cast and the twist in the tale are fantastic. Here's the trailer.

Apollo 13
Based on the true story of the thirteenth Apollo mission. The realism acheived aboard Apollo 13 is incredibly convincing, the cast are great and the sense of lunar apathy on Earth, followed by the sensationalism when the mission is at risk, are both very well played. Here's the trailer.


TV
Star Trek: Deep Space Nine: Past Tense; Heart Of Stone; Destiny; Prophet Motive; Visionary; Through The Looking Glass; Improbable Cause & The Die Is Cast; Explorers; Family Business; Shakaar; Facets; The Adversary; The Way Of The Warrior; The Visitor; Hippocratic Oath; Indiscretion; Rejoined; Starship Down; Little Green Men; The Sword Of Kahless; Our Man Bashir
The third series continues with two-parter Past Tense which addresses the issues of homelessness, unemployment and segregation on 21st centry Earth with a great guest cast. Heart Of Stone is almost a tragic love story between Odo and Kira with a great surprise ending and Nog's application for Starfleet Academy is a nice subplot. Destiny concerns Sisko's uncomfortable relationship with the mantle of Emissary, the interpretation and reinterpretation of the prophecy is great and O'Brien's embarrassment is tangible. Armin Shimerman, Max Grodénchik and Wallace Shawn are all great in Prophet Motive, a uniquely Ferengi spin on the concepts and mythology at the heart of DS9's pilot episode. Visionary is an intricate time travel detective story and Colm Meaney's dual performance is fantastic. Sisko goes Through The Looking Glass and fits in perfectly as a Terran freedom fighter in the Mirror Universe. Improbable Cause and The Die Is Cast are an outstanding two-parter which builds on the events of the season thus far and the mostly unexplored relationship between Odo and Garak is used to great effect, Rene Auberjonois and Andrew Robinson are fantastic, the interrogation scene and the space battle are particularly impressive and it's lovely to see Paul Dooley back. Avery Brooks and Cirroc Lofton ease with one another make the Siskos father and son trip in Explorers, the Cardassian coincidence is well played and the O'Brien and Bashir drunk scene is fantastic. Quark and Rom return home to deal with some Family Business, Shimerman, Grodenchik and Andrea Martin are wonderful in what is a fantastic Ferengi episode. Kira is reunited with Shakaar as Kai Winn risks a civil war on Bajor and the exterior shooting looks wonderful. The regular cast each embody a different host of the Dax symbiont in Facets and Shimerman as Quark as Audrid and Auberjonois as Odo as Curzon in particular are wonderful, while Nog takes his Starfleet exams and Grodenchik is adorable as proud father Rom. The paranoia caused by the Changeling infiltration of The Adversary is intense, the Odo versus Founder fight scene is impressive and the Founder's final words are revealed to be suitably chilling.
The fourth season begins with the flawless TV movie The Way Of The Warrior, which works like another pilot as the political landscape shifts once again, the Klingons become the enemy once more and Michael Dorn's Worf joins the cast. Brooks, Lofton and Tony Todd are wonderful in The Visitor's fantastic exploration of a relationship between father and son which transcends death. Bashir and O'Brien's friendship is tested as the Doctor's Hippocratic Oath compels him to help a group of Jem'Hadar, but the engineer chooses to break it for him. Nana Visitor and Marc Alaimo are wonderful together as Indiscretion throws Kira and Dukat together in a road movie-like episode and Sisko's faux pas is very funny. Rejoined is a love story that trades one taboo for another and Terry Farrell and Susanna Thompson make a beautiful couple. Starship Down is a great submarine thriller with some lovely interaction between its pairs of characters. Shimerman, Grodenchik and Aron Eisenberg are hilarious in Little Green Men, a comedy episode crammed full of B-movie references. The quest for The Sword Of Kahless is a great adventure yarn and Dorn, Farrell and John Colicos are terrific. Our Man Bashir is a fantastic Bond homage and a huge amount of fun.

Star Trek: Voyager: Caretaker; Parallax; Time And Again; Phage; Eye Of The Needle; Emanations; Prime Factors; State Of Flux; Heroes And Demons; Faces; Jetrel; Learning Curve; The 37's; Initiations; Projections; Non Sequitur; Parturition; Persistence Of Vision; Tattoo; Cold Fire; Maneuvers; Resistance
The Star Trek spinoff about a starship marooned in the Delta Quadrant and its long voyage home begins with Caretaker, Armin Shimerman's cameo scene as Quark is great, Ethan Phillips steals the show as Neelix, the location shooting and the visual effects are very impressive in what is the most equally balanced Star Trek pilot. It introduces all nine of its regular characters ably as well as several of the key relationships between them and sets up the premise of the series very well. The second episode, Parallax, is not yet business as usual for Star Trek: Voyager and the quantum singularity cause is effect A-story is fairly inconsequential, but the subplots tidying up unfinished business from the pilot are much more interesting. Time And Again is another time travel paradox episode and a nice little story to boot which expands on the role of Kes. The Phage-suffering Vidiians are a great SF concept and this episode avoids the silliness you would expect from lung theft and instead features some genuine ethical dilemmas and brings out the best in Kate Mulgrew, Robert Picardo and Phillips. The 'Harry Kim wormhole' allows the crew to peer through the Eye Of The Needle into the Alpha Quadrant in the first of many attempts to get home quicker and Vaughn Armstrong is great as Telek R'Mor. Emanations asks some interesting questions about the afterlife, gives Garrett Wang an episode to get his teeth and Jefrey Allan Chandler is wonderful as a reluctant recipient of euthanasia. The crew get another chance to get home in Prime Factors which sees the Starfleet and Maquis crews working together like never before and Martha Hackett is great as Seska. She comes to the fore again and the revelations keep coming in State Of Flux. Heroes And Demons is a very funny Doctor episode which features a hilarious performance from Picardo and a wonderful depiction of Beowulf. Faces is a very literal character study as Torres is split in half in, but it's a great episode as Roxann Biggs-Dawson is wonderful in both roles, Brian Markinson is fantastic and this episode turns the Vidiians into great horror movie-style bad guys. Neelix comes face to face with Jetrel, a thinly veiled Oppenheimer/Hiroshima parable which features great performances from Phillips and James Sloyan are great. Learning Curve is an atypical season finale, but it does acknowledge the Starfleet/Maquis divide and run with it convincingly for the last time (and as a plus features this line).
The second season begins with The 37's which works as a restatement of principles and effectively as a second pilot episode with wonderful performances from David Graf and Sharon Lawrence. Robert Beltran and Aron Eisenberg are great in Initiations, an episode that adds a much-needed layer of complexity to both the Kazon and Chakotay. Picardo and Dwight Schultz are as brilliant as ever in Projections, a fractal Cartesian nightmare for the Doctor as reality unfolds around him and the resulting episode is fantastic. Wang and Robert Duncan McNeill are great together as Kim gives up the perfect parallel life in Non Sequitur. Neelix and Paris overcome their jealousy and undergo Parturition in an episode that proves Phillips and McNeill are a great double act. Persistence Of Vision follows a well mined seam of hallucinations and fears made real, but does so with such style that it seems far more original. Beltran and Henry Darrow are both wonderful in Chakotay-centric episode Tattoo and Picardo is hilarious as the ill Doctor. Jennifer Lien is given a rare chance to excel as Kes in Cold Fire and she does not disappoint. Maneuvers advances the Seska storyline compellingly, the Kazon torpedo shuttle attack is impressive, Cullah's transporter use is gruesome and Beltran, Hackett and Anthony De Longis are great. Joel Grey is phenomenal as Caylem in Resistance and the relationship between his character and Janeway is very touching.

Father Ted: Good Luck, Father Ted; Entertaining Father Stone; The Passion Of St Tibulus; Competition Time; And God Created Woman; Grant Unto Him Eternal Rest
The series hits the ground running as the first episode, Good Luck, Father Ted is fantastic and highlights include Dougal's diagram, the Lord's prayer, Funland, duelling banjos and every scene with Tom. Ted and Dougal find themselves Entertaining Father Stone and Michael Redmond pitches his deadpan stoicism perfectly. Jim Norton is great as Bishop Brennan forces Ted and Dougal to protest against The Passion Of St Tibulus at the cinema and their signage has gone down in history, while Father Hernandez is hilarious. Competition Time introduces Ted's rivalry with Dick Byrne and the intercutting between Craggy and Rugged Islands, Dougal's fascination with Henry Sellars hair and the Elvises Presley are great while the simplistic treatment of alcoholism somehow manages to be funny and still does the show credit. Mrs Doyle's examples of bad language, Jack on automatic, mass fans, Jim's diagnosis, Ted as an accessory in Tom's lift and Dougal looking for change are all brilliant moments in And God Created Woman. Jack shuffles off this mortal coil in the last episode of the first series, Grant Unto Him Eternal Rest, and Dougal's last rites, the cut to 'Karma Chameleon' and the game of charades are all great.

Northern Exposure: The Great Mushroom; Mi Casa, Su Casa; Horns; The Mommy's Curse; The Quest; Lucky People; The Graduate; Little Italy; Balls; Buss Stop; Ursa Minor; Let's Dance; Tranquility Base
The sixth and final season continues with Maggie visiting Joel living atop The Great Mushroom and his various deaths are all funny. Marilyn follows soon after and Joel feels she undermines him, while Ed housesits for Maurice and takes on more than a few aspects of the owner's personality in Mi Casa, Su Casa. Alaska releases Joel from his contract which has a profound effect on him, while Maurice's Cicely Water venture causes a role reversal in the town in the brilliant hundredth episode Horns. Another death leaves Maggie wondering if The Mommy's Curse is hereditary and Walt's brief career in retail is great. The Quest for the Jewel City of the North takes Joel and Maggie on a bizarre journey and ends in a particularly poignant ending. If people who need people are the luckiest people, then Maurice, Phil and Michelle discover they are Lucky People indeed. Chris becomes The Graduate, the transcendental 45th Regiment are brilliant, the reveal of Holling's secret is shocking and the town's rallying around him is very funny. Phil discovers Cicely's Little Italy and finds himself at the centre of a family feud, while Ruth-Ann's radio career and Ed's suggestion of "early burnout" are very funny. Lester Haines' "tribal values" are initially hilarious and ultimately heartbreaking for Ed, the bowling team scenes are great and the rift between the Capras is a bold move at this stage in Balls. Michelle tries to direct a production of Bus Stop in Buss Stop, Hayden Keyes' forced perspective entrance and pointless trapdoor, Shelly's presentation skills and Maurice's theatre speech are great. Ursa Minor sees Ed looking after a baby bear. The effect of Cal's violin on Semanski, Phil's breaches of Tlingit etiquette and Marilyn's cotillion classes are hilarous in Let's Dance. Cicely's couples converge on Maurice's Tranquility Base in the final episode and every relationship is tested to one degee or another, Michelle is visited by Joel's hallucinatory Rabbi Schulman and the 'Our Town' montage at the end is great.

American Gothic: Pilot; A Tree Grows In Trinity; Eye Of The Beholder; Damned If You Don't; Dead To The World; Meet The Beetles; Strong Arm Of The Law;
Gary Cole, Sarah Paulson, Lucas Black and Nick Searcy are fantastic in Shaun Cassidy's horror TV series. The pilot episode introduces the town of Trinity in South Carolina, USA a well as its Sheriff, its Doctor and schoolteacher and Caleb has a particularly horrific tenth birthday as he loses his sister and father. A tree grows in Trinity in A Tree Grows In Trinity and David Lenthall is great as put upon coroner Webb. Eye Of The Beholder introduces the wonderful Tina Lifford, the horror quotient is high, Michael Burgess is great and the episode builds to a nice twist which sets up the the dynamic for the rest of the show. Brigid Walsh and Steve Rankin are great as Damned If You Don't shows that Lucas collects on debts. Searcy is excellent in Dead To The World, which again shows another facet of Lucas, but also feature a great use of Gail's character. Meet The Beetles is incredibly creepy and Caleb's grave idea gives a brilliant insight into his character. Strong Arm Of The Law is a great example of Sheriff Buck's sense of justice at work.

Wallace & Gromit: A Close Shave
Shaun and a flockful of sheep join Wallace and Gromit in Nick Park's third short film. It's what you might get if International Rescue used Thunderbirds for cleaning windows. Between the window cleaning and the flock acrobatics, the set pieces are wonderful. Wallace's romantic involvement with Wendoline is heartbreaking as you will them to get together, but as usual it's Gromit that steals the show. It's another animated tour-de-force.

Knowing Me, Knowing Yule With Alan Partridge;
Alan's records some choice cuts of Christmas chat from a studio mock up of his home. Christian bellringers mingle with electrocuted golfers, a cross-dressing chef and Alan's new boss Tony Hayers. Featuring several Rover Vitesse product placement and a brilliant rendition of 'The Twelve Days Of Christmas'. Steve Coogan, Rebecca Front, David Schneider, Kevin Eldon, Patrick Barber and Doon MacKichan are hilarious.

Music
Pulp: Different Class
The band's fifth album and their biggest break is made up of twelve of the best tracks ever. Dealing with themes of sex and social class, the lyrics are brilliant throughout. This album is fantastic.
Stand-Out Tracks: 'Mis-Shapes', 'Pencil Skirt', 'Common People', 'I Spy', 'Disco 2000', 'Live Bed Show', 'Something Changed', 'Sorted For E's & Wizz', 'F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E.', 'Underwear', 'Monday Morning', 'Bar Italia'

Blur: The Great Escape
The fourth album could be seen as the antidote to its predecessor, The Great Escape is everything that Parklife is not. Moving its focus into suburbia and with a listless melancholic feeling hiding within even the jauntiest tracks, while the slower songs 'Best Days', 'The Universal', 'He Thought Of Cars' and 'Yuko & Hiro' take on a beautiful elegance.
Stand-Out Tracks: 'Stereotypes', 'Country House', 'Best Days', 'Charmless Man', 'Fade Away', 'The Universal', 'Mr Robinson's Quango', 'He Thought Of Cars', 'It Could Be You', 'Ernold Same', 'Dan Abnormal', 'Yuko & Hiro'

Supergrass: I Should Coco
Popular perception of this band probably stems most from 'Alright', but even at this stage they were already so much more. The band’s debut album rushes passed at breakneck speed and takes in a huge array of musical styles that should probably clash, yet the dexterity with which they are played sees them sit perfectly side-by-side. Beginning with several rockier tracks, each distinctively different from the last, building through slower towards a quite trippy penultimate track and a beautiful coda. 'Caught By The Fuzz' is easily one of the best songs ever written (especially in its sublime acoustic version), but it speaks volumes that it might not even be the best song on this album.
Stand-Out Tracks: 'I'd Like To Know', 'Caught By The Fuzz', 'Mansize Rooster', 'Alright', 'Lose It', 'Lenny', 'Strange Ones', 'She's So Loose', 'Time', 'Sofa (Of My Lethargy)', 'Time To Go'

The Presidents Of The United States Of America: The Presidents Of The United States Of America
Despite sometimes feeling more like a novelty album, this album is both grungy and catchy with some great self-deprecating lyrics.
Stand-Out Tracks: 'Lump', 'Boll Weevil', 'Peaches', 'Dune Buggy', 'We Are Not Going To Make It', 'Naked And Famous'

Books
Red Dwarf: Last Human by Doug Naylor
In a similar vein to series VI and VII, the third Red Dwarf novel is set aboard Starbug rather than its mothership. Last Human plays very intelligently with time and multiple realities, features some intersting descendents and incorporates elements from the TV episodes Psirens, Legion, Emohawk - Polymorph II, DNA and Quarantine. A rather more explicit novel than its stablemates, especially in its descriptions of the GELFs and the consummation of Lister's wedding...

Maskerade by Terry Pratchett
The eighteenth Discworld novel sees the witches caught up in a story not unlike The Phantom Of The Opera. Pratchett takes no prisoners joking at the expense of opera, musical theatre and goths. Any book containing the sentence "People who didn't need people needed people around to know that they were the kind of people who didn't need people" is alright by me.

Comics
Ghost World: Hubba Hubba; The Norman Square
The fifth chapter sees Enid and Rebecca visit fifties diner Hubba Hubba
and the girls arrange a date with bearded windbreaker in a sequence which is the scenario for the film. Josh, Weird Al and the episode of Orlando are all very well depicted. The Norman Square finally acknowledges the Ghost World graffiti and sees elements of the backdrop to the girl's lives unravelling: Bob Skeetes phone is cut off, a solo Satanist and no more Norman as his bus stop is reactivated. Both chapters end on a very touching note.

Art
Benefits Supervisor Sleeping by Lucian Freud
The painting (below) captures its subject in a moment of stillness. It's refreshing to see a zaftig nude portrayed simply and seemingly without judgement. She is neither glamourised nor demonised, she just is.


Recommendations welcome. Next Month: 1994

Thursday, 29 March 2012

“This Was A Great Time And Place...”

So says Tom Paris in Part One of Star Trek: Voyager's Future's End on an unplanned visit to 1996 (see below), he continues "and we're getting to see it first hand" before telling his superior officer to take his shirt off. It's very odd.

1996 was the year that Deep Blue defeated Garry Kasparov at chess for the first time, the massacre in Dunblane took place, the element Copernicium was discovered and NASA announced that a meteorite thought to originate from Mars contained evidence of primitive life-forms.

1996 was also the year that I started my GCSE's.

These are a few of my favourite things from 1996:

Film
Trainspotting
Danny Boyle's adaptation of Irvine Welsh's novel has a real energy to it, the screenplay is inventive, the soundtrack is fantastic and the cast are uniformly brilliant. I really hope Boyle and Ewan McGregor can put their differences behind them and make Porno. Here's the trailer.

Swingers
Jon Favreau and Doug Limon's tale of Hollywood also-rans features some excruciating telephone manner and a great performance from Heather Graham. Here's the trailer.

Bottle Rocket
Wes Anderson and Owen Wilson's over earnest heist movie is a joy from start to finish. Here's the trailer.

Hard Eight
P. T. Anderson's directorial debut is a great little film and Philip Baker Hall, John C. Reilly, Samuel L. Jackson and Phillip Seymour Hoffman are wonderful. Here's the trailer.

Star Trek: First Contact
The eighth Star Trek movie has fantastic action sequences with the best horror bad guys. Patrick Stewart and Brent Spiner lead the charge in the best and most balanced of The Next Generation films that gives each member of the USS Enterprise-E crew a decent slice of the action. Alfre Woodard's Lily is a fantastic point of view character, James Cromwell's Cochrane is wonderfully endearing and Alice Krige's Borg Queen is just the right mix of enigmatic, sexy and scary, while the cameos from Robert Picardo, Ethan Phillips and Dwight Schultz are lovely. Threatening the birth of Star Trek itself, the scale of the story is epic and yet the relationships between the characters are visceral and emotional. Here's the trailer.

Everyone Says I Love You
Woody Allen does musical and with largely untrained voices and reappropriated songs (notably 'Hooray For Captain Spaulding' in French), but also great visual gags and wonderful performances from Allen, Julia, Goldie Hawn, Alan Alda, Natasha Lyonne and Tim Roth. The Marx Brothers Christmas party and the revelation that right-wing opinion is a mental illness are very funny.

TV
Doctor Who: The TV Movie
Paul McGann's solo television outing gave us an interesting hybrid between the Who-we-knew and a monsterless Sliders/The X Files style show which succeeded on many fronts. Sylvester McCoy bows out gracefully and McGann, Daphne Ashbrook and Yee Jee Tso are all wonderful in this attempt to take the good Doctor stateside with a TV movie that isn't as bad as its reputation.

Star Trek: Deep Space Nine: Homefront & Paradise Lost; Crossfire; Return To Grace; Bar Association; Accession; Rules Of Engagement; Hard Time; Shattered Mirror; For The Cause; To The Death; The Quickening; Body Parts; Broken Link; Apocalypse Rising; The Ship; ...Nor The Battle To The Strong; The Assignment; Trials And Tribble-ations; Things Past; The Ascent; Rapture
The fourth season continues with Earthbound two-parter Homefront and Paradise Lost and the change of scenery heightens the paranoia and makes the Patriot Act-esque selling-out-paradise-in-order-to-save-it sweeping security measures all the more terrifying. Brock Peters, Robert Foxworth and Eisenberg are fantastic Odo is caught in the Crossfire as Kira and Shakaar begin a relationship and it's good to see the constable a little out of control. Return To Grace is another great Kira and Dukat episode and one which sees him become a terrorist with great performances from Nana Visitor and Marc Alaimo. On the face of it, Bar Association simply puts the Ferengi spin on trade union relations and mines it for comic potential, but actually this episode still manages to make its point about exploitation. The caste-based discrimination at the heart of Accession varies from comical to terrifying and sees Sisko reassessing the mantle of Emissary. Ron Canada is fantastic in the courtroom drama, Rules Of Engagement and the fourth wall rattling testimonies are a very nice touch. O'Brien does Hard Time and the performances of cellmates Colm Meaney and Craig Wasson are fantastic. Shattered Mirror sees the Mirror Universe from Jake's point of view, mirror Garak is at his weaselly best, the space battle sequences are incredibly impressive and the final scene very touching. For The Cause is great and misleads the audience expertly and both Kenneth Marshall and Penny Johnson are wonderful. To The Death is action-packed, Jeffrey Combs makes a fantastic debut as Weyoun and the insights into the culture of the Jem'Hadar make them al the more intimidating. The guest cast and Alexander Siddig are uniformly excellent as Bashir is forced to learn humility the hard way in The Quickening. The dialogue between Quark and Rom is all brilliant as Body Parts tests the former in a new an unexpected way and the baby transplant subplot is an innovative solution. The season finale, Broken Link, is a great ensemble piece that deals with Odo's crimes against his people, his sentence is an intriguing prospect and the episode ends on a really great cliffhanger.
The fifth season begins with Apocalypse Rising which gets the Changeling infiltrator theme back on track, the scene discussing the finer points of Klingon etiquette is very funny and the reveal of the Founder is great. Sisko captures The Ship and there are casualties as he tries to keep it, but the tensions caused by the discussions of death as the life of F.J. Rio's Muñiz hangs in the balance are great. ...Nor The Battle To The Strong is Star Trek at its bleakest: life on the front line, self-inflicted wounds, the trench humour and the episode is made all the bleaker by shown through Jake's eyes. Alien possession can often be unconvincing, but The Assignment succeeds in being very creepy mostly due to brilliant performances from Meaney, Rosalind Chao and Max Grodénchik. Trials And Tribble-ations is a fantastic love letter to the original Star Trek. Things Past is another visit to Terok Nor and the scenes between Terry Farrell and Alaimo are wonderful, while Garak's affront and Quark's staff relations are very funny. Odo and Quark are forced to make The Ascent and it's a joy to watch them bring out the worst in each other like DS9's version of The Odd Couple…on the side a mountain. Sisko has visions of the future in a Rapture and is torn between his role as the Emissary and his Starfleet mission to bring Bajor into the Federation. He does something none of the other Captains would do. He fails…and the show is all the better for it.

Star Trek: Voyager: Prototype; Alliances; Threshold; Meld; Dreadnought; Death Wish; Lifesigns; Investigations; Deadlock; The Thaw; Tuvix; Resolutions; Basics; Flashback; The Swarm; False Profits; Remember; Future's End; The Q And The Grey; Macrocosm
The second season continues with hard SF episode Prototype which asks all the right ethical questions, features robots galore and a great performance from Roxann Biggs-Dawson. The Kazon storyline deepens as Janeway goes against her better judgement to form Alliances in an episode which sees her at odds with almost everyone at some stage and a brilliant reference to The Godfather, Part III. The much-maligned Threshold is actually a lot of fun. Tuvok undergoes a Meld with Suder, a murderous psychopath and Tim Russ and Brad Dourif are fantastic as both are affected by the personality of the other. Biggs-Dawson gets another opportunity to spend an episode talking to an artificial intelligence and herself in great tense cold war-esque thriller Dreadnought. Death Wish is very, very funny and very, very literate with the very thorny ethical dilemma of assisted suicide at its core, the arguments on both sides are very compelling and John De Lancie and Gerrit Graham are both fantastic as Q. The Doctor falls in love in the very touching Lifesigns and Robert Picardo gets to stretch the limits of his character. Ethan Phillips is great as Neelix turns journalist as the mutiny of Tom Paris comes to a head in Investigations and A Briefing With Neelix is a very funny device that allows it to unfold very effectively. Deadlock is like a great SF disaster movie as Voyager is duplicated and the two ships have very different fortunes. Michael McKean and Picardo are fantastic in The Thaw, a hilarious, surreal and terrifying episode built around a great SF concept. Tuvok and Neelix are merged into a single individual and Tom Wright is excellent as Tuvix, in an episode that is easily one of the best uses of SF to explore an ethical dilemma. Resolutions is a great ensemble piece that explores the relationship between Janeway and Chakotay, whilst Voyager must continue without them and the A and B stories come together nicely. The season finale is the first part of Basics sees the welcome return of Martha Hackett, Anthony DeLongis and Dourif, Chakotay's confusion about Seska's baby and his scene his father are wonderful, the Kazon attack that exploits Seska's knowledge of Janeway is very clever and the episode ends on a great cliffhanger.
The second part kicks off the third season and Picardo and Dourif are wonderful together aboard ship while the crew marooned on a hostile planet. Tuvok has a Flashback to the events of Star Trek VI: The Undiscovered Country in a very inventive alternative to time travel and it's great to see George Takei back as Captain Sulu. Voyager encounters intriguing aliens that are more alien than usual in The Swarm as the Doctor begins to lose his memory, Picardo plays two holograms and is as great as ever while Jennifer Lien gives a lovely assured performance. False Profits is a very funny Ferengi episode. Biggs-Dawson is fantastic as Torres Remembers someone else's memories of a holocaust and its subsequent cover up. The USS Voyager is transported back to Earth in 1996 in Future's End, Ed Begley, Jr. makes a great villain, Sarah Silverman works well with McNeill, Russ and Picardo and the two-parter is huge fun. Mulgrew, de Lancie and Suzie Plakson are fantastic in Q civil war tale The Q And The Grey which once again succeeds in being both literate and a lot of fun as well. Macrocosm is a change of pace and practically recasts Janeway as Ripley from the Alien films.

Karaoke & Cold Lazarus
The final works of Dennis Potter are intriguing. Albert Finney, Roy Hudd, Liz Smith, Francis De La Tour, Henry Goodman and Diane Ladd are all wonderful in these two interlinked mini-series.

Father Ted: Hell; Think Fast, Father Ted; Tentacles of Doom; The Old Grey Whistle Theft; Song For Europe; The Plague; Rock-a-Hula Ted; Cigarettes And Alcohol And Rollerblading; New Jack City; Flight Into Terror; A Christmassy Ted
Fathers Ted, Dougal and Jack to go on a holiday from Hell in the second series opener: The Magic Road, Ted's run-ins with the law and Tom's button confusion are hilarious, while Graham Norton is fantastic as Father Noel Furlong. Father Ted thinks fast in Think Fast, Father Ted and highlights include Ted's panelbeating, the dancing priest, Mrs Doyle's test, "Please stand for our national anthem" and "Oh, it's yourself." Three bishops visit Craggy Island in Tentacles of Doom and it has a profound affect on all of them, "That would be an ecumenical matter", the elements of Christianity that Dougal struggles with and the concept of post-colonic holiness are all very, very funny, plus Gary Lineker's Book Of Ghost Stories is one of the funniest props ever made. Ted's explanation for The Old Grey Whistle Theft is fantastic as are "Fup off!", Father Damo's belligerence and Mrs Doyle's nocturnal exploits. After a fantastic songwriting scene, the shared obligatory video dream, the wonderful difference between Jon Kenny's on and off-camera performances, Ted and Dougal win the Song For Europe competition with the excellent 'My Lovely Horse'. From its Father Ben opening onwards, The Plague is great. and Jim Norton is fantastic. The use of sign language, Dermot Crowley and Ted's long shot and hilarious in Rock-a-Hula Ted. Ted, Jack and Dougal give up Cigarettes And Alcohol And Rollerblading respectively for Lent and their hallucinations and the Nun call centre are great. New Jack City sees Jack replaced with the Jungle music-obsessed Father Finton Stack, while the priest's sports day and visit to St. Clabbert's are very funny. Aeroplane disaster movie-esque Flight Into Terror is a great change of pace: the souvenirs, the Jeff Bridges movie reference and all the priests are fantastic.
The Christmas special, A Christmassy Ted is brilliant: Dougal's advent calendar, the priestly platoon in Ireland's largest lingerie section, priest chatback and Ted's award acceptance speech are all hilarious.

Our Friends In The North
The cast are fantastic and the ambitious scope of the story is impressive as the nine episodes of this serial follow a group of characters from 1964 to 1995, through sex shops, anarchists, the miner's strike, Tory smear campaigns, the Great Storm of 1987, a stock market crash and the rise of Britpop. An amazing piece of television.

American Gothic: Rebirth; Resurrector; Inhumanitas; To Hell And Back; The Plague Sower; Doctor Death Takes A Holiday; Potato Boy; The Beast Within; Learning To Crawl; Triangle; The Buck Stops Here; Requiem; Ring Of Fire; Echo Of Your Last Goodbye; Strangler
The short-lived horror TV series really gets into its stride and shakes up the show's dynamic with Merlyn's Rebirth and Sarah Paulson makes the most of the opportunity. Resurrector is another great example of Sheriff Lucas Buck's sense of justice as he sets a married couple against each other. Inhumanitas is another great one for Paulson, Pat Hingle is great and the resolution to Buck's real estate dealings will leave you cheering for the sheriff. Dr. Matt goes To Hell And Back in an episode that appears to show him hallucinating, but instead wrangles brilliantly with time travel and pre-destination paradoxes as he apparently causes the accident he is trying to avoid. A Royston Vasey-esque epidemic hits Trinity as Merlyn goes on the offensive again in The Plague Sower in an episode which drives Dr. Matt briefly mad and shamelessly introduces Dr. Billy as his replacement. Dr. Matt finally tips over the edge in Doctor Death Takes A Holiday, Veronica Cartwright is great and the reveal of the vaccination audience is very funny. Caleb's "so be it" toothbrushing ritual is bizarre, his definition of mentor is very funny and the resolution with the Boo Radley-esque Potato Boy is surprisingly touching. In an odd piece of scheduling two episodes shown on consecutive days both feature hostage situations gone bad, The Beast Within is another chance for Nick Searcy to shine as Deputy Ben, while Buck's belittling of half Ted is great in Learning To Crawl. Gail discovers she is pregnant with Buck's child and Trinity's love Triangles nearly turn fatal. American Gothic channels The Omen as Buck's death causes Caleb to go on the rampage in the two-part finale, The Buck Stops Here and Requiem, highlights include Buck's funeral, Ben trying to convince the town he can be sheriff, "Grandpa's sleeping on the ceiling" and the final showdown between Buck and Merlyn, although the ending leaves you wanting more. Three excellent episodes were omitted from the original US broadcast, but aired in the UK: Ring Of Fire has massive implications for Gail and Caleb's family and features a great performance from Paige Turco. The horrific Echo Of Your Last Goodbye as Merlyn appeals to Ben's conscience. Buck invokes the spirit of the Boston Strangler to kill Merlyn (again) and Gareth Williams is great in the part, plus it's nice to see Ben stepping up and being a such a good copper in Buck's absence.

Neverwhere: Door; Knightsbridge; Earl's Court to Islington; Blackfriars; Down Street; As Above, So Below
The plays on the names of tube stations, the appreciation of the Tang dynasty and the disconnect between London-Above and London-Below among other things are all great in this six-part story by Neil Gaiman and Lenny Henry. The performances by Laura Fraser, Hywel Bennett, Clive Russell, Paterson Joseph, Tamsin Greig, Peter Capaldi and Earl Cameron are all brilliant.

Radio
The Quatermass Memoirs
An interesting mix of fact and fiction as Nigel Kneale contextualises the first three Quatermass serials with contemporary newsreel recordings from the fifties, while Andrew Keir reprises his role as the Professor now in his retirement in Scotland. As Quatermass looks back on his career with a young journalist audio from the BBC serials in used to illustrate the events of the television stories. The three interwoven strands threaten to be a little less than the sum of their parts, but work surprisingly well and the insight into both Kneale's original writings and the new perspective on the old stories are fascinating.

Doctor Who And The Ghosts Of N-Space
Jon Pertwee, Elisabeth Sladen and Nicholas Courtney are as great as ever in the parts they played on television. Guest stars Harry Towb and Stephen Thorne are brilliant, while Richard Pearce's Jeremy Fitzoliver is given much more to do here and rises to the challenge. The second Third Doctor radio play is a strange beast set across several time periods and realities. Bravely encompassing much of the variety that makes Doctor Who brilliant within one story, and with some surprising profanity thrown in as well.

Music
Eels: Beautiful Freak
The debut album from E's band is brilliant. Their distinctive sound has already taken shape here and perfectly illustrated by the moment a whirring drill gives way to some truly beautiful piano. The lyrics strike the right balance between wry observation and outright despair: "When I came into this world they slapped me. And everyday since then I'm slapped again."
Stand out tracks: 'Novocaine For The Soul', 'Susan's House', 'Rags To Rags', 'Beautiful Freak', 'Not Ready Yet', 'My Beloved Monster', 'Flower', 'Guest List', 'Mental', 'Spunky', 'Your Lucky Day In Hell', 'Manchild'

Kula Shaker: K
Kula Shaker's first album unashamedly references their heroes whether it's The Beatles at the height of their Sixties psychedelia, the influence of Jimi Hendrix on '303', that of the Grateful Dead on the almost eponymous 'Grateful When You're Dead/Jerry Was There', while 'Govinda' and 'Tattva' both feature lyrics in Sanskrit. The band draw these disparate threads together to create a sound of their own.
Stand out tracks: 'Hey Dude', 'Govinda', 'Smart Dogs', 'Magic Theatre', 'Into The Deep', 'Tattva', 'Grateful When You're Dead/Jerry Was There', '303', 'Start All Over', 'Hollow Man, Part 1 & 2'

Books
Red Dwarf: Backwards by Rob Grant
When Grant Naylor went their separate ways they each wrote novels set after the events of their second novel together. Described pretty accurately by Grant as "the world's first reverse whodunit space opera western dealing definitively with the concept of post-destination". While it revisits elements of the episodes Backwards, Dimension Jump and Gunmen Of The Apocalypse the fourth Red Dwarf novel is far more than a mere novelisation and is much darker than its predecessors.

Feet Of Clay by Terry Pratchett
The nineteenth Discworld novel pits the City Watch of Ankh Morpork against an army of Golems. The novel asks questions of free will and slavery, but is still very, very funny, and gives the Disc's Grim Reaper the fantastic line: "I AM DEATH, NOT TAXES. I TURN UP ONLY ONCE."

Hogfather by Terry Pratchett
The Discworld's equivalent of Christmas is nearly cancelled in the twentieth novel as the Hogfather goes AWOL and Death steps into the breach. Pratchett expertly dissects Christmas traditions and their motivations with very funny results.




Comics
Doctor Who: Endgame 1-3
The first three parts of Endgame, the Eighth Doctor's first comic strip in DWM, see him returning to Stockbridge, home of strips gone by, reunited with Maxwell Edison and faced with the Celestial Toymaker. All of which are well handled and cement him into the comic. It's obvious that Izzy is brilliant companion material and each of the cliffhangers is impressive, but it's the game of hangman sequence that is most terrifying.

Ghost World: A Smile And A Ribbon
The seventh chapter of Daniel Clowes' comic sees Enid and Rebecca take a trip down memory lane, argue and Josh comes between them and it takes this song to end the deadlock. The artwork is great, particularly of Enid's photographs and the panels set at night.



Recommendations welcome. Next Month: 1995