Showing posts with label Blood And Ice Cream. Show all posts
Showing posts with label Blood And Ice Cream. Show all posts

Thursday, 30 June 2011

"Greed, Violence, Moral Corruption"

According to Star Trek: Enterprise's T'Pol those are "the worst qualities of this era", said during a visit to 2004 in Carpenter Street. To put it in context she says of Loomis, a particularly slimy character played by Leland Orser: "In one individual we've managed to find the worst qualities of this era: greed, violence, moral corruption."

2004 was the year that the European Union expanded to include ten more countries, Facebook was founded and a colossal earthquake caused a massive tsunami to hit southeast Asia on Boxing Day.

Whilst in my last term at university I was in and wrote for The Miracles Of Marta Manole. After I finished Uni, I began working a bookshop and trying to work out how to get into acting.

These are a few of my favourite things from 2004:

Film
Shaun Of The Dead
Posing the question: What would you do in Zombie apocalypse? The Pom Rom Zom Com from Edgar Wright and Simon Pegg is very funny with a great script, a great cast and a great soundtrack. Here's the trailer.





Goodbye Lenin!
A great film about how the reunification of Germany affected the day-to-day life of everyone in East Berlin, except one. Here's the trailer.






The Incredibles
A supervillain draws a couple of superheroes come out of retirement and discovers to his cost that its become a family business. Not a spoof, nor a parody but a tribute to a genre that is far more realistic and well observed than most of the big-budget live-action superhero adaptations combined. Here's the trailer.


The Life Aquatic With Steve Zissou
Bill Murray, Angelica Huston, Willem Dafoe and Jeff Goldblum are all wonderful in a film that features eclectic aquatic animation, incredible cross section sets and Seu Jorge singing David Bowie songs in Portuguese. Here's the trailer.




Eternal Sunshine Of The Spotless Mind
Charlie Kaufman and Michel Gondry's tale about memory is constantly changing, visually astounding and has great performances across the board. Here's the trailer.





The Village
M. Night Shyamalan's fantasy thriller was widely misunderstood on cinematic release and has been unfairly overlooked ever since. There are great performances across the board with a special mention for Bryce Dallas Howard. I don't mind admitting that the twist had me completely fooled, but by the time it comes the viewer is well and truly thinking like a villager.

The Life And Death Of Peter Sellers
Geoffrey Rush is fantastic as the man in search of a character to call his own in this biopic that pulls no punches. Featuring flawless representations of films from throughout Sellers' career and leaves you wanting to watch them all. Here's the trailer.

Blake's Junction 7
Awkwardness abounds as the scourge of the Terran Federation Avon and company bump into Blake and Servalan during a stop off at Newport Pagnell motorway service station. Great fun if you know Blake's 7 and great fun if you don't. Here's a trailer.



TV
Angel: Harm's Way; Soul Purpose; Damage; You're Welcome; Why We Fight; Smile Time; A Hole In The World; Shells; Underneath; Origin; Time Bomb; The Girl In Question; Power Play; Not Fade Away
Harm's Way begins with a hilarious Wolfram & Hart recruitment video, features a brilliant chopstick fight and it's about time Mercedes McNab got her dues. Soul Purpose is another great dream episode with Angel's hallucinations of his friends and Fred's autopsy and Spike single-handedly ending armageddon and turning the world into a beautiful, happily-ever-after-candy-mountain place where all our dreams come true are both wonderful. Tom Lenk fits in perfectly as Andrew in Damage and he's back to his storytelling best. The hundredth episode, You're Welcome, is a masterpiece. Charisma Carpenter returns and puts in another great performance as Cordelia comes out of her coma and it's a joy to have her back and hear her take on the new situation. The episode builds beautifully to a heartbreaking ending. The World War II flashbacks of Why We Fight are great and Eyal Podell gives Lawson a real intensity. Smile Time is hilarious and disturbing in equal measure, and features some great puppetry. A Hole In The World asks "Who would win in a fight: cavemen or astronauts?" It's another great ensemble piece as the troops rally to save Fred. Lorne's sudden act of violence is a surprise, the reveal of Gunn's unwitting involvement is a sucker punch. Jonathan M. Woodward and Alec Newman are great as Knox and Drogyn respectively, but the scenes between Amy Acker and Alexis Denisof are flawless in what is possibly the saddest piece of television ever. Shells picks up where the last episode left off and while Denisof and Woodward are as great as ever it's all eyes on Acker as Illyria. There is a lot of talk about layers in Underneath, Adam Baldwin's entrance as Marcus Hamilton is incredibly gory and yet belies why he's chasing Eve, Acker and Denisof continue to be wonderful and the reveal that Wolfram & Hart's hell dimension is a suburban ultra-right-wing version of The American Dream is very funny. Vincent Kartheiser returns in Origin as the Connor it would have been a joy to watch, Dennis Christopher is wonderful as Cyvus Vail, it's great to see Jack Conley back as Sahjhan, once again Denisof is fantastic as a man on the edge and Sparky's bulb proffering is hilarious. Illyria rescues Gunn and the reveal of Sparky's latest victim is great, however she is unable to control her powers and becomes a walking Time Bomb that could go off at any moment, the time skips her excess powers create are interesting and her despatching four regular characters in seconds is pretty shocking, meanwhile the Rosemary's Baby-esque plotline with the Fell Brethren has some hilarious parental dialogue. Angel and Spike visit Italy in The Girl In Question, the flashback of Spike and Dru in Italy in the 1950's is very funny, Carole Raphaelle Davis is hilarious as the gypsy-hating buxom CEO of Wolfram & Hart's Italian office and the elusiveness of The Immortal adds to his appeal, but this episode that gives us Angel and Spike as a comedy double act also features the return of Fred's parents and sees Illyria's bittersweet impersonation of their daughter and the effect it has on Wesley. The episode is stylishly shot to differentiate between the two plot strands. David Boreanaz really keeps you guessing as Angel's apparent acceptance of Wolfram & Hart's evil clients sinks to new depths in Power Play as he joins the Circle of the Black Thorn and convinces the rest of the gang that he's just as bad. The series finale, Not Fade Away is fantastic and filled with great moments: Angel signing away his claim on the Shanshu prophecy, Lorne's last day, Angel's last day, Spike's last day, Spike volunteering to betray Angel, Lorne's "I'm out" speech, Gunn killing the senator while she's still on the phone, the reveal of Illyria blocking the car, Lorne's exit and Lindsay's reaction to it, Illyria lying to Wesley, Angel picking out the operative word in Hamilton's speech about how his blood is filled with the ancient power of The Wolf, The Ram and The Hart, Illyria taking revenge on Cyvus Vail and the final scene. This series came to a premature end and doesn't have a happy ending, because it doesn't really have an ending at all and yet it doesn't finish on a cliffhanger either. This episode says the fight never ends, it says atonement never ends.

Star Trek: Enterprise: Proving Ground; Countdown; Zero Hour; Storm Front; Home; Borderland, Cold Station 12 & The Augments; The Forge, Awakenings & Kir'Shara
The search for the Xindi superweapon is a bit of an oddity with few episodes standing out. Proving Ground however sees it in a wider political context and features another fantastic performance from Jeffrey Combs. Countdown and Zero Hour are a suitably impressive climax to the season and end on a great cliffhanger. Storm Front mixes the temporal cold war with the second world war and sees aliens changing history and assisting the Nazis in an occupation of the USA. The newsreel footage of Hitler's visit to New York in Part II is a very nice touch. When Enterprise finally returns Home and the crew disperse, three plot strands explore the repercussions separately of each other. The three-parter Borderland, Cold Station 12 and The Augments is crammed with action and yet finds time for Brent Spiner to be very charismatic as Arik Soong. This is precisely what the Xindi epic needed. After three years without them The Forge, Awakenings and Kir'Shara finally sees the creation of the Vulcans that we know and love from the Star Trek series set after the prequel and thankfully it's a great story that gets them there.

Farscape: The Peacekeeper Wars
The mini-series picks up where season four's finale left off and must have alienated newcomers in their droves. It shamelessly takes no prisoners in utilising several of the plot strands of the series that preceded it. This two-parter gives the series a sense of closure that Bad Timing did not and contains one of television's best death scenes.

Nighty Night
Julia Davis is great as Jill, a widow whose husband is uncooperatively still alive. The rehabilitation of Angus Deayton began here. Somehow each episode manages to be more extreme than the last.

Star Wars: Clone Wars Chapters Eleven to Twenty
More animated tales of clone attacks from Genndy Tartakovsky. Highlights include Mace Windu's singlehanded defeating an entire droid army and the fight Anakin and Asaaj Ventress through the trees and the rain.

QI
Bombs, Beavers and Biscuits are among the subjects under discussion for Stephen Fry's Quite Interesting panel game.




Black Books: Manny Come Home; Elephants And Hens; Moo-Ma And Moo-Pa; A Little Flutter; Party
The show that elevated slovenliness to an art form is back. Manny has begun working next door at monolithic Goliath Books with Simon Pegg as the boss that walks a fine line between corporate and congenial, meanwhile in his absence Bernard has let his misanthropy reach new lows, Manny Come Home gets everybody back on the same page. Elephants And Hens is made up of two distinct and hilarious plots: Bernard and Manny attempt to write the children's book to end all children's books (it's about an elephant and a balloon) via some wonderful flights of fancy, while Fran spectacularly ruins a hen night. Manny's Moo-Ma And Moo-Pa pay him a visit and The Shining-style bar-under-table scenes are great. Bernard has A Little Flutter and the letter he writes to the woman working in the bookies is hilarious. Manny almost uses the word Party as a verb, and the trio share a few cutting home truths in the final episode.

Radio
The Hitchhiker's Guide To The Galaxy: Fits The Thirteenth to Eighteenth
Twenty-Three years after the last series, five years of living on prehistoric Earth for Arthur Dent and Ford Prefect come to an end as they are catapulted back into galactic politics, reunited with Slartibartfast, take on the Krikkitmen and meet Agrajag. This radio adaptation of Douglas Adams' novel Life, The Universe And Everything is closer to the novel than its successors.

Music
The Zutons: Who Killed…
The Zutons' sound is distinctive and yet varied and the band's debut album is a confident, assured, thoughtful, inventive and above all fresh outing.
Stand Out Tracks: 'Zuton Fever'; 'Pressure Point '; ''You Will You Won't'; ' 'Confusion'; 'Railroad'; 'Not A Lot To Do'; 'Remember Me'; ' Don't Ever Think (Too Much)'

Books
The Vesuvius Club by Mark Gatiss
The first adventure of Lucifer Box, the noted portrait artist, resident of Number 9 Downing Street and agent for His Majesty's Secret Service. This book is bold, wonderful and constantly surprising.





Comics
Ex Machina: The Pilot; State Of Emergency
This story of a superhero in politics by Brian K. Vaughn and Tony Harris is an intriguing mix between the day-to-day grind of Mitchell Hundred's mayoral position and his 'destiny' as The Great Machine. First strip The Pilot has the bravest shock ending I can think of in comics, but don't just take my word for it you can download Issue #1 for free. Its follow up, State Of Emergency, is a fascinating commentary on the awkward relationship between politics and art.

2000 AD: There's Something About Mary
A prequel of sorts to the movie Shaun Of The Dead (above), this strip shows how Mary become a zombie and has a nice twist regarding her dead companion in the film. I love 2000 AD and I feel a bit bad that I'm shortchanging it in these posts because I can never remember when I read what and in which prog. I'm going to try and improve on that, but until I do this strip looks beautiful and has got just the right amount of red on it.

Y: The Last Man: Comedy & Tragedy 2, Safeword, Widow's Path; Tongues Of Flame; Hero's Journey; Ring Of Truth 1-2
The second part of Comedy & Tragedy concerns the staging of a play about the last man on Earth and Yorick's reaction to it. Yorick is forced to confront his survivor guilt in Safeword in terrifying fashion. Blood is spilt as Yorick, 355, Dr. Mann & Ampersand attempt to cross the Widow's Path blockade. Tongues Of Flame examines what remains of faith after the Gendercide and presents another flasshback to the moment it happened 15,000 feet above ground. We follow Hero's Journey from childhood to Amazon to searching for her brother. The first two parts of Ring Of Truth see the trio (and their monkey) in San Francisco and it looks like whatever killed all the men has finally caught up with Yorick.

Tales Of The Vampires: Tales Of The Vampires 2-6; Spot The Vampire; Jack; Father; Antique; Dust Bowl; Taking Care Of Business
Exploring the wider Buffyverse, Joss Whedon's Tales Of The Vampires framing story is a rewarding tale in its own right. Jane Espenson invites you to Spot The Vampire in the style of a children's puzzle with a nice twist ending. The hunt is on for Jack the Ripper in a beautifully illustrated strip reveals why we'll never find him. Father is a lovely story of a Vampire who carries some responsabilities beyond the grave. Antique is Drew Goddard's sequel to TV episode Buffy Vs Dracula and features a great Buffy Vs Dracula fight, but also an interesting emotional attachment to Xander from his master. Dust Bowl is about a farmer turned Vampire who doesn't know that he's a Vampire and is forced to learn the rules the hard way. A Vampire who believes he is Taking Care Of Business for God meets someone who believes they are God in Ben Edlund's satifying little tale.

Doctor Who: Bad Blood; Sins Of The Fathers; The Flood 1-6
The Eighth Doctor gets in the midst of Bad Blood between Sitting Bull's Lakota Indians and Custer's US Cavalry, which is complicated by the return of Jodafra and Destrii. Scott Gray's script and Martin Geraghty's art are great and the ending is shocking. Sins Of The Fathers catch up with the Doctor and Destrii and her heroism earns her a place in the TARDIS. The first six parts of The Flood are fantastic: the look of Camden, Destrii's cultural misunderstandings, the new look of the Cybermen are all great, but after 38 years their motivation is the most believable yet. It's also incredibly prescient as the most Russell T. Davies-style strip with an epic storyline, newsreaders, a fannish scientific advisor, etc...

Recommendations welcome.

Thursday, 31 March 2011

"To Take One Breath In 2007..."

"...and the next in 1920 is a strange way to start a new life, but a new life is exactly what I've always wanted" so says Kathy in Doctor Who's Blink (see below). Continuing my countdown: on to 2007...

This is the year that former prime minister of Pakistan Benazir Bhutto was assassinated, the Writer's Guild of America went on strike and a 2,100-year-old melon was discovered by archaeologists in western Japan.

Workwise I was in General Strike 1926, the Autism ads, Dickens Of A Christmas 2007 and wrote and appeared in the first of the Behind The Bike Shed shows and Train Of Thought.

Film
There Will Be Blood
Epic. A film about conmen. The oil man, the evangelical preacher and the long lost half brother are three men all trying to blag their way into money, with mixed success. Here's the trailer.





Juno
I was not expecting to love a film about teenage pregnancy. I was expecting a movie-of-the-week-style cautionary tale, but this film is different. It sets up a set of characters you assume you've seen countless times elsewhere: the disapproving stepmother, the quirky best friend, the apparently ineffectual boyfriend. You then assume you know how they'll react. You are wrong. Here's the trailer.

Sicko
Following the Great Fire of London, several insurance companies set up their own fire brigades to mitigate future losses. Naturally they would only put out fires that affected buildings that they insured, presumably watching many a structure burn to the ground. So it is with the US Healthcare system. To the outside eye, it's terrifying. I should point out that there have been many criticisms of the information presented in this film, but even if only 10% of it were true, you would still have a problem. Universal healthcare can't come to the USA quickly enough. Here's the trailer.

Hot Fuzz
After the success of Shaun Of The Dead, Edgar Wright and Simon Pegg could have simply given us a sequel, but instead we have a police procedural in which Britain's best kept village meets The Wicker Man with very funny results. Here's the trailer.




The Darjeeling Limited (and Hotel Chevalier)
Hotel Chevalier is a short film which precedes the main feature, a vignette of relationship awkwardness. Followed by The Darjeeling Limited, Wes Anderson's tale of three brothers on a journey of forced spirituality across India which references the former throughout. Colours are heightened, the soundtrack is fantastic and the use of Anderson's 'repertory' company is oddly reassuring. Here's the trailer.

This Is England
With a uniformly great cast and soundtrack, Shane Meadows' portrait of skinhead culture in Thatcher's Britain is fantastic. Here's the trailer.


World Of Wrestling
Despite never having seen old school Big Daddy versus Giant Haystacks-style wrestling, Tim Plester's short film tribute to professional wrestling (and night buses) still had me in stitches. Here's a trailer.

TV
The Sarah Jane Adventures: Invasion Of The Bane; Revenge Of The Slitheen; Eye Of The Gorgon; Warriors Of Kudlak; Whatever Happened To Sarah Jane?; The Lost Boy
Sarah Jane Smith gets her own TV show. Again. This first series is the most consistent yet. Invasion Of The Bane shows the series arriving with a bang, the relationships between the characters are almost fully formed already and features great performances from Elisabeth Sladen, Yasmin Paige, Thomas Knight, Joseph Millson and Juliet Cowan. It takes the arrival of Daniel Anthony as Clyde in Revenge Of The Slitheen to give us the series proper. Slitheen in school and a wonderful turn from Ian Midlane. On the face of it, Eye Of The Gorgon and Warriors Of Kudlak are slight tales about killer nuns and aliens using children in to fight their war respectively. Both deal with the consequences of some adult themes in the perfect way for the target audience, namely Alzheimer's syndrome in the former, and the Iraq war and the families left behind in the latter. As the series gets better it gets darker, with the first appearance of the Trickster in Whatever Happened To Sarah Jane? The story deals with an alternate reality in which Sarah died at 13 year old and the chaos that ensues without her to protect the Earth. Crucially the price of getting Sarah back is still the death of a 13 year old girl, something that seems unlikely in Doctor Who itself. The season finale, The Lost Boy, systematically takes the Bannerman Road gang apart and makes their world a little bleaker. The TV appeal of Luke's real parents is a horrific sight on children's television, but with Alan wanting to move Maria out of harms way, Chrissie informing on Sarah, Mr Smith turning on Sarah and imprisoning Clyde, it seems like just as they are on the verge divided they fall K9 saves the day. I cheered.

Torchwood: Captain Jack Harkness; End Of Days
The first season draws to a close with this double bill. You might expect an episode called Captain Jack Harkness to enlighten us about Jack's past. Instead it sees Jack and Tosh travel back to 1941 where they meet the real Captain Jack Harkness, the man whose identity our Jack has appropriated. They have more in common than a name and there is a touching romantic encounter between the Jacks. Back in the present all hell breaks loose in End Of Days as the Rift splinters, Cardiff is the epicentre of the apocalypse and everything but the kitchen sink attacks. Murray Melvin's Bilis Manger is the making of these two episodes and it is bizarre that we haven't seen him since.

Doctor Who: Smith And Jones; The Shakespeare Code; Gridlock; Human Nature & The Family Of Blood; Blink; Utopia; The Sound Of Drums & Last Of The Time Lords; The Infinite Quest; Time Crash
David Tennant's second season begins with a trio of what could justifiably be described as brilliant romps. Smith And Jones ably introduces Freema Agyeman as Martha as very quickly asserts her as the new companion, The Shakespeare Code features some great Shakespearean references without excluding a mainstream audience and Gridlock eases us into more thoughtful territory. A run of six of the best episodes of television ever made begins with Human Nature and The Family Of Blood, Tennant, Agyeman, Harry Lloyd, Thomas Sangster and Jessica Hynes née Stevenson are fantastic in these beautiful Paul Cornell scripts about the Doctor living the life he could never have. Blink is a locked room mystery and a Chinese puzzle box of an episode with a great script from Steven Moffat, a lovely central performance from Carey Mulligan and capitalises brilliantly on something kids can be scared of in everyday life. Derek Jacobi is captivating in Utopia as Professor Yana and as...I did not see that coming. After fleeting mentions, Mr Saxon finally steps onto the world stage in The Sound Of Drums and Last Of The Time Lords and it brings out the best in Martha. Another season finale, another epic, but "the year that never was" is replete with great moments, from the reveal of the identity of the Toclafane to John Simm's absolutely priceless first reaction to the wizened old Doctor with his regenerations suspended. Fantastic. Meanwhile The Infinite Quest is a lovely animated treasure hunt/road movie. Time Crash is a gift to the fans, a multi-Doctor story with paradoxy wibbly-wobbly-timey-wimeyness.

The Thick Of It: The Rise Of The Nutters; Spinners And Losers
No one knows what's going on but no one wants to admit it. People position and reposition themselves as the political winds blow them around. The Rise Of The Nutters sees the espionage between the parties at its height and Malcolm Tucker risks becoming the story, but he finds himself usurped by the events of the cliffhanger ending. Spinners And Losers sees the posturing reach its height in the wake of the Prime Minister's resignation.

Life On Mars
To get the job done Sam Tyler finds himself acting a lot more like Gene Hunt than he did in series one, the will they, won't they? romance between Tyler and Annie Cartwright and Tyler's training of Chris continue, while the 'real' world impinges on Tyler in more surreal ways than before, Camberwick Green, and the test card girl. The last episode is nothing short of spectacular.

QI
The 'E' Series takes in Eating, Espionage, and Everything, Etc and sees panellists searching for the Elephant-In-The-Room.


Family Guy: Blue Harvest
Now this was a really great idea. Recasting Star Wars, Episode IV: A New Hope with the Family Guy characters and somehow managing to ably tell the story of a two hour movie that I have seen several times in 45 minutes without me noticing any omissions.

The Worst Journey In The World
Mark Gatiss wrote and starred in this outstanding adaptation of Apsley Cherry-Garrard's memoirs of the Terra Nova expedition to the South Pole. As part of the scientific remit of the expedition, they collect penguin's eggs for the Natural History Museum. The tone of Barry Lett's narration is beautiful. The cost proves so high, that the epilogue is heartbreaking.

Parallel Worlds, Parallel Lives
E's documentary about the many-worlds interpretation of quantum mechanics of his father, Hugh Everett. His theories were unappreciated in life, but are now almost universally accepted by physicists.

Party Animals
Andrew Buchan, Raquel Cassidy, Shelley Conn & Matt Smith are fantastic in this story of the grubby business of oiling the wheels of government.


Summer Heights High
Chris Lilley's controversial mockumentary follows him playing a trio of characters throughout a year in high school.


Radio
Doctor Who: Blood Of The Daleks, Part Two; Horror Of Glam Rock; Human Resources
The Eighth Doctor and Lucie's adventures continue apace. The Daleks show that they make even deadlier friends than they do enemies in the second part of Blood Of The Daleks. They endure the Horror Of Glam Rock in a 1974 motorway service station on the M62 with Aunty Pat. The Headhunter follows them through time and space giving the season an overarching storyline which culminates in the two part finale to the season, Human Resources. It shows the strengths of juxtaposing the mundane with the extraordinary with fantastic success. It turns out that there is nothing scarier to the listener than the Doctor with a job. The real strength of this season has been the chemistry between Paul McGann and Sheridan Smith.

Dirk Gently's Holistic Detective Agency,
The 'other' character from the pen of Douglas Adams makes it to radio for the first time here and Harry Enfield, Olivia Colman, Andrew Sachs, Felicity Montagu, Jim Carter and Toby Longworth all give great performances in a story featuring electric monks, missing cats and almost prevents the beginnings of life on Earth.

Toby Hadoke's Moths Ate My Doctor Who Scarf
The story of my childhood, written and narrated by Toby Hadoke, but set a few years earlier, featuring things that may not have happened to me in the future and swapping my name for his own in an attempt to protect the innocent. Featuring Louise Jameson, a very literal minded continuity announcer and no less than five Doctors, but sadly not John Abineri.

The Chain Gang: Picture This
Rob Shearman wrote the first and last episodes with listeners encouraged to resolve the cliffhangers and write the next episode themselves in about 300 words. To say this took surprising twists and turns does not do it justice.

Music
The Hoosiers: The Trick To Life
The public perception of this band probably comes from the jaunty nature of their singles, but tracks like 'Everything Goes Dark' and 'The Trick To Life' reveal a level of depth and complexity which sets them apart.
Stand out tracks: 'Worried About Ray', 'Goodbye Mr A', 'Cops And Robbers', 'Everything Goes Dark', 'The Trick To Life'

The Polyphonic Spree: The Fragile Army
The life affirming choir shun their robes and don black militaristic uniforms. The sound is a little darker but the core message of the Polyphonic Sprites remains the same.
Stand out tracks: 'Together We're Heavy', 'The Fragile Army', 'Younger Yesterday', 'We Crawl', 'Mental Cabaret'

Books
Charlie Brooker's Dawn Of The Dumb
The second collection of The Guardian's Screen Burn column by Charlie Brooker is wonderfully acerbic and takes in a great many TV shows I didn't see at the time and it doesn't matter in the slightest. Brooker's style more than makes up for my missing out on Big Brother or Celebrity Love Island, but it's great to read his palpable joy at the 2005 return of Doctor Who.

Comics
Buffy The Vampire Slayer: The Long Way Home, The Chain Season Eight picks up after the TV show. The Long Way Home acts as a pilot episode setting up the new premise. Xander is co-ordinating an army of Slayers, Dawn is a giant, Willow is forced to use dark magic, Giles is one Watcher among hundreds of Slayers and Buffy needs decoys to protect her identity. Not afraid of referencing the continuity of the TV series and featuring many of its great supporting cast. This is epic in its scope as forces of evil gather in the name of something ironically called 'Twilight'. The Chain concerns the fate of one of Buffy's unnamed decoys and features a beautiful script from Joss Whedon.

Jump Leads: Training Day
The webcomic hits the ground running as Meaney and Llewellyn's journey starts here. Ben Paddon's script sets out the stall well with just the right amount of exposition and the style of Jjar's artwork is already confident. The use of diagrams within speech bubbles is a lovely device.

Doctor Who: The Warkeeper's Crown; The First
It's wonderful to see the Doctor and the Brigadier reunited in the comic strip in The Warkeeper's Crown. The Brig's characterisation is absolutely spot on, pairing him with the Tenth Doctor changes their dynamic as they are both old soldiers, the strip sees them both save the day and ends with a last panel that has taken on a new poignance since the death of Nicholas Courtney. The First sees the Doctor and Martha meet Ernest Shackleton during an Antarctic expedition and encounter the crystalline Skith. The Skith are both beautiful and hideous, complex and simple. They also succeed in feeling starkly alien in a way that many attempts in comics do not and the panels of the 'Skithself' Doctor are terrifying.

Sugarshock!: Battle Royale With Cheeses
Joss Whedon and Fábio Moon's first strip about a band sets up a great premise. Plus the robot wears jeans.




Online
The Thick Of It: Opposition Extra
The events of Spinners And Losers (see above) as seen from the perspective of the opposition. Peter Mannion's contempt for his situation is wonderful and Roger Allam is fantastic.

Somegreybloke
The YouTubings of Graham Murkett on a myriad of subjects are always worth watching:



Recommendations welcome.